In “Correspondence to Reality in Ethics”, Mario Brandhorst examines the view of ethics that Wittgenstein took in his later years. According to Brandhorst, Wittgenstein leaves room for truth and falsity, facts, correspondence and reality in ethics. Wittgenstein's target, argues Brandhorst, is objectivity. I argue that Brandhorst's arguments in favour of truth, facts, reality and correspondence in ethics invite similar arguments in favour of objectivity, that Brandhorst does not recognise this because his conception of objectivity is distorted by a Platonist picture (...) and that he misinterprets the passage which he takes to support a Wittgensteinian case against objectivity. (shrink)

Johann Wolfgang von Goethe's approach to natural scientific research has unmistakable parallels to phenomenology. These parallels are clear enough to allow one to say confidently that Goethe's delicate empiricism is indeed a phenomenology of nature. This paper examines how Goethe's criticisms of Newton anticipated Husserl's announcement of the crisis of the modern sciences, and it describes how Goethe, at a critical juncture in cultural history, addressed this emerging crisis through a scientific method that is virtually identical to the method of (...) contemporary empirical-phenomenological research in the human sciences. Goethe's practice of science shares with phenomenology a participatory, morally-responsive, and holistic approach to the description of dynamic life-world phenomena. Delicate empiricism has its own version of the phenomenological epoché, and, like Husserl's technique of imaginative variation, it strives to disclose the essential or archetypal structure of the phenomenon through the endowment of human imagination. However, a close reading of Goethe suggests that the tendency amongst some scholars to distinguish phenomenology as human science from the natural sciences is actually a costly error which unwittingly falls prey to implicit Cartesian assumptions. Goethe, however, manages to avoid these problems by performing from the first a phenomenology of nature's sensibility. (shrink)

The aim of this paper is to provide a dynamic interpretation of Kant’s logical hylomorphism. Firstly, various types of the logical hylomorphism will be illustrated. Secondly, I propose to reevaluate Kant’s constitutivity thesis about logic. Finally, I focus on the design of logical norms as specific kinds of artefacts.

Jackson's black-and-white Mary teaches us that the propositional content of perception cannot be fully expressed in language.

Although Wittgenstein’s most extensive discussion of aspect‐recognition appears in Part II of the Philosophical Investigations, aspect‐recognition was of interest to Wittgenstein almost from the beginning of his engagement with philosophy at Cambridge in 1912. However, the nature of that interest changes upon his return to Cambridge in 1929, and that change in turn is connected with the inter‐related ideas that philosophical clarity rests on recognising aspects of our grammar and that mathematical proof leads us to recognise new aspects of mathematical (...) expressions. (shrink)

Many philosophers have believed that colours and the other qualia ofexperience are simples and that colour terms are unanalysable. Colour termsare unanalysable because colours are simples, colours are known to be simple because colour terms are unanalysable. I shall try to show that things are not as simple as this. Nothing in the paper will depend on the general Wittgensteinian thesis of the relativity of simplicity. The thought I shallpursue is the more specific one that the philosophers who have believed (...) in the simplicity of colours have been the victims of certain false images of what the relevant kind of simplicity is like, and that when these images are destroyed the belief is clearly false. Most importantly they have confused logical simplicity with visual uniformity, the kind of simplicity which could intelligibly be attributed to coloured patches or expanses of colour andthe kind of simplicity which can be attributed to colours. So the paper is concerned with the destruction of spatial and material images which distort our understanding of concepts which are neither spatial nor material ones.The wider epistemological implications of the non-existence of simple ideas of colours will not be discussed. (shrink)

Some people have stressed that there is a close analogy between meaning experiences, i.e., experiences as of understanding concerning linguistic expressions, and seeing-in experiences, i.e., pictorial experiences of discerning a certain item – what a certain picture presents, viz. the picture’s subject – in another item – the picture’s vehicle, the picture’s physical basis. Both can be seen as fusion experiences, in the minimal sense that they are experiential wholes made up of different aspects. Actually, two important similarities between such (...) experiences may lead one to think that they are experiences of the same type. In this paper, however, I will try to show that notwithstanding such similarities, these experiences are typologically different. For there are two dissimilarities between such experiences that are more relevant on this typological concern than their similarities. Indeed, unlike meaning experiences, seeing-in experiences are first of all recognitional experiences of a sort that makes them perceptual experiences as well. Moreover, again unlike meaning experiences, seeing-in experiences are fusion experiences in the substantial sense that the experiential whole is more than the sum of its experiential parts taken in isolation, for when such parts figure in that whole, they interact with each other. In a nutshell, unlike meaning experiences, seeing-in experiences are proper fusion experiences. (shrink)

This article discusses the displacement observed in the Brazilian mainstream pedagogical ideas and how Foucauldian studies play a role in shaping new ways of thinking, thus contributing for a change in such a scenario. In order to do so, a shift in the interpretative dominant educational discourse, mainly in Brazil, is necessary. The main idea is to discuss the points where some Foucauldian tools—such as disciplinary power, norm, device, archive, government, and governmentality, among others—are being intertwined to operate in the (...) way they do. We know that this kind of displacement causes a strong lag in the certainties and hopes held mostly, of those who are more accustomed to a salvationist and promethean vision of the school and, in a broader sense, of education. Nevertheless, the statements in this article do not mean that a Foucauldian perspective is, in itself, pessimistic or nihilistic. (shrink)

The questions of how we can understand others and how we can know what they feel, think and sense have repeatedly preoccupied Wittgenstein since the 1930s and especially in his last writings. In this article, the author will tackle these questions by focusing on the other as other or strange. For it is also the strangeness of others, their otherness as such, that makes it difficult and even impossible to recognize and understand their inner life. As she will show, such (...) otherness can be made comprehensible by fictional narratives, in which aspects of others’ lives are related to what is one’s own, i.e., our own inner experience, such that we can find ourselves in them. Moreover, she will argue that this idea of making something comprehensible through fictional narratives has a special methodological relevance for Wittgenstein when it comes to understanding what is ‘one’s own’ in the broadest sense. (shrink)

In his last writings, Wittgenstein repeatedly addresses the question of how our concepts relate to general facts of nature or human nature and how they are embedded in our lives. In doing so, he uses the term “pattern of life”, characterizing the complicated relationship between concepts and our lives and how our concepts “are connected with what interests us, with what matters to us” (LWPP II, 46). But who is this “us”, and whose interests manifest in the concepts we use (...) to designate patterns of life? What if certain concepts—or their absence—are exclusionary, discriminatory, or otherwise unjust to those who are not “us”? In this paper, I want to discuss Wittgenstein’s notion of “pattern of life” in its interweaving with facts, human life, and concepts, as well as its political implications. To this end, I will first outline the relationship between facts and concept formation as Wittgenstein drew it in his last writings. Based on this, I will argue that he uses the concept of pattern of life to capture the complicated relationship between concepts and human nature or “social facts”. Going beyond Wittgenstein and drawing on recent feminist epistemology, I will raise the question of the political implications of our patterns of life and concomitant social “conceptual injustices”. Finally, I will show how imagining facts otherwise and other conceptual worlds can help us to reveal the prejudices and injustices of our concepts and can lead to conceptual change and new patterns of life that may ultimately even change “things”, i.e., our thinking, judging and acting in the world. (shrink)

Wittgenstein's theory of aspect perception has been taken up by scholars interested in the ways that people take in and interpret visual stimuli. Within this field of inquiry, Wittgenstein proposes the notion of “aspect blindness,” the failure of a person to see a particular aspect or expression. An important turn in the use of Wittgenstein's aspect perception has not always been in the ways that deviating perspectives fail to “see” in the same way that the normative category “sees,” but in (...) the ways that those on the constructed margins turn a critical eye on the failure of normative “seeing.” Using this framework, this article turns to critique the racism and “aspect blindness” embedded in whiteness. It examines Enlightenment scientific racism and the racialized hierarchies used as the justification for excluding some people from the category of humanity. The work finishes by linking with insights developed within the Black Lives Matter movement. (shrink)

Wendy Lee-Lampshire writes that Wittgenstein’s conception of language has something valuable to offer feminist attempts to construct epistemologies firmly rooted in the social, psychological and physical situations of language users. However, she also argues that his own use of language exemplifies a form of life whose constitutive relationships are enmeshed in forms of power and authority. For example, she interprets the language game of the builders as one of slavery, and questions how we read and respond to it. She asks: (...) “Who are ‘we’ as Wittgenstein’s reader?” This is an important question, and how we answer offers insight not only into our own philosophical practices, but also into Wittgenstein’s use of language games. With the words “Let us imagine...”, Wittgenstein invites readers to participate in creative, collaborative, and improvisational language games that alter not only the texts themselves, but our relationship with others. (shrink)

El presente trabajo explora la posible afinidad de método entre las obras de Walter Benjamin y Ludwig Wittgenstein. El intento por parte de Benjamin de desarrollar un nuevo método de representación histórica gravita en torno a la categoría de “origen”, la cual sostiene sus más importantes trabajos de investigación histórica. En paralelo al trabajo de Benjamin, Wittgenstein dedicó una especial atención al problema de una exposición filosófica de los fenómenos, en especial en sus investigaciones sobre el lenguaje, a través de (...) categorías como la “representación perspicua” o la “visión de aspectos”. La filiación común de la reflexión de ambos autores en la morfología de Goethe nos permitirá definir el perfil de un posible enfoque estético para la investigación filosófica, dirigida a captar la generalidad de los fenómenos sin renunciar a salvaguardar su singularidad única. (shrink)

Recently, Irad Kimhi has argued that negation and falsehood can be made intelligible by understanding assertions/judgements as acts of two-way logical capacities. These are capacities that are, at the same time, for (1) positive and negative assertions/judgements and (2) positive and negative facts. Kimhi’s account of negation and falsehood, however, faces severe problems. I argue that these problems can be resolved, and that a new understanding of cases of negation and falsehood can be achieved, by regarding two-way logical capacities for (...) assertion/judgement and facts as established and undergirded by what Ludwig Wittgenstein calls “samples”. The standard metre sample, for instance, establishes and undergirds the capacity for asserting that something, x, is one metre long (meaning: x is like the standard metre in length). At the same time, it establishes and undergirds the capacity for the fact that x is one metre long (when x is like the standard metre in length). As I explain, invoking samples means we cannot say, as Kimhi wants to, what assertion/judgement, negation, and facts, in general, are but can only show what they are, one case at a time. This, however, is a boon not a disadvantage. (shrink)

The purpose of the article is to shed light on how experiences of sensory perceptions in the domains of vision, smell, taste, and touch are recast into text and discourse in the genre of wine reviews. Because of the alleged paucity of sensory vocabularies, in particular in the olfactory domain, it is of particular interest to investigate what resources language has to offer in order to describe those experiences. We show that the main resources are, on the one hand, words (...) evoking properties that are applicable cross-modally and properties of objects that range over more than one domain, and on the other, vivid imagery that compares the characteristics of the wine with people, buildings, animals, and the hustle and bustle of market places and other events. The second goal is to account for the construals of the meanings of the expressions used in the recontextualization into written discourse in the light of their apparent flexibility across the descriptions of the sensory experiences. In contrast to a large body of the literature on sensory meanings in language, we argue that the descriptors of properties such as sharp, soft, lemon, and cherry used to describe a wine's qualities across the sensory domains are not polysemous synesthetic metaphors, but monosemous synesthetic metonymizations, more precisely zone activations. With regard to the imagery used, the construals represented cover both similes, metaphorizations and metonymizations proper. (shrink)

The influence of Goethe on Wittgenstein is just beginning to be appreciated. Hacker and Baker, Westphal, Monk, and Haller have all drawn attention to significant affinities between the two men's work, and the number of explicit citations of Goethe in Wittgenstein's texts supports the idea that we are not dealing simply with a matter of deeplying similarities of aim and method, but of direct and major influence. These scholarly developments are encouraging because they help to place Wittgenstein's work within an (...) important tradition of German letters which goes far beyond his contemporaries and immediate forebears in Vienna; and they show that Wittgenstein's profound interest in literature and music is ceasing to be merely a matter of biographical anecdote, and is being used to illuminate some of the most central areas of his work. (shrink)

In Word and Object, W.V. Quine made thinkable the idea that speech and cognition bear a burden of semantic indeterminacy. On Quine’s account, the upshot of semantic indeterminacy is that meaning and mentalism resist successful naturalization, and thus fail the test of scientific respectibility. For Quine, semantic indeterminacy is a fatal shortcoming.Recent attempts to naturalize meaning in our thought and our talk (e.g. Dretske 1981, Fodor 1987), belonging to a tradition that has thrived in reaction to Quine, have sought to (...) nail down semantic properties in a scientifically respectable fashion, avoiding the scourge of indeterminacy. However, both Quine and the new redeemers of mentalism may have missed the boat. Three case studies offered here will suggest that a thriving theory of visual perception still makes room for some rather striking indeterminacies. (shrink)

Both Hegel and the later Wittgenstein were concerned with the problem of how to begin speculation, or the problem of beginning. I argue that despite many differences, there are surprising similarities between their thinking about the beginning. They both consider different kinds of beginnings and combine them into complex analogies. The beginning has a subjective and an objective moment. The philosophizing subject has to begin with something, with an object. For Hegel, the objective moment is pure being. For Wittgenstein, the (...) objective moment is something that cannot be doubted. As regards the subjective moment, the philosophizing subject has to decide, without any reason, to conclude her quest for the presuppositionless beginning and finally begin at the beginning. The arational moment of this decision is echoed throughout any rational thought. Any application of a (rational) rule is, ultimately, a blind decision to apply this rule. (shrink)

Annalisa Coliva (Int J Study Skept 10(3–4):346–366, 2020) asks, “Are there mathematical hinges?” I argue here, against Coliva’s own conclusion, that there are. I further claim that this affirmative answer allows a case to be made for taking the concept of a hinge to be a useful and general-purpose tool for studying mathematical practice in its real complexity. Seeing how Wittgenstein can, and why he would, countenance mathematical hinges additionally gives us a deeper understanding of some of his latest thoughts (...) on mathematics. For example, a view of how mathematical hinges relate to Wittgenstein’s well-known river-bed analogy enables us to see how his way of thinking about mathematics can account nicely for a “dynamics of change” within mathematical research—something his philosophy of mathematics has been accused of missing (e.g., by Robert Ackermann (Wittgenstein’s city, The University of Massachusetts Press, Amherst, 1988) and Mark Wilson (Wandering significance: an essay on conceptual behavior, Oxford University Press, Oxford, 2006). Finally, the perspective on mathematical hinges ultimately arrived at will be seen to provide us with illuminating examples of how our conceptual choices and theories can be ungrounded but nevertheless the right ones (in a sense to be explained). (shrink)

This essay argues that there is room for a third position between moral particularism and moral generalism in their orthodox forms. The view proposed in this essay is inspired by the later Wittgenstein's conception of grammar and holds that formulations of ethical principles can be interpreted as grammatical statements, while ethical problems can be interpreted as instances of grammatical tension. On this reading, situations in which ethical principles turn out to conflict come out as moments in the evolution of language. (...) Three consequences are discussed, and welcomed as general insights into the workings of language. (shrink)

According to a standard criticism, Robert Brandom's “normative pragmatics”, i.e. his attempt to explain normative statuses in terms of practical attitudes, faces a dilemma. If practical attitudes and their interactions are specified in purely non-normative terms, then they underdetermine normative statuses; but if normative terms are allowed into the account, then the account becomes viciously circular. This paper argues that there is no dilemma, because the feared circularity is not vicious. While normative claims do exhibit their respective authors' practical attitudes (...) and thereby contribute towards establishing the normative statuses they are about, this circularity is not a mark of Brandom's explanatory strategy but a feature of social practice of which we theorists partake. (shrink)

Philosophical Investigations, EarlyView.

Rangrez and Rangdār are two commonly used words in north India. ‘Rangrez’ is a painter/dyer, and in Sufi tradition is also a word for Allah. ‘Rangdāri’ is an illegal extortion tax, and the person w...

In his latest book Aboutness, Stephen Yablo has proposed a new ‘easy road’ nominalist strategy: instead of engaging in the hard work of paraphrasing a scientific theory which presupposes numbers in a nominalistically acceptable way, nominalists are, according to Yablo, entitled to accept the theory as true, while rejecting the existence of numbers, if from the theory’s content the presupposition that there are numbers can be subtracted away, yielding thus a number-free content remainder. Perfect extricability, i.e. extricability in every possible (...) world, of the presupposition that there are numbers from any content apparently involving them is, in Yablo’s view, sufficient to make the existence of numbers moot. In this paper I will argue that perfect extricability fails as a criterion of ontological mootness. (shrink)

This article explains Wittgenstein's distinction between good, bad, and vacuous modern music which he introduced in a diary entry from January 27, 1931. I situate Wittgenstein's discussion in the context of Oswald Spengler's ideas concerning the decline of Western culture, which informed Wittgenstein's philosophical progress during his middle period, and I argue that the music theory of Heinrich Schenker, and Wittgenstein's critique thereof, served as an immediate link between Spengler's cultural pessimism and Wittgenstein's threefold distinction. I conclude that Wittgenstein's distinction (...) between bad and vacuous modern music is analogous to Schenker's distinction between the compositional fallacies of the progressive and the reactionary composers of his time. Concomitantly, Wittgenstein's philosophically problematic notion of good modern music transcended the conceptual framework of both Schenker and Spengler. In this context, I examine Wittgenstein's remarks on Gustav Mahler as well as his remark on the music of the future as monophony, which, I conclude, should be understood ultimately as an ellipsis of his much later view of musical meaning and intelligibility. (shrink)

The entire issue turns, then, on how we regard definitions.

The aim of this paper is to provide a dynamic interpretation of Kant’s logical hylomorphism. Firstly, various types of the logical hylomorphism will be illustrated. Secondly, I propose to reevaluate Kant’s constitutivity thesis about logic. Finally, I focus on the design of logical norms as specific kinds of artefacts.