Abstract

Gabriele Gava's new monograph makes sense of Kant's obscure claim that the Critique of Pure Reason is a "doctrine of method" for the science of metaphysics. Gava does this by offering a reading of the whole Critique as aiming to show that metaphysics can become an "architectonic" science. The book shows impressive range; it covers diverse topics throughout the Aesthetic, Analytic, Dialectic, and Method, brings out appealing parallels between them, and relates them to the task of exhibiting metaphysic's architectonic unity. But, I argue, it stops short of a full explanation of how the Critique is meant to outline or anticipate the whole of metaphysics in advance of actually completing that science.