Abstract

The Prosecutor in Camus’ novel claims to have peered into Meursault’s soul but found nothing human in there. But the nothingness attests to Meursault embodying something like a musical instrument through which the world plays its music. Meursault does not initiate anything that in the presence of standing conditions causes a change in environment—aside from physical needs which are also immensely flexible and dependent on existing circumstances. He himself constitute the standing conditions awaiting external factors to cause any change. Meursault’s radical indifference and acceptance towards the world and authenticity (his speech and his deed are perfectly coordinated) (his thought and his speech are the same except situation where out of consideration for others he keeps silent) indicates that he has no sickness unto death undergoing life or in anticipation of his death. What the prosecutor announces amounts to Meursault’s existence preceding his essence (given his openness to the world despite his acute rationality and understanding of his environment). But if existence precedes essence, the method precedes existence. He roams the world already equipped with a method. ------------ Abstract II: ---------- What is something that it is not a being? The question implicates there be something that it is not a being but that into which beings as a whole in one's existence slipped into in sickness unto death. Meursault brings to consciousness (of the chaplain) the sickness unto death separated from absurdity by a transparent sheet. Something to which he himself was not susceptible out of his own life-affirmative reasoning.