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  1. Heidegger's Ontology of Art.Hubert L. Dreyfus - 2005 - In Hubert L. Dreyfus & Mark A. Wrathall (eds.), A Companion to Heidegger. Malden, MA: Wiley-Blackwell. pp. 407–419.
    This chapter contains sections titled: Introduction: World, Being, and Style The Work of Art as Manifesting a World The Work of Art as Articulating a Culture's Understanding of Being Heidegger: Artworks as Reconfiguring a Culture's Understanding of Being Conclusion: Can an Artwork Work for Us Now?
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  • Light as a Metaphor for Truth: At the Preliminary Stage of Philosophical Concept Formation.Hans Blumenberg - 1993 - In David Michael Levin (ed.), Modernity and the Hegemony of Vision. University of California Press. pp. 30-62.
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  • Being and Time.Ronald W. Hepburn - 1964 - Philosophical Quarterly 14 (56):276.
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  • "What is an Apparatus?" and Other Essays.Giorgio Agamben - 2009 - Stanford University Press.
    What is an apparatus? -- The friend -- What is the contemporary?
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  • A paradigm shift in Heidegger research.Thomas Sheehan - 2001 - Continental Philosophy Review 34 (2):183-202.
    The Beiträge zur Philosophie mandates a paradigm shift in Heidegger scholarship. In the face of (1) widespread disarray in the current model, the new paradigm (2) abandons Sein as a name for die Sache selbst, (3) understands Welt/Lichtung/Da as that which gives being, (4) interprets Dasein as apriori openedness rather than as being-there, (5) understands the Kehre as the interface of Geworfenheit and Entwurf, not as a shift in Heidegger's thinking, (6) interprets Ereignis as the opening of the Da rather (...)
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  • Textures of Light: Vision and Touch in Irigaray, Levinas, and Merleau-Ponty.Kelly Oliver - 1998 - Hypatia 16 (1):106-108.
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  • “Letter on humanism”.Martin Heidegger - unknown
    I am trying...to go back through all those places where I was exiled-enclosed so he could constitute his there. To read his text to try to take back from it what he took from me irrecoverably...I am trying to re-discover the possibility of a relation to air. Don’t I need one, well before starting to speak?
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  • Contributions to Philosophy.Martin Heidegger, Parvis Emad & Kenneth Maly - 1999 - Tijdschrift Voor Filosofie 63 (1):179-180.
    "[Heidegger's] greatest work... essential for all collections." —Choice "... students of Heidegger will surely find this book indispensable." —Library Journal Contributions to Philosophy, written in 1936-38 and first published in 1989 as Beiträge zur Philosophie, is Heidegger’s most ground-breaking work after the publication of Being and Time in 1927. If Being and Time is perceived as undermining modern metaphysics, Contributions undertakes to reshape the very project of thinking.
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  • Poststructuralism, Complexity and Poetics.Michael Dillon - 2000 - Theory, Culture and Society 17 (5):1-26.
    Poststructuralism and complexity are plural and diverse modes of thought that share a common subscription to the `anteriority of radical relationality'. They nonetheless subscribe to a different ethic of life because they address the anteriority of radical relationality in different ways. Complexity remains strategic in its bid to become a power-knowledge of the laws of becoming. It derives that strategic ethic from its scientific interest in the implicate order of non-linearity that is said to subvert Newtonian science. Poststructuralism is poetic. (...)
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  • Heidegger’s “Originary Ethics”.Jean-Luc Nancy - 2002 - In Fran?ois Raffoul & David Pettigrew (eds.), Heidegger and Practical Philosophy. State University of New York Press. pp. 65-85.
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  • Nearness and Da-sein: The Spatiality of Being and Time.Peter Sloterdijk - 2012 - Theory, Culture and Society 29 (4-5):36-42.
    This paper focuses on the latent spatial philosophy in Heidegger’s ‘Being and Time’, highlighting a key aspect of the Heideggerian oeuvre that has mostly been overlooked by commentators. It outlines the concept of an original spatiality of being that is opposed to the philosophies of space in both physics and Cartesian metaphysics. Through an elaboration of the essentially relational character of Da-sein, it is argued that Heidegger’s vocabulary in ‘Being and Time’ yields an onto-topology that shows Da-sein’s primary spatial embeddedness (...)
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  • Heidegger’s Philosophy of Art.D. E. Cooper - 2001 - Mind 110 (440):1133-1137.
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  • Heidegger and the ontological significance of the work of art.Daniel E. Palmer - 1998 - British Journal of Aesthetics 38 (4):394-411.
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  • Art of the Modern Age: Philosophy of Art from Kant to Heidegger.Jean-Marie Schaeffer, Steven Rendall & Arthur C. Danto - 2000 - Tijdschrift Voor Filosofie 64 (1):203-204.
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