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  1. Critique of Practical Reason.Immanuel Kant (ed.) - 1788 - New York,: Hackett Publishing Company.
    With this volume, Werner Pluhar completes his work on Kant's three Critiques, an accomplishment unique among English language translators of Kant. At once accurate, fluent, and accessible, Pluhar's rendition of the Critique of Practical Reason meets the standards set in his widely respected translations of the Critique of Judgement (1987) and the Critique of Pure Reason (1996).
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  • The Phenomenal Woman: Feminist Metaphysics and the Patterns of Identity.Christine Battersby - 1998 - New York: Routledge.
    "First Published in 1998, Routledge is an imprint of Taylor & Francis, an informa company.".
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  • Critique of Pure Reason.I. Kant - 1787/1998 - Philosophy 59 (230):555-557.
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  • Modernity: An Unfinished Project [1980].Jürgen Habermas - 2007 - In Craig J. Calhoun (ed.), Contemporary sociological theory. Malden, MA: Blackwell. pp. 2--363.
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  • Lectures on Kant’s Political Philosophy.Hannah Arendt - 1982 - Chicago: University of Chicago Press. Edited by Ronald Beiner.
    The present volume brings Arendt's notes for these lectures together with other of her texts on the topic of judging and provides important clues to the likely direction of Arendt's thinking in this area.
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  • Kant and the Experience of Freedom.Paul Guyer - 1995 - Philosophy and Phenomenological Research 55 (2):369-377.
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  • The Use of Pleasure.Michel Foucault & Robert Hurley - 1985
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  • Ecrits: A Selection.Jacques Lacan - 1966/2005 - Routledge.
    First published in 1980. Routledge is an imprint of Taylor & Francis, an informa company.
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  • Negativity and Politics: Dionysus and Dialectics From Kant to Poststructuralism.Diana H. Coole - 2000 - New York: Routledge.
    First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
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  • The Ideology of the Aesthetic.Terry Eagleton - 1991 - Journal of Aesthetics and Art Criticism 49 (3):259-261.
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  • The Fate of Art: Aesthetic Alienation From Kant to Derrida and Adorno.J. M. Bernstein - 1992 - Pennsylvania State University Press.
    Aesthetic alienation may be described as the paradoxical relationship whereby art and truth have come to be divorced from one another while nonetheless remaining entwined. J. M. Bernstein not only finds the separation of art and truth problematic, but also contends that we continue to experience art as sensuous and particular, thus complicating and challenging the cultural self-understanding of modernity. Bernstein focuses on the work of four key philosophers—Kant, Heidegger, Derrida, and Adorno—and provides powerful new interpretations of their views. Bernstein (...)
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  • Lyotard and the problem of justice.Anne Barron - 1992 - In Andrew E. Benjamin (ed.), Judging Lyotard. New York: Routledge. pp. 26--42.
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  • Beyond Enlightenment?Couze Venn - 1997 - Theory, Culture and Society 14 (3):1-28.
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  • Specula laws: Image, aesthetic and common law.Peter Goodrich - 1991 - Law and Critique 2 (2):233-254.
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