Michel Foucault has become famous for a series of books that have permanently altered our understanding of many institutions of Western society. He analyzed mental institutions in the remarkable Madness and Civilization; hospitals in The Birth of the Clinic; prisons in Discipline and Punish; and schools and families in The History of Sexuality. But the general reader as well as the specialist is apt to miss the consistent purposes that lay behind these difficult individual studies, thus losing sight of the (...) broad social vision and political aims that unified them. Now, in this superb set of essays and interviews, Foucault has provided a much-needed guide to Foucault. These pieces, ranging over the entire spectrum of his concerns, enabled Foucault, in his most intimate and accessible voice, to interpret the conclusions of his research in each area and to demonstrate the contribution of each to the magnificent -- and terrifying -- portrait of society that he was patiently compiling. For, as Foucault shows, what he was always describing was the nature of power in society; not the conventional treatment of power that concentrates on powerful individuals and repressive institutions, but the much more pervasive and insidious mechanisms by which power "reaches into the very grain of individuals, touches their bodies and inserts itself into their actions and attitudes, their discourses, learning processes and everyday lives" Foucault's investigations of prisons, schools, barracks, hospitals, factories, cities, lodgings, families, and other organized forms of social life are each a segment of one of the most astonishing intellectual enterprises of all time -- and, as this book proves, one which possesses profound implications for understanding the social control of our bodies and our minds. (shrink)

Many philosophers have rejected the possibility of objective historical knowledge on the grounds that there is no given past against which to judge rival interpretations. Their reasons for doing so are valid. But this does not demonstrate that we must give up the concept of historical objectivity as such. The purpose of this paper is to define a concept of objectivity based on criteria of comparison, not on a given past. Objective interpretations are those which best meet rational criteria of (...) accuracy, comprehensiveness, consistency, progressiveness, fruitfulness, and openness. Finally, the nature of our being in the world is shown to give us a good reason to regard such objective interpretations as moving towards truth understood as a regulative ideal. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

In this classic work, Leo Strauss examines the problem of natural right and argues that there is a firm foundation in reality for the distinction between right and wrong in ethics and politics. On the centenary of Strauss's birth, and the fiftieth anniversary of the Walgreen Lectures which spawned the work, _Natural Right and History_ remains as controversial and essential as ever. "Strauss... makes a significant contribution towards an understanding of the intellectual crisis in which we find ourselves... [and] brings (...) to his task an admirable scholarship and a brilliant, incisive mind."—John H. Hallowell, _American Political Science Review_ Leo Strauss was the Robert Maynard Hutchins Distinguished Service Professor Emeritus in Political Science at the University of Chicago. (shrink)

This edition includes new essays by philosopher Michael Williams and literary scholar David Bromwich, as well as Rorty's previously unpublished essay "The ...

Modernity's Consciousness of Time and Its Need for Self- Reassurance In his famous introduction to the collection of his studies on the sociology of ...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

“All history is the re-enactment of past thought in the historian’s own mind,” wrote Collingwood in one of his succinct expressions of what seemed to him a universal truth about history. Since the appearance of his posthumous book The Idea of History in 1946, allusions to the reenactment doctrine have been most popular among writers on methodology of history. In particular, re-enactment has evoked the warm response of working historians. In many cases, however, mention of re-enactment has not revealed any (...) serious interest in the question of its meaning and nature. Some clarifications have been made, but in my opinion, most of them have not been in the right direction. (shrink)

Collingwood's re-enactment doctrine, the notion that the historian must re-enact the past in his own mind, forms the methodological pillar of Collingwood's constructivism. The first tenet of this interpretation states that for the past to be knowable it must have left traces analyzable in the present. Second, the historical process must be rational, which necessitates that the object of knowledge be "re-enactable" and that the subject of knowledge be "re-enact-capable." Third, both subject and object must come in contact in an (...) actual act of knowing. Finally, criticism and justification of this reconstruction must constantly take place in order to assure that this reconstruction is actual. This interpretation was developed by Collingwood over several of his works. Our understanding of it is clarified by a study of his unpublished manuscripts, which have only recently been made accessible. (shrink)

This early work by Robin G. Collingwood was originally published in 1939 and we are now republishing it with a brand new introductory biography. 'An Autobiography' is the story of Collingwood's personal and academic life. Robin George Collingwood was born on 22nd February 1889, in Cartmel, England. He was the son of author, artist, and academic, W. G. Collingwood. He was greatly influenced by the Italian Idealists Croce, Gentile, and Guido de Ruggiero. Another important influence was his father, a professor (...) of fine art and a student of Ruskin. He published many works of philosophy, such as Speculum Mentis (1924), An Essay on Philosophic Method (1933), and An Essay on Metaphysics (1940). (shrink)

Few thinkers exerted a greater influence upon British thought and public policy between 1880 and 1914 than T. H. Green. In his appraisal Richter applies to Green, usually studied as a philosopher, the techniques of analysis taken from sociology and the history of ideas. The result is important both as a study of a man who considerably affected the thought of his time and also as a contribution to the social and intellectual history of Victorian England. The chapter headings include: (...) Idealism and the Crisis of the Evangelical Conscience; Metaphysical Foundations; the Principles of Political Obligation; From the Old Liberalism to the New: Private Property, Capitalism and State Intervention; and the Life of Citizenship. (shrink)

The procedure I will follow in this paper requires a brief initial note of explanation. Collingwood’s texts are opaque at two points. First, he does not make clear what precisely he meant by the claim that metaphysics is a historical discipline. The prevailing interpretation—which I dispute—has been that he had in mind a similarity or identity of certain methods of inquiry or explanation. Second, and more seriously, he does not make clear the relationship of his two main treatises on metaphysics. (...) They were written and published only seven years apart and one feels there ought to be some connection, if only that of explicit rejection, between them. Their connection is problematic; for they appear, on the surface, very different. Rather like the relationship of Plato’s Laws to his Republic. But Collingwood himself is almost completely noncommittal on how they stand, each to the other. He apparently saw in them some sort of continuity. But beyond this we have no sense of what he took their relationship to be. (shrink)

The question, R. M. Hare concedes, “has assumed great importance in the thought of some philosophers, for example Cook Wilson and Collingwood.” A concession, because after a couple of sentences Hare concludes: “we need say no more about questions.” The implication is that in contrast with his two Oxford predecessors the topic has little importance in his philosophy. This isn’t quite so, it will be seen. But it is in line with a tendency among philosophers to relegate the topic, often (...) quite literally, to a footnote. They would be wiser to take questions more seriously; not least because any theory of meaning which connects meaning in some way to the concept of truth—as most do—has to explain how interrogative sentences, which cannot sensibly be said to express what is true or false, can yet have a meaning. Questions also present a challenge to the easy assumption that all thought is either true or false. Even to think of something, it can be argued, is to think that certain descriptions are true of it: to think of a cat is to think of something as having four legs, fur, and so forth. Collingwood’s way of meeting the challenge isn’t immediately apparent. In An Autobiography he does seem to reject the assumption. (shrink)

Ernest Belfort Bax was among the most original and gifted of the first generation of Marxists in Victorian England, and an intimate of luminaries such as William Morris, who considered him the philosopher of the movement. He had first-hand experience of the 19th century tradition of German philosophy which so profoundly influenced Karl Marx, and was a close friend of Engels. Bax was a prolific writer and speaker, the organizer of the Second International, leader of English Social Democracy and a (...) colleague of all the leading European social democratic intellectuals of his time. This biography of Bax sets him in his privileged Victorian middle-class context, analyzes his political and intellectual development, and assesses his achievements and their significance for his own time and later. (shrink)

R. G. Collingwood's re-enactment doctrine has been widely discussed in recent years by his commentators. However, most philosophers who discuss the re-enactment doctrine touch only briefly on his view of the identity of thoughts. This is surprising because Collingwood claims that the historian's successful re-enactment of the thought behind the historical agent's action involves re-thinking the same thought as the agent and not merely a copy of his thought.

Reprints selections from Religion and Philosophy (1916), Speculum Mentis (1924), and "Religion, Science and Philosophy". "Reason is Faith Cultivating Itself", "Faith and Reason", "What is the Problem of Evil", "The Devil", and "Can the New Idealism Dispend with Mysticism?".

Collingwood has often been depicted as a neglected and isolated thinker whose original ideas on the contextual nature of truth anticipated important trends in postwar thought. The spiritual aspects of his thought, however, have often been problematic, precisely because they seem to conflict with his more influential ideas. Although Collingwood's overtly theological and metaphysical writing can be safely confined to an early, perhaps even juvenile phase of his career, the spiritual dimension of some of his later work, including, for example, (...) the famous doctrine of reenactment, has often been marginalized, repressed, or domesticated in order to preserve Collingwood's historical place in twentieth-century philosophy of history. This radical conflict continues to disrupt both the reception of Collingwood's ideas and attempts to contextualize them historically. However, if the spiritual and theological nature of Collingwood's thought is taken seriously, and not marginalized, it is hard to see his career as discrete stages of development. The problem of transcendent identity was a central concern for Collingwood throughout his career, and it unifies much of his thinking on divergent topics. The problematic idea of reenactment actually opens up a complex connection in Collingwood's thought between ethical action, historical time, and our relationship with divine reality. It is this rediscovery of Collingwood's spiritual ideas on history that leads to a reevaluation of his own historical context, for it becomes clear that these ideas were neither eccentric nor old-fashioned. The problems Collingwood was addressing link him with a much broader movement of European thought in the interwar period, one that was trying to mediate transcendent reality and concrete historicity in a situation of crisis and fragmentation. (shrink)