Wonders and the Order of Nature is about the ways in which European naturalists from the High Middle Ages through the Enlightenment used wonder and wonders, the passion and its objects, to envision themselves and the natural world. Monsters, gems that shone in the dark, petrifying springs, celestial apparitions---these were the marvels that adorned romances, puzzled philosophers, lured collectors, and frightened the devout. Drawing on the histories of art, science, philosophy, and literature, Lorraine Daston and Katharine Park explore and explain (...) how wonder and wonders fortified princely power, rewove the texture of scientific experience, and shaped the sensibility of intellectuals. This is a history of the passions of inquiry, of how wonder sometimes inflamed, sometimes dampened curiosity about nature’s best-kept secrets. Refracted through the prism of wonders, the order of nature splinters into a spectrum of orders, a tour of possible worlds. Frontmatter Preface, page 9 Introduction: At the Limit, page 13 I THE TOPOGRAPHY OF WONDER, page 21 II THE PROPERTIES OF THINGS, page 67 III WONDER AMONG THE PHILOSOPHERS, page 109 IV MARVELOUS PARTICULARS, page 135 V MONSTERS: A CASE STUDY, page 173 VI STRANGE FACTS, page 215 VII WONDERS OF ART, WONDERS OF NATURE, page 255 VIII THE PASSIONS OF INQUIRY, page 303 IX THE ENLIGHTENMENT AND THE ANTI-MARVELOUS, page 329 Epilogue, page 365 Photo Credits, page 369 Notes, page 373 Bibliography, page 451 Index, page 499. (shrink)

Finally, he looks at,the various kinds of unity of the body, both in itself and in its union with the soul.Spirits and Clocks continues Des Chene's highly ...

This paper examines connections between concepts of space and extension on the one hand and immaterial spirits on the other, specifically the immanentist concept of spirits as present in rerum natura. Those holding an immanentist concept, such as Thomas Aquinas, typically understood spirits non-dimensionally as present by essence and power; and that concept was historically linked to holenmerism, the doctrine that the spirit is whole in every part. Yet as Aristotelian ideas about extension were challenged and an actual, infinite, dimensional (...) space readmitted, a dimensionalist concept of spirit became possible—that asserted by the mature Henry More, as he repudiated holenmerism. Despite More’s intentions, his dimensionalist concept opens the door to materialism, for supposing that spirits have parts outside parts implies that those parts could in principle be mapped onto the parts of divisible bodies. The specter of materialism broadens our interest in More’s unconventional ideas, for the question of whether other early modern thinkers, including Isaac Newton, followed More becomes a question of whether they too unwittingly helped usher in materialism. This paper shows that More’s attack upon holenmerism fails. He illegitimately injects his dimensionalist concept of spirit into the doctrine, failing to recognize it as a consequence of the non-dimensionalist concept of spirit, which in itself secures indivisibility. The interpretive consequence for Newton is that there is no prima facie reason to suppose that the charitable interpretation takes him to deny holenmerism. (shrink)

In this paper I analyze Descartes's puzzling claim that the mind is whole in the whole body and whole in its parts, what Henry More called "holenmerism". I explain its historical background, in particular in scholasticism. I argue that like his predecessors, Descartes uses the idea for two purposes, for mind-body interaction and for the union of body and mind.

v. 1. Books I-IV. -- v. 2. Books V-VIII -- v. 3. Books IX-XI -- v. 4. Books XII-XIV -- v. 5. Books XV-XVI -- v. 6. Books XVII-XVIII.

Emprunte au domaine de la lumiere et assimile au domaine de la pensee, le diaphane designe pour Aristote, son inventeur, une nature commune a tout milieu dans lequel la vue et la visibilite des choses s'achevent en regard recepteur et en image recue du monde diurne. Car, il ne suffit pas qu'il y ait de la lumiere et du solide pour que le monde puisse etre vu dans ses couleurs et connu sous ses formes et ses especes; il faut aussi (...) qu'il y ait du diaphane, c'est-a-dire un tertium quid qui relie les choses entre elles et ouvre a travers lui la porte de la reception sensible et de l'entendement. Des lors, la notion de diaphane en vient a impregner tacitement toute la representation du monde sous son double aspect sensible et intelligible; il s'opere la une veritable mutation du physique au metaphysique. (shrink)

RÉSUMÉ: Cet article examine les façons dont le platonicien de Cambridge Henry More, au XVIIe siècle, a tenté de défendre une rigoureuse séparation ontologique entre les substances matérielles et les substances spirituelles tout en maintenant que les unes et les autres étaient étendues. Nous élucidons certaines des théories et certains des concepts propres à More, tels que l’indiscerpabilité, la pénétrabilité, la spissitude essentielle et l’hylopathie, qui fournissaient, croyait-il, une base solide à cette séparation. Mais nous montrons aussi certaines faiblesses inhérentes (...) à ces théories, concluant en fin de compte que More n’est pas arrivé à maintenir la distinction stricte qu’il recherchait. (shrink)

Setting the thought of Robert Grosseteste within the broader context of the intellectual, religious, and social movements of his time, this study elucidates the evolution of his ideas on topics ranging from the mathematical laws that govern the movement of bodies, God as the mathematical Creator, and human knowledge, to religious experience and the place of humanity within the social, natural, and providential orders.

: This paper charts the gradual development of a theory of real space, underlying the created world and constituted by the extension of God Himself, in the writings of the Cambridge Platonist, Henry More. It identifies two impediments to More's embracing such a theory in the earlier part of his career, namely his initial commitment to the principles that (a) space was not real and (b) God was not extended, and it shows how he finally came to renounce these principles (...) in order to devise the theory so closely associated with him. (shrink)

Summary This article explores some continuities between Late Aristotelian and Cartesian embryology. In particular, it argues that there is an interesting consilience between some accounts of the role of imagination in trait acquisition in Late Aristotelian and Cartesian embryology. Evidence for this thesis is presented using the extensive biological writings of the Padua-based philosopher and physician, Fortunio Liceti (1577–1657). Like the Cartesian physiologists, Liceti believed that animal souls are material beings and that acts of imagination result in material images that (...) can be transmitted by means of medical spirits to the embryo. Moreover, while the Cartesian embryologists accepted such a view in a quite speculative way, one finds penetrating criticism of imagination theories of trait acquisition in the Late Aristotelian tradition. Evidence for this thesis is presented using the no less extensive biological writings of Liceti's contemporary, Emilio Parisano (1567–1643). In conclusion, the Late Aristotelian tradition itself provides the theoretical tools for excising immaterial formative forces from embryology and at the same time evinces a much more acute sense for the problems inherent in imagination theories of trait acquisition than the Cartesian tradition. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)