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Switch to: Citations
References in:
Body to Body: On the Political Anatomy of Crowds
Sociological Theory 27 (3):271-290 (2009)
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Mary Esteve provides a study of crowd representations in American literature from the antebellum era to the early twentieth century. As a central icon of political and cultural democracy, the crowd occupies a prominent place in the American literary and cultural landscape. Esteve examines a range of writing by Poe, Hawthorne, Lydia Maria Child, Du Bois, James, and Stephen Crane among others. These writers, she argues, distinguish between the aesthetics of immersion in a crowd and the mode of collectivity demanded (...) |
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In these selections from their new book, entitled Multitude : War and Democracy in the Age of Empire, Toni Negri and Michael Hardt focus on the notion of « multitude,,) in the fact of various critiques that followed the publication of Empire in 2000. They also look at the new possibilities for organizing in response to the war regime that has been installed since September 2001. |
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It could be conceivable that society is not an organism, that it has no structure, that it functions only temporarily or seemingly. The most obvious analogies are not the best. The Human Province, p.245 True, he [man] wants to “preserve” himself, but he also simultaneously wants other things which are inseparable from this.Crowds and Power, p. 293 The planning nature of man is a very late addition that violates his essential, his transforming nature.The Secret Heart of the Clock, p. 119 (...) |
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This article develops a concept of lyrical sociology, a sociology I oppose to narrative sociology, by which I mean standard quantitative inquiry with its "narratives" of variables as well as those parts of qualitative sociology that take a narrative and explanatory approach to social life. Lyrical sociology is characterized by an engaged, nonironic stance toward its object of analysis, by specific location of both its subject and its object in social space, and by a momentaneous conception of social time. Lyrical (...) |
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On the night of 12 November 1958, Walt Whitman witnessed a meteor shower which he later described in his notebook. The lines never found their way into a published piece. But when he came to write his poem about the year 1859-60, the year in which Abraham Lincoln and Stephen Douglas contested the presidency, John Brown was hanged in Virginia, and the mighty British iron steamship the Great Eastern arrived in New York on its maiden voyage, he remembered the heavenly (...) |
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