A fascinating anthology of texts and interviews written over 20 years by renowned French philosopher Gilles Deleuze. "One day, perhaps, this century will be Deleuzian," Michel Foucault once wrote. This book anthologizes 40 texts and interviews written over 20 years by renowned French philosopher Gilles Deleuze, who died in 1995. The early texts, from 1953-1966, belong to literary criticism and announce Deleuze's last book, Critique and Clinic. But philosophy clearly predominates in the rest of the book, with sharp appraisals of (...) the thinkers he always felt indebted to: Spinoza, Bergson. More surprising is his acknowledgement of Jean-Paul Sartre as his master. "The new themes, a certain new style, a new aggressive and polemical way of raising questions," he wrote, "come from Sartre." But the figure of Nietzsche remains by far the most seminal, and the presence throughout of his friends and close collaborators, Felix Guattari and Michel Foucault. The book stops shortly after the publication of Anti-Oedipus, and presents a kind of genealogy of Deleuze's thought as well as his attempt to leave philosophy and connect it to the outside—but, he cautions, as a philosopher. (shrink)

Language and the birth of "literature." A preface to transgression. Language to infinity. The father's "no." Fantasia of the library.--Counter-memory: the philosophy of difference. What is an author? Nietzsche, genealogy, history. Theatrum philosophicum.--Practice: knowledge and power. History of systems of thought. Intellectuals and power. Revolutionary action: "until now.".

The essays in this book present a complex theme at the heart of the philosophy of Gilles Deleuze, what in his last writing he called simply "a life." They capture a problem that runs throughout his work--his long search for a new and superior empiricism. Announced in his first book, on David Hume, then taking off with his early studies of Nietzsche and Bergson, the problem of an "empiricist conversion" became central to Deleuze's work, in particular to his aesthetics and (...) his conception of the art of cinema. In the new regime of communication and information-machines with which he thought we are confronted today, he came to believe that such a conversion, such an empiricism, such a new art and will-to-art, was what we need most. The last, seemingly minor question of "a life" is thus inseparable from Deleuze's striking image of philosophy not as a wisdom we already possess, but as a pure immanence of what is yet to come. Perhaps the full exploitation of that image, from one of the most original trajectories in contemporary philosophy, is also yet to come. (shrink)

Of fundamental importance to literary critics and philosophers, Difference and Repetition develops two central concepts -- pure difference and complex ...

Suggests an open system of psychological exploration to cut through accepted norms of morality, language, and politics.

Maurice Blanchot, the eminent literary and cultural critic, has had a vast influence on contemporary French writers—among them Jean Paul Sartre and Jacques Derrida. From the 1930s through the present day, his writings have been shaping the international literary consciousness. The Space of Literature , first published in France in 1955, is central to the development of Blanchot's thought. In it he reflects on literature and the unique demand it makes upon our attention. Thus he explores the process of reading (...) as well as the nature of artistic creativity, all the while considering the relation of the literary work to time, to history, and to death. This book consists not so much in the application of a critical method or the demonstration of a theory of literature as in a patiently deliberate meditation upon the literary experience, informed most notably by studies of Mallarme;, Kafka, Rilke, and Hölderlin. Blanchot's discussions of those writers are among the finest in any language. (shrink)

For those not yet acquainted with the work of this philosopher, this book provides a point of entry to his complex theories. For those more familiar with Deleuze, this collection should be useful in broadening their understanding of this influential thinker's journey in search of knowledge.

The final work by the author before his death in 1992, Chaosmosis is a radical and challenging work concerned with the reinvention and resingularization of subjectivity. It attempts to embody affective change, the short-circuiting of signification and the proliferation of sense necessary to engage with non-discursive, artistic, poetic and pathic intensities. It includes critical reflections on Lacanian psychoanalysis, structuralism, information theory, postmodernism, and the thought of Heidegger, Bakhtin, Barthes, and others.

Incessantly cited by critics, Bakhtin's work none the less remains relatively unavailable: partly through lack of suitable editions, partly because no individual text conveys all the key concepts or arguments. This anthology provides in a convenient format a good selection of the writing by Bakhtin and of that attributed to Voloshinov and Medvedev. It introduces readers to the aspects most relevant to literary and cultural studies and gives a focused sense of Bakhtin's central ideas and the underlying cohesiveness of his (...) thinking. (shrink)

Délire is the disorderly side of language, a no man’s land between reason and gibberish. In this study, originally published in 1985, the author provides a history of _délire_, tracing its influence on philosophy, linguistics, literature and psychoanalysis. The author argues that _délire _provides a new approach to the classic philosophical problem of sense and nonsense.

This thesis investigates Deleuze-Guattari's notion of stratification through a series of investigations into their material on language. Stratification is their term for the process by which matter-energy comes to assume the relatively stable historical formations of our social world, and in particular the relationship between subjects, objects and words. The complex notion of the order-word/password is proposed as key to this process, with its role in the articulations of the strata and in movements of creation and escape. I explore this (...) apparatus from a variety of angles, in order to present an account of Deleuze-Guattari's pragmatics that demonstrates both its basis in philosophy and its connections with the world. I begin by introducing the notion of 'difference in itself', through Deleuze/Deleuze-Guattari's critique of representation and their account of subjectification, the creation of the subject in space and time - and then feed this material through an encounter with Judge Schreber, in the process filling out our account of the subject. The resulting diagram of stratification is further explored through a dialogue with two other key thinkers of language - Wittgenstein, in relation to his social conception of meaning as use, and Derrida, in relation to his critique of Austin and Searle's Speech Act theory - in either case, demonstrating important connections and contrasts with Deleuze-Guattari. I then examine the specifics of stratoanalysis through an examination of the related zones of the formal, the abstract and the incorporeal, bringing this to bear on Deleuze- Guattari's appropriation of the linguist Hjelmslev, and to the criticisms of Ruthrof. The final step is to relate this apparatus both to linguistic and everyday understandings of language, connecting this pragmatics of the order-word with the notion of an 'art of living' through a consideration of standardised language and 'verbal hygiene'. (shrink)

This book offers a sustained engagement with the writings of the increasingly influential French philosopher and writer on literature, Gilles Deleuze, offering an introduction to his fascinating body of work and emphasizing its multiple possibilities for literary study. Deleuze offers a 'philosophy of becoming' whose many aspects are gaining increasing importance in a variety of disciplines both on the Continent and in Anglo-American circles. Accordingly, the first part of the book stresses the distinctiveness of Deleuze's work, setting out its provenance (...) and recurrent concerns, and developing an account of its relevance for literary theory and literary criticism. The second part of the book provides, in these latter contexts, close readings of several late nineteenth- and early twentieth-century works of fiction by Hardy, Gissing, Conrad and Woolf. Above all, Deleuze's work opens up ways of reading that enable an articulation of fundamental ethical and effective issues explored and staged within literary texts. (shrink)

The final work of the late philosopher Gilles Deleuze includes essays on such diverse literary figures as Herman Melville, Walt Whitman, D.H. Lawrence, Lewis Carroll, and others, along with philosophers Plato, Spinoza, Kant, and others. Taken together, these 18 essays--all newly revised or published here for the first time--present a profoundly new approach to literature.

New to this edition is Deleuze's essay "Pericles and Verdi," which reflects on politics and historical materialism in the work of the influential French ...

This book, which presents Spinoza's main ideas in dictionary form, has as its subject the opposition between ethics and morality, and the link between ethical ...