This article examines closely an important passage at the conclusion of the Mahābhārata wherein the final state of the epic heroes after death is defined. The Critical Edition’s phrasing of what precisely became of the characters once they arrived in heaven is unclear, and manuscript variants offer two apparently contradictory readings. In this article I present evidence in support of one of these readings, and respond to the Mahābhārata ’s seventeenth century commentator Nīlakaṇṭha Caturdhara, who champions the other. Underlying and (...) prompting this debate is a much broader issue of the epic narrative: the complex nature of the Mahābhārata heroes as both agents in a universe governed by karma , and their identities as “portions” of divine figures acting within a broader dramatic structure of eschatological myth. (shrink)

The Vessantara J?taka is not only the most popular of all the Buddhist J?taka tales, but is important in the tradition as a whole, generally considered by the Therav?din tradition to display the epitome of the Bodhisatta’s perfection of giving. While most studies have focused on philological approaches, numerous questions as to the text’s structure and how to interpret individual parts within that structure have remained unresolved. My study shall employ the theory of ‘chiasmus’ to shed new light on both (...) the key message of the story and also the sub-themes within it. In terms of textual criticism, I shall first elucidate the chiastic structure of the text and discuss how this structure can provide insights on text-critical readings. In terms of interpretation, I shall then see how the structure clearly demarcates the text’s scope through its prologue and conclusion with surrounding framework, its paired parallel sub-themes, and its central climax point, all in the light of its chiastic structure. Finally, considering broader implications, on comparison with other recently discovered Buddhist textual chiasmi I shall present a tentative hypothesis as to the origins of such structures in the ‘bodhisatta’ literary genre. (shrink)