We can no longer speak of a state of war in any traditional sense, yet there is currently no viable theory to account for the manifold internal conflicts, or civil wars, that increasingly afflict the world's populations. Meant as a first step toward such a theory, Giorgio Agamben's latest book looks at how civil war was conceived of at two crucial moments in the history of Western thought: in ancient Athens (from which the political concept of stasis emerges) and later, (...) in the work of Thomas Hobbes. It identifies civil war as the fundamental threshold of politicization in the West, an apparatus that over the course of history has alternately allowed for the de-politicization of citizenship and the mobilization of the unpolitical. The arguments herein, first conceived of in the immediate aftermath of 9/11, have become ever more relevant now that we have entered the age of planetary civil war. (shrink)

This article explores the political meanings of a relatively unexplored dimension of Edmund Burke's thought: the monster. After first showing the extent to which the figure of the monster appears throughout Burke's work, the article speculates on some of the political reasons for Burke's use of the metaphor of the monstrous. These reasons are rooted in the categories of the aesthetic developed in the Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful, and also in his (...) political fear of a new collective entity only beginning to emerge on the historical stage: the proletariat. The article therefore has three aims: first, to contribute to the developing body of literature on Burke's aesthetic ideology; second, to deepen our knowledge of the Gothic tropes in Burke's writings; and third, to broaden our conception of the way conservative ideology conceptualizes order and the threats to that order. (shrink)