In Telling Flesh, Vicki Kirby addresses a major theoretical issue at the intersection of the social sciences and feminist theory -- the separation of nature from culture. Kirby focuses particularly on postmodern approaches to corporeality, and explores how these approaches confine the body within questions about meaning and interpretation. Kirby explores the implications of this containment in the work of Jane Gallop, Judith Butler, and Drucilla Cornell, as well as in recent cyber-criticism. By analysing the inadvertent repetition of the nature/culture (...) division in this work, Kirby offers a powerful reassessment of dualism itself. (shrink)

Notions of complexity, non-linear dynamics and self-organization in the natural sciences seem to resonate with certain literary and social scientific traditions of thinking about cosmopolitan life in a sense that may be more than merely metaphorical. Just as science speaks of forms and patterns which come into being spontaneously, unpredictably and `from below', so too is there a resurgent interest in a `baroque' vision of modernity which foregrounds chance encounters and `underworld' associations. The parallels are still stronger if we take (...) a consider the life-world of embodied cosmopolitans as including not only other human beings and human artifacts, but also the many non-human life-forms that make themselves at home in our built environments, in our networks, and inside our own bodies. Contra theorists of risk society, fusion of complexity theory with cosmopolitan aesthetics raises the possibility of conceiving of runaway biological and technological events as both creative and destructive. (shrink)