- The principles of art.R. G. Collingwood - 1938 - New York,: Oxford University Press.details
|
|
The Principles of Art.R. G. Collingwood - 1938 - New York,: Oxford University Press USA.details
|
|
What the Body Told.Theodore Gracyk - 1996 - I.B. Tauris.details
|
|
Art and its objects.Richard Wollheim - 1968 - New York,: Harper & Row.details
|
|
Art and its Objects.Richard Wollheim - 1968 - Cambridge, United Kingdom: Cambridge University Press. Edited by Richard Thomas Eldridge.details
|
|
The metaphysics of jazz.James O. Young & Carl Matheson - 2000 - Journal of Aesthetics and Art Criticism 58 (2):125-133.details
|
|
Art and Its Objects.Jeffrey Wieand - 1981 - Journal of Aesthetics and Art Criticism 40 (1):91-93.details
|
|
The complete work.Kelly Trogdon & Paisley Nathan Livingston - 2014 - Journal of Aesthetics and Art Criticism 72 (3):225-233.details
|
|
Artwork completion: a response to Gover.Kelly Trogdon & Paisley Nathan Livingston - 2015 - Journal of Aesthetics and Art Criticism 73 (4):460-462.details
|
|
Musical Materialism.Chris Tillman - 2011 - British Journal of Aesthetics 51 (1):13-29.details
|
|
Musical materialism and the inheritance problem.Chris Tillman & J. Spencer - 2012 - Analysis 72 (2):252-259.details
|
|
Psychologism and Completeness in the Arts.Guy Rohrbaugh - 2017 - Journal of Aesthetics and Art Criticism 75 (2):131-141.details
|
|
Artworld Metaphysics by kraut, robert.Guy Rohrbaugh - 2009 - Journal of Aesthetics and Art Criticism 67 (3):339-341.details
|
|
Artworks as historical individuals.Guy Rohrbaugh - 2003 - European Journal of Philosophy 11 (2):177–205.details
|
|
Not ideal: Collingwood's expression theory.Aaron Ridley - 1997 - Journal of Aesthetics and Art Criticism 55 (3):263-272.details
|
|
Musical Ontology, Musical Reasons.Aaron Ridley - 2012 - The Monist 95 (4):663-683.details
|
|
What Is Music? Is There a Definitive Answer?Jonathan Mckeown-Green - 2014 - Journal of Aesthetics and Art Criticism 72 (4):393-403.details
|
|
Judging Covers.Cristyn Magnus, P. D. Magnus & Christy Mag Uidhir - 2013 - Journal of Aesthetics and Art Criticism 71 (4):361-370.details
|
|
Counting fragments, and Frenhofer’s paradox.Paisley Nathan Livingston - 1999 - British Journal of Aesthetics 39 (1):14-23.details
|
|
Counting fragments, and Frenhofer’s paradox.Paisley Nathan Livingston - unknowndetails
|
|
What a musical work is.Jerrold Levinson - 1980 - Journal of Philosophy 77 (1):5-28.details
|
|
Platonism in Music.Peter Kivy - 1983 - Grazer Philosophische Studien 19 (1):109-129.details
|
|
Platonism in Music.Peter Kivy - 1983 - Grazer Philosophische Studien 19 (1):109-129.details
|
|
Silent Music.Andrew Kania - 2010 - Journal of Aesthetics and Art Criticism 68 (4):343-353.details
|
|
Making tracks: The ontology of rock music.Andrew Kania - 2006 - Journal of Aesthetics and Art Criticism 64 (4):401–414.details
|
|
In Defence of Higher-Order Musical Ontology: A Reply to Lee B. Brown.A. Kania - 2012 - British Journal of Aesthetics 52 (1):97-102.details
|
|
All Play and No Work: An Ontology of Jazz.Andrew Kania - 2011 - Journal of Aesthetics and Art Criticism 69 (4):391-403.details
|
|
When is a work of art finished?Darren Hudson Hick - 2008 - Journal of Aesthetics and Art Criticism 66 (1):67–76.details
|
|
When Is a Work of Art Finished&quest.Darrenhudson Hick - 2008 - Journal of Aesthetics and Art Criticism 66 (1):67-76.details
|
|
When Is a Work of Art Finished?Darren Hudson Hick - 2008 - Journal of Aesthetics and Art Criticism 66 (1):67-76.details
|
|
The Imaginary Museum of Musical Works.Garry L. Hagberg - 1994 - Journal of Aesthetic Education 28 (4):99.details
|
|
Rhythm and Noise: An Aesthetics of Rock.John Fisher - 1999 - Journal of Aesthetics and Art Criticism 57 (4):467-469.details
|
|
Ambivalent Agency: A Response to Trogdon and Livingston on Artwork Completion.K. E. Gover - 2015 - Journal of Aesthetics and Art Criticism 73 (4):457-460.details
|
|
The imaginary museum of musical works: an essay in the philosophy of music.Lydia Goehr - 1992 - New York: Oxford University Press.details
|
|
Compounds and aggregates.Kit Fine - 1994 - Noûs 28 (2):137-158.details
|
|
Constitution and qua objects in the ontology of music.Simon J. Evnine - 2009 - British Journal of Aesthetics 49 (3):203-217.details
|
|
Upholding Standards: A Realist Ontology of Standard Form Jazz.Julian Dodd - 2014 - Journal of Aesthetics and Art Criticism 72 (3):277-290.details
|
|
On Defining Music.Stephen Davies - 2012 - The Monist 95 (4):535-555.details
|
|
Musical Works and Performances: A Philosophical Exploration.Andrew Kania - 2003 - Mind 112 (447):513-518.details
|
|
Musical Works and Performances: A Philosophical Exploration.Stephen Davies - 2001 - Oxford, GB: Oxford University Press.details
|
|
Dodd on the 'audibility' of musical works.David Davies - 2009 - British Journal of Aesthetics 49 (2):99-108.details
|
|
Collingwood's ‘performance’ theory of art.David Davies - 2008 - British Journal of Aesthetics 48 (2):162-174.details
|
|
Art as Performance. [REVIEW]A. Kania - 2005 - Mind 114 (453):137-141.details
|
|
Art as Performance.Robert Stecker - 2005 - Journal of Aesthetics and Art Criticism 63 (1):77-80.details
|
|
An ontology of art.Gregory Currie - 1989 - New York: St. Martin's Press.details
|
|
An Ontology of Art, by Gregory Currie. [REVIEW]Jerrold Levinson - 1992 - Philosophy and Phenomenological Research 52 (1):215-222.details
|
|
Unperformable Works and the Ontology of Music.Wesley D. Cray - 2016 - British Journal of Aesthetics 56 (1):67-81.details
|
|
An Ontology of Ideas.Wesley D. Cray & Timothy Schroeder - 2015 - Journal of the American Philosophical Association 1 (4):757-775.details
|
|
A defence of musical idealism.Renée Cox - 1986 - British Journal of Aesthetics 26 (2):133-142.details
|
|
Defending musical perdurantism.Ben Caplan & Carl Matheson - 2006 - British Journal of Aesthetics 46 (1):59-69.details
|
|