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Sport and Philosophy

Sport, Ethics and Philosophy 7 (1):10 - 29 (2013)

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  1. (2 other versions)Languages of Art.Nelson Goodman - 1970 - Philosophy and Rhetoric 3 (1):62-63.
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  • (3 other versions)Philosophical Investigations.Ludwig Wittgenstein - 1953 - New York, NY, USA: Wiley-Blackwell. Edited by G. E. M. Anscombe.
    Editorial preface to the fourth edition and modified translation -- The text of the Philosophische Untersuchungen -- Philosophische untersuchungen = Philosophical investigations -- Philosophie der psychologie, ein fragment = Philosophy of psychology, a fragment.
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  • (2 other versions)Critique of Pure Reason.I. Kant - 1787/1998 - Philosophy 59 (230):555-557.
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  • History and Class Consciousness: Studies in Marxist Dialectics.Georg Lukacs - 1971 - MIT Press.
    A series of essays treating, among other topics, the definition of orthodox Marxism, the question of legality and illegality, Rosa Luxemburg as a Marxist, the changing function of Historic Marxism, class consciousness, and the ...
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  • The Essential Peirce: Selected Philosophical Writings Vol. 1.Charles Peirce, Christian S. & Nathan House J. W. Kloesel - 1992 - Bloomington: Indiana University Press.
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  • (1 other version)Languages of Art: An Approach to a Theory of Symbols.Nelson Goodman - 1968 - Indianapolis,: Bobbs-Merrill.
    . . . Unlike Dewey, he has provided detailed incisive argumentation, and has shown just where the dogmas and dualisms break down." -- Richard Rorty, The Yale Review.
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  • The transfiguration of the commonplace: a philosophy of art.Arthur Coleman Danto - 1981 - Cambridge: Harvard University Press.
    Mr. Danto argues that recent developments in the artworld, in particular the production of works of art that cannot be told from ordinary things, make urgent the need for a new theory of art and make plain the factors such a theory can and cannot involve. In the course of constructing such a theory, he seeks to demonstrate the relationship between philosophy and art, as well as the connections that hold between art and social institutions and art history. The book (...)
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  • Human agency and language.Charles Taylor - 1985 - New York: Cambridge University Press.
    Charles Taylor has been one of the most original and influential figures in contemporary philosophy: his 'philosophical anthropology' spans an unusually wide range of theoretical interests and draws creatively on both Anglo-American and Continental traditions in philosophy. A selection of his published papers is presented here in two volumes, structured to indicate the direction and essential unity of the work. He starts from a polemical concern with behaviourism and other reductionist theories (particularly in psychology and the philosophy of language) which (...)
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  • The aesthetic in sport.David Best - 1974 - British Journal of Aesthetics 14 (3):197-213.
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  • Spheres of Justice. [REVIEW]Norman Daniels - 1985 - Philosophical Review 94 (1):142-148.
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  • The Political Writings.John Dewey, Debra Morris & Ian Shapiro - 1994 - Transactions of the Charles S. Peirce Society 30 (4):1072-1077.
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  • Are there philosophical issues with respect to sport (other than ethical ones)?Graham McFee - 1998 - In M. J. McNamee & S. J. Parry (eds.), Ethics and sport. New York: E & FN Spon. pp. 3.
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  • Why Spinoza had no aesthetics.James C. Morrison - 1989 - Journal of Aesthetics and Art Criticism 47 (4):359-365.
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  • Hermeneutics and social science: approaches to understanding.Zygmunt Bauman - 1978 - London: Hutchinson.
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  • (2 other versions)Critique of pure reason.Immanuel Kant - 2007 - In Elizabeth Schmidt Radcliffe, Richard McCarty, Fritz Allhoff & Anand Vaidya (eds.), Late modern philosophy: essential readings with commentary. Oxford: Wiley-Blackwell.
    One of the cornerstone books of Western philosophy, Critique of Pure Reason is Kant's seminal treatise, where he seeks to define the nature of reason itself and builds his own unique system of philosophical thought with an approach known as transcendental idealism. He argues that human knowledge is limited by the capacity for perception and attempts a logical designation of two varieties of knowledge: a posteriori, the knowledge acquired through experience; and a priori, knowledge not derived through experience. This accurate (...)
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  • Descartes's Compendium on Music.Bertrand Augst - 1965 - Journal of the History of Ideas 26 (1):119.
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  • Notes to Literature.Theodor W. Adorno, Rolf Tiedemann & Shierry Weber Nicholsen - 1995 - Journal of Aesthetics and Art Criticism 53 (3):334-336.
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