For the first English edition of his distinguished study, Weisheit und Wissenschaft: Studien zu Pythagoras, Philoloas und Platon, Mr. Burkert has extensively ...

A study of Hippolytus of Rome and his treatment of Presocratic Philosophy, used as a case study to argue against the use of collections of fragments and in favour of the idea of reading "embedded texts" with attention to the interpretation and interests of the quoting author. A study of methodology in early Greek Philosophy. Includes novel interpretations of Heraclitus and Empedocles, and an argument for the unity of Empedocles's poem.

First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

In this essay, I distinguish between the ancient tales relating to the dismemberment or sparagmos of Dionysos and the modern fabrication which I call the "Zagreus myth." This myth is put together from several elements: 1) the dismemberment of Dionysos; 2) the punishment of the Titans; 3) the creation of mankind from the Titans; and 4) the inheritance humans receive from the first three parts - the burden of guilt from the Titans' crime and the divine spark from the remains (...) of Dionysos. Building upon Linforth's critical review, I first examine the pieces of evidence out of which this Zagreus myth has been assembled, demonstrating that the few pieces of evidence used to construct the myth fail to support the existence of such a story before the modern era. While ancient sources provide testimony to the first three components of the myth, the final component-the resulting original sin-is an addition of modern scholars. I next show that, viewed without the framework of the Zagreus myth, the pieces of evidence provide testimony to a variety of tellings of the dismemberment myth, which was not the exclusive property of the "Orphics" but rather a well-known element in the Greek mythic tradition. I then explore the Christian models of religion within which the myth was mistakenly reconstructed, noting the role this reconstruction of Orphism played in the turn-of-the-century debates surrounding the nature of the early Church. Finally, I conclude that the gold tablets and their religious contexts have been misunderstood because these texts have been interpreted in terms of a modern fabrication dependent on Christian models, the Zagreus myth. The "Orphic" gold tablets themselves have nothing to do with the stories of sparagmos and anthropogony, but instead supply important evidence for the study of Greek eschatological beliefs. (shrink)

Olympiodorus' Commentary on Plato's Phaedo I.3-6 has been the linchpin of the reconstructions of the supposed Orphic doctrine of original sin. While Olympiodorus links the Titans' dismemberment of Dionysus and anthropogony, he does not include any element of inherited guilt, either in his narration of the myth or in his interpretation. Moreover, his telling of the myth, which makes the anthropogony the sequel to the dismemberment of Dionysus, is an innovation made for the purposes of his own argument. Rather than (...) preserving in fossilized form a sacred myth more than a millennium old, Olympiodorus concocts an innovative tale of his own. (shrink)

Olympiodorus' Commentary on Plato's Phaedo I.3-6 has been the linchpin of the reconstructions of the supposed Orphic doctrine of original sin. While Olympiodorus links the Titans' dismemberment of Dionysus and anthropogony, he does not include any element of inherited guilt, either in his narration of the myth or in his interpretation. Moreover, his telling of the myth, which makes the anthropogony the sequel to the dismemberment of Dionysus, is an innovation made for the purposes of his own argument. Rather than (...) preserving in fossilized form a sacred myth more than a millennium old, Olympiodorus concocts an innovative tale of his own. (shrink)

This book was first published in 2004. Plato, Aristophanes and the creators of the 'Orphic' gold tablets employ the traditional tale of a journey to the realm of the dead to redefine, within the mythic narrative, the boundaries of their societies. Rather than being the relics of a faded ritual tradition or the products of Orphic influence, these myths can only reveal their meanings through a close analysis of the specific ways in which each author makes use of the tradition. (...) For these authors, myth is an agonistic discourse, neither a kind of sacred dogma nor a mere literary diversion, but rather a flexible tool that serves the wide variety of uses to which it is put. The traditional tale of the journey to the Underworld in Greek mythology is neither simple nor single, but each telling reveals a perspective on the cosmos, a reflection of the order of this world through the image of the other. (shrink)

Plato, Aristophanes, and the creators of the "Orphic" gold tablets employ the traditional tale of a journey to the realm of the dead to redefine, within the mythic narrative, the boundaries of their societies. Rather than being the relics of a faded ritual tradition or the products of Orphic influence, these myths can only reveal their meanings through this detailed analysis of the specific ways in which each author makes use of the tradition.

An analysis of Hippolytus' Refutation of All Heresies, to discover his practices and motivations in preserving and quoting extracts from Greek Philosophy, in particular his important contribution to our knowledge of Presocratic Philosophy. The work argues that such sources must be read as embedded texts, and that fragments must not be extracted and treated in isolation from the quoting authority whose interests and knowledge are important in interpreting the material.