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Switch to: Citations
References in:
Literature and Thought Experiments
Journal of Aesthetics and Art Criticism 74 (2):139-150 (2016)
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Cognitivism in respect to the arts refers to a constellation of positions that share in common the idea that artworks often bear, in addition to aesthetic value, a significant kind of cognitive value. In this paper I concentrate on three things: (i) the challenge of understanding exactly what one must do if one wishes to defend a cognitivist view of the arts; (ii) common anti-cognitivist arguments; and (iii) promising recent attempts to defend cognitivism. |
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Jonathan Bennett (1974) maintains that Huckleberry Finn’s deliberations about whether to return Jim to slavery afford insight into the tension between sympathy and moral judgment; Miranda Fricker (2007) argues that the trial scene in To Kill a Mockingbird affords insight into the nature of testimonial injustice. Neither claims merely that the works prompt an attentive reader to think something new or to change her mind. Rather, they consider the reader cognitively better off for her encounters with the novels. Nor is (...) |
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In this essay, then, I would like to address what I believe are the most compelling epistemic arguments against the notion that literature (and art more broadly) can function as an instrument of education and a source of knowledge. |
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In lieu of an abstract, here is a brief excerpt of the content:Literature, Knowledge, and ValueOliver Conolly and Bashshar HaydarMany of the terms we use to assess works of literature are cognitive in nature. We say that a work is profound, insightful, shrewd, well-observed, or perceptive, and conversely that it is shallow, or sentimental, or impercipient. A common thread running throughout this terminology is that works of literature are ascribed cognitive features affecting the value of those works qua literature. Use (...) |
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Wittgensteinian ethics, it may be thought, is committed to detailed examination of realistically described cases, and hence to eschewing the abstract hypothetical cases, many of them quite bizarre, found in much contemporary moral theorizing. I argue that bizarre cases may be helpful in thinking about ethics, and that there is nothing in Wittgenstein's approach to philosophy that would go against this. I examine the case of the ring of Gyges from the Republic; and I consider also some contemporary arguments about (...) |
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Thought experiments are ordinary argumentation disguised in a vivid pictorial or narrative form. This account of their nature will allow me to show that empiricism has nothing to fear from thought experiments. They perform no epistemic magic. In so far as they tell us about the world, thought experiments draw upon what we already know of it, either explicitly or tacitly; they then transform that knowledge by disguised argumentation. They can do nothing more epistemically than can argumentation. I defend my (...) |
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Let's begin with an old example. In De Rerum Naturua , Lucretius presented a thought experiment to show that space is infinite. We imagine ourselves near the alleged edge of space; we throw a spear; we see it either sail through the ‘edge’ or we see it bounce back. In the former case the ‘edge’ isn't the edge, after all. In the latter case, there must be something beyond the ‘edge’ that repelled the spear. Either way, the ‘edge’ isn't really (...) |
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In Fiction, Truth and Literature, Lamarque and Olsen argue that if a critic claims or attempts to prove that the outlook of a work of literature is true or false, he is not engaging in literary or aesthetic appreciation. This paper argues against this position by adducing cases where literary critics discuss the truth or falsity of a work’s view, when their opinions are obviously relevant to the work’s aesthetic assessment. The paper considers in detail the way factual errors damage (...) |
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Canadian Journal of Philosophy, 26, pp. 333-66. 1996. |
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This chapter focuses on armchair inquiry. Thought experiment has the feel of clairvoyance, thus eliciting awe in some and suspicion in others. But the wonder of thought experiment is just a special case of our vague puzzlement about how a question could be answered by merely thinking. There is no mystery when investigators look, measure, and manipulate. Their answers come from the news borne by observation and experiment. But if you just ponder, then the information you have leaving the armchair (...) |
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