Recently in Analysis, Ned Markosian (2019) has argued that a popular theory in the metaphysics of time—the Spacetime Thesis—falsely predicts that a normal musical performance is just as aesthetically valuable if it is rotated “sideways,” that is, if it is made to occur all at once. However, this argument falsely assumes that changing how something is oriented in space, and changing its duration in time, are analogous. That said, assuming they were analogous, Markosian’s argument is still unsuccessful. For the analogy (...) on which Markosian’s argument depends entails that if one can experience sideways music as it was originally, then one can prove that sideways music is just as aesthetically valuable. (shrink)

∗ Apologies to Mark Hinchliff for stealing the title of his dissertation. (See Hinchliff, A Defense of Presentism. As it turns out, however, the version of Presentism defended here is different from the version defended by Hinchliff. See Section 3.1 below.).

There is a popular theory in the metaphysics of time according to which time is one of four similar dimensions that make up a single manifold that is appropriately called spacetime. One consequence of this thesis is that changing an object’s orientation in the manifold does not change its intrinsic features. In this paper I offer a new argument against this popular theory. I claim that an especially good performance of a particularly beautiful piece of music, when oriented within the (...) manifold in the normal way, adds to the intrinsic value of the world, but that if the same performance is turned sideways within the manifold, so that it involves a number of different notes spread out in space and all occurring at the same time, then it does not add the same intrinsic value to the world. (shrink)

I believe that time passes. In the last one hundred years or so, many philosophers have rejected this view. Those who have done so have generally been motivated by at least one of three different arguments: (i) McTaggart's argument, (ii) an argument from the theory of relativity, and (iii) an argument concerning the alleged incoherence of talk about the rate of the passage of time. There has been a great deal of literature on McTaggart's argument (although no concensus has been (...) reached).1 There has been a relatively small amount of literature on the argument from the theory of relativity, but this is perhaps not surprising, since most of us philosophers don't understand that theory.2 Meanwhile, there has not been a great deal of literature on the rate of passage argument, and this is surprising, I think, considering that the argument is easy to.. (shrink)

In a recent article, Ned Markosian gives an argument against four-dimensionalism understood as the view that time is one of four identical dimensions that constitute a single four-dimensional manifold. In this paper, I show that Markosian attacks a straw man as his argument targets a theory known to be false on empirical grounds. Four-dimensionalism rightly conceived in no way entails that time is identical to space. I then address two objections raised by Markosian against four-dimensionalism rightly conceived.

In “Sideways Music”, Ned Markosian uses aesthetic intuitions about temporally-rotated music to argue that the metaphysics of time is different from the metaphysics of space. In response, I use aesthetic intuitions about spatially-rotated paintings to pose a dilemma for Markosian’s argument: either he accepts the intuitions about spatially-rotated paintings, in which case he must give up on some assumptions in his argument, or he rejects intuitions about spatially-rotated paintings, in which case an analogous response can be given regarding intuitions about (...) temporally-rotated music. That is, if Markosian wants to hold on to the assumptions that underwrite his argument, then he thereby offers his opponent the resources with which to resist his conclusion. As such, Markosian’s argument cannot offer a new independent consideration for adjudicating the metaphysical debate between the Dynamic Theorist and the Spacetime Theorist. [Unpublishable 2019]. (shrink)