- Inner Vision: An Exploration of Art and the Brain.Semir Zeki - 2002 - Journal of Aesthetics and Art Criticism 60 (4):365-366.details
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Eugene Delacroix's Theory of Art.George P. Mras - 1968 - Journal of Aesthetics and Art Criticism 26 (4):548-548.details
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The Clockwork Muse: The Predictability of Artistic Change.Colin Martindale - 1992 - Journal of Aesthetics and Art Criticism 50 (2):171-173.details
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Beyond Aesthetics: Philosophical Essays.Noël Carroll - 2001 - New York: Cambridge University Press.details
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13 Emotions and epistemic evaluations.Christopher Hookway - 2002 - In Peter Carruthers, Stephen Stich & Michael Siegal (eds.), The Cognitive Basis of Science. New York: Cambridge University Press. pp. 251.details
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Interpreting Figurative Meaning. Gibbs Jr & Herbert L. Colston - 2012 - Cambridge University Press.details
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The Transformation of the Avant-Garde: The New York Art World, 1940-1985.Diana Crane - 1987 - University of Chicago Press.details
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Value in Art.Robert Stecker - 2003 - In Jerrold Levinson (ed.), The Oxford handbook of aesthetics. New York: Oxford University Press. pp. 307--324.details
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Value in Art.Robert Stecker - 2003 - In Jerrold Levinson (ed.), The Oxford handbook of aesthetics. New York: Oxford University Press.details
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Intention in Art.Paisley Livingston - 2003 - In Jerrold Levinson (ed.), The Oxford handbook of aesthetics. New York: Oxford University Press.details
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Aesthetics and cognitive science.Gregory Currie - 2003 - In Jerrold Levinson (ed.), The Oxford handbook of aesthetics. New York: Oxford University Press. pp. 706--721.details
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Authenticity in art.Denis Dutton - 2003 - In Jerrold Levinson (ed.), The Oxford handbook of aesthetics. New York: Oxford University Press. pp. 258--274.details
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From perception to production: A multilevel analysis of the aesthetic process.Gerald C. Cupchik - 1992 - In Gerald C. Cupchik & János László (eds.), Emerging visions of the aesthetic process: psychology, semiology, and philosophy. New York, NY, USA: Cambridge University Press. pp. 61--81.details
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Echo objects: the cognitive work of images.Barbara Maria Stafford - 2007 - Chicago: University of Chicago Press.details
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Embodiment and cognitive science.Raymond W. Gibbs - 2006 - New York ;: Cambridge University Press.details
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A Cognitive Approach to the Earliest Art.Johan de Smedt & Helen de Cruz - 2011 - Journal of Aesthetics and Art Criticism 69 (4):379-389.details
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The Intentional Stance.Daniel Clement Dennett - 1981 - MIT Press.details
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The interpretation of texts, people and other artifacts.Daniel C. Dennett - 1990 - Philosophy and Phenomenological Research 50:177-194.details
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The ontology of musical works and the authenticity of their performances.Stephen Davies - 1991 - Noûs 25 (1):21-41.details
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The aesthetic relevance of authors' and painters' intentions.Stephen Davies - 1982 - Journal of Aesthetics and Art Criticism 41 (1):65-76.details
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Interpreting contextualities.Stephen Davies - 1996 - Philosophy and Literature 20 (1):20-38.details
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First Art and Art’s Definition.Stephen Davies - 1997 - Southern Journal of Philosophy 35 (1):19-34.details
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Authors' intentions, literary interpretation, and literary value.Stephen Davies - 2006 - British Journal of Aesthetics 46 (3):223-247.details
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The transfiguration of the commonplace.Arthur C. Danto - 1974 - Journal of Aesthetics and Art Criticism 33 (2):139-148.details
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The transfiguration of the commonplace: a philosophy of art.Arthur Coleman Danto - 1981 - Cambridge, Mass.: Harvard University Press.details
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The Artworld.Arthur Danto - 1964 - Journal of Philosophy 61 (19):571-584.details
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Beyond the brillo box: the visual arts in post-historical perspective.Arthur Coleman Danto - 1992 - New York: Farrar Straus Giroux.details
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After the End of Art: Contemporary Art and the Pale of History.Arthur Coleman Danto - 1997 - Princeton University Press.details
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An ontology of art.Gregory Currie - 1989 - New York: St. Martin's Press.details
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Arts and minds.Gregory Currie - 2004 - New York: Oxford University Press.details
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The extended mind.Andy Clark & David J. Chalmers - 1998 - Analysis 58 (1):7-19.details
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Farewell to an Idea: Episodes from a History of Modernism.T. J. Clark - 2004 - Journal of Aesthetics and Art Criticism 62 (3):297-298.details
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Clement Greenberg's Theory of Art.T. J. Clark - 1982 - Critical Inquiry 9 (1):139-156.details
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Mindreading underlies metacognition.Peter Carruthers - 2009 - Behavioral and Brain Sciences 32 (2):164-182.details
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Aesthetic Experience Revisited.NoË Carroll - 2002 - British Journal of Aesthetics 42 (2):145-168.details
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Aesthetic experience revisited.Noël Carroll - 2002 - British Journal of Aesthetics 42 (2):145-168.details
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Art and the domain of the aesthetic.N. Carroll - 2000 - British Journal of Aesthetics 40 (2):191-208.details
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Art and Interaction.Noel Carroll - 1986 - Journal of Aesthetics and Art Criticism 45 (1):57–68.details
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The principle of ontological commitment in pre- and postmortem multiple agent tracking.Nicolas J. Bullot - 2006 - Behavioral and Brain Sciences 29 (5):466-468.details
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Editorial: Objects and Sound Perception. [REVIEW]Nicolas J. Bullot & Paul Égré - 2010 - Review of Philosophy and Psychology 1 (1):5-17.details
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Attention, information and epistemic perception.Nicolas Bullot - 2013details
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Values of art: pictures, poetry, and music.Malcolm Budd - 1996 - New York, N.Y.: Penguin Books.details
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Situated Cognition, Dynamic Systems, and Art.Ingar Brinck - 2007 - Janus Head 9 (2):407-431.details
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Hierarchical models of behavior and prefrontal function.Matthew M. Botvinick - 2008 - Trends in Cognitive Sciences 12 (5):201.details
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Young children are sensitive to how an object was created when deciding what to name it.Paul Bloom - 2000 - Cognition 76 (2):91-103.details
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Intention, history, and artifact concepts.Paul Bloom - 1996 - Cognition 60 (1):1-29.details
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Children prefer certain individuals over perfect duplicates.Paul Bloom - 2008 - Cognition 106 (1):455-462.details
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Are we “experienced listeners”? A review of the musical capacities that do not depend on formal musical training.E. Bigand & B. Poulin-Charronnat - 2006 - Cognition 100 (1):100-130.details
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Recognition-by-components: A theory of human image understanding.Irving Biederman - 1987 - Psychological Review 94 (2):115-147.details
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The folk psychology of souls.Jesse M. Bering - 2006 - Behavioral and Brain Sciences 29 (5):453-+.details
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