Switch to: Citations

Add references

You must login to add references.
  1. Cinema 1: The Movement Image.Gilles Deleuze, Hugh Tomlinson & Barbara Habberjam - 1988 - Journal of Aesthetics and Art Criticism 46 (3):436-437.
    Download  
     
    Export citation  
     
    Bookmark   159 citations  
  • Convention, construction, and cinematic vision.David Bordwell - 1996 - In David Bordwell Noel Carroll (ed.), Post-Theory: Reconstructing Film Studies. University of Wisconsin Press. pp. 87--107.
    Download  
     
    Export citation  
     
    Bookmark   14 citations  
  • Making Meaning: Inference and Rhetoric in the Interpretation of Cinema.David Bordwell - 1989 - Harvard University Press.
    David Bordwell's new book is at once a history of film criticism, an analysis of how critics interpret film, and a proposal for an alternative program for film studies. It is an anatomy of film criticism meant to reset the agenda for film scholarship. As such Making Meaning should be a landmark book, a focus for debate from which future film study will evolve. Bordwell systematically maps different strategies for interpreting films and making meaning, illustrating his points with a vast (...)
    Download  
     
    Export citation  
     
    Bookmark   12 citations  
  • Making Meaning: Inference and Rhetoric in the Interpretation of Cinema.David Bordwell - 1991 - Journal of Aesthetics and Art Criticism 49 (2):172-173.
    Download  
     
    Export citation  
     
    Bookmark   12 citations  
  • Prospects for Film Theory: A Personal Assessment.Noel Carroll - 1996 - In David Bordwell Noel Carroll (ed.), Post-Theory: Reconstructing Film Studies. University of Wisconsin Press.
    Theory appears to have played the ideological-institutional role of enfranchiser, even if the role was ulti-mately an epiphenomenal one. Furthermore, the expectation of gold in "them thar hills" also encouraged too many university presses to invest in film publications, especially when the arcane peregrinations of Theory facilitated their rationalization of their relaxation of their traditional role as academic gatekeepers. Hence film studies has been flooded with repetitive decoctions of the Theory in search of the same market in much the same (...)
    Download  
     
    Export citation  
     
    Bookmark   8 citations