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Philosophy and the novel

Oxford: Oxford University Press (2013)

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  1. The origins of selves.Daniel C. Dennett - 1989 - Cogito 3 (3):163-173.
    What is a self? Since Descartes in the 17th Century we have had a vision of the self as a sort of immaterial ghost that owns and controls a body the way you own and control your car.
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  • Moral Incapacity.Bernard Williams - 1993 - Proceedings of the Aristotelian Society 93:59-70.
    Bernard Williams; IV*—Moral Incapacity, Proceedings of the Aristotelian Society, Volume 93, Issue 1, 1 June 1993, Pages 59–70, https://doi.org/10.1093/aristotel.
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  • The Conscience of Huckleberry Finn.Jonathan Bennett - 1974 - Philosophy 49 (188):123-134.
    In this paper1 I shall present not just the conscience of Huckleberry Finn but two others as well. One of them is the conscience of Heinrich Himmler. He became a Nazi in 1923; he served drably and quietly, but well, and was rewarded with increasing responsibility and power. At the peak of his career he held many offices and commands, of which the most powerful was that of leader of the S.S. - the principal police force of the Nazi regime. (...)
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  • Truth in fiction.David K. Lewis - 1978 - American Philosophical Quarterly 15 (1):37–46.
    It is advisable to treat some sorts of discourse about fiction with the aid of an intensional operator "in such-And-Such fiction...." the operator may appear either explicitly or tacitly. It may be analyzed in terms of similarity of worlds, As follows: "in the fiction f, A" means that a is true in those of the worlds where f is told as known fact rather than fiction that differ least from our world, Or from the belief worlds of the community in (...)
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  • On the cognitive triviality of art.Jerome Stolnitz - 1992 - British Journal of Aesthetics 32 (3):191-200.
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  • Interpretation, intention, and truth.Richard Shusterman - 1988 - Journal of Aesthetics and Art Criticism 46 (3):399-411.
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  • Lack of character? Situationism critiqued.John Sabini & Maury Silver - 2005 - Ethics 115 (3):535-562.
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  • Mr Bennett on Huckleberry Finn.Jenny Teichman - 1975 - Philosophy 50 (193):358-359.
    Mr Bennett in his interesting essay in the April 1974 issue of Philosophy claims that ‘… in a particular case sympathy and morality may pull in opposite directions. This can happen not just with bad moralities, but also with good ones like yours and mine.’ By sympathy he says he means ‘every sort of fellow-feeling’. Although a triumph of sympathy over morality may be a good thing, it also represents a triumph of irrationality over reason.
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  • Praise, Blame and the Whole Self.Nomy Arpaly & Timothy Schroeder - 1999 - Philosophical Studies 93 (2):161-188.
    What is that makes an act subject to either praise or blame? The question has often been taken to depend entirely on the free will debate for an answer, since it is widely agreed that an agent’s act is subject to praise or blame only if it was freely willed, but moral theory, action theory, and moral psychology are at least equally relevant to it. In the last quarter-century, following the lead of Harry Frankfurt’s (1971) seminal article “Freedom of the (...)
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  • Describing and interpreting a work of art.Robert J. Matthews - 1977 - Journal of Aesthetics and Art Criticism 36 (1):5-14.
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  • Literature and truth.Peter Lamarque - 2007 - In Garry Hagberg & Walter Jost (eds.), A Companion to the Philosophy of Literature. Malden, MA: Wiley-Blackwell. pp. 367–384.
    This chapter contains sections titled: No Easy Answers The Classical Background Conceptions of Poetic Truth Propositional Truth and Literature Empathetic Knowledge and Clarification An Enduring Contrast: Philosophy and Literature.
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