Results for 'Jenny Teichman'

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  1. The Intellectual Capacity of David Stove.Jenny Teichman - 2001 - Philosophy 76 (1):149-157.
    David Stove's essay “The intellectual capacity of women” was first published in 1990, in the Proceedings of a Sydney philosophical society. It has been re-published twice since his death. It seems though that during his lifetime Stove himself refused to agree to its being re-printed. This raises two questions: Did Stove believe his essay on women contains mistakes? And: does it contain mistakes? The main flaws in the essay stem from a rash adoption of simplistic ideas about probability coupled with (...)
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  2.  22
    Jenny Teichman, Philosophy and the Mind. [REVIEW]Karl Pfeifer - 1990 - Philosophy in Review 10:332-333.
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  3. Counterpossibles in Science: The Case of Relative Computability.Matthias Jenny - 2018 - Noûs 52 (3):530-560.
    I develop a theory of counterfactuals about relative computability, i.e. counterfactuals such as 'If the validity problem were algorithmically decidable, then the halting problem would also be algorithmically decidable,' which is true, and 'If the validity problem were algorithmically decidable, then arithmetical truth would also be algorithmically decidable,' which is false. These counterfactuals are counterpossibles, i.e. they have metaphysically impossible antecedents. They thus pose a challenge to the orthodoxy about counterfactuals, which would treat them as uniformly true. What’s more, I (...)
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  4. Classicality Lost: K3 and LP After the Fall.Matthias Jenny - 2016 - Thought: A Journal of Philosophy 5 (4).
    It is commonly held that the ascription of truth to a sentence is intersubstitutable with that very sentence. However, the simplest subclassical logics available to proponents of this view, namely K3 and LP, are hopelessly weak for many purposes. In this paper, I argue that this is much more of a problem for proponents of LP than for proponents of K3. The strategies for recapturing classicality offered by proponents of LP are far less promising than those available to proponents of (...)
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  5. Artifice and Authenticity: Gender Technology and Agency in Two Jenny Saville Portraits.Diana Tietjens Meyers - 2009 - In Laurie Shrage (ed.), You’ve Changed”: Sex Reassignment and Personal Identity. Oxford University Press.
    This paper addresses two related topics: 1. The disanalogies between elective cosmetic practices and sex reassignment surgery. Why does it seem necessary for me – an aging professional woman – to ignore the blandishments of hairdressers wielding dyes and dermatologists wielding acids and scalpels? Why does it not seem equally necessary for a transgendered person to repudiate sex reassignment procedures? 2. The role of the body in identity and agency. How do phenomenological insights regarding the constitution of selfhood in relation (...)
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  6. Jenny Saville Remakes the Female Nude – Feminist Reflections on the State of the Art.Diana Tietjens Meyers - 2012 - In Peg Brand (ed.), Beauty Unlimited. Indiana University Press.
    Jenny Saville is a leading contemporary painter of female nudes. This paper explores her work in light of theories of gender and embodied agency. Recent work on the phenomenology of embodiment draws a distinction between the body image and the body schema. The body image is your representation of your own body, including your visual image of it and your emotional attitudes towards it. The body schema is comprised of your proprioceptive knowledge, your corporeally encoded memories, and your corporeal (...)
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  7. Emotion Regulation in Psychopathy.Helen Casey, Robert D. Rogers, Tom Burns & Jenny Yiend - 2013 - Biological Psychology 92:541–548.
    Emotion processing is known to be impaired in psychopathy, but less is known about the cognitive mechanisms that drive this. Our study examined experiencing and suppression of emotion processing in psychopathy. Participants, violent offenders with varying levels of psychopathy, viewed positive and negative images under conditions of passive viewing, experiencing and suppressing. Higher scoring psychopathics were more cardiovascularly responsive when processing negative information than positive, possibly reflecting an anomalously rewarding aspect of processing normally unpleasant material. When required to experience emotional (...)
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  8.  41
    Expectations in Music.Jenny Judge & Bence Nanay - forthcoming - In Jerrold Levinson (ed.), Oxford Handbook of Music and Philosophy. Oxford: Oxford University PRess.
    Almost every facet of the experience of musical listening—from pitch, to rhythm, to the experience of emotion—is thought to be shaped by the meeting and thwarting of expectations. But it is unclear what kind of mental states these expectations are, what their format is, and whether they are conscious or unconscious. Here, we distinguish between different modes of musical listening, arguing that expectations play different roles in each, and we point to the need for increased collaboration between music psychologists and (...)
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  9. Against Raunchy Women's Art.Cynthia Freeland - 2009 - In Curtis Carter (ed.), Art and Social Change. International Association for Aesthetics. pp. 56-72.
    This article criticizes what I call "Raunchy" feminist art by employing discussions of pornography and objectification from Eaton and Nussbaum. Artists considered include Carolee Schneeman, Cindy Sherman, Lisa Yuskavage, and Jenny Saville. The article includes by citing examples of feminist art dealing with erotic material in a more productive manner: Eija-Liisa Ahtila, Kiki Smith, and Marlene Dumas.
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  10. 9/11 as Schmaltz-Attractor: A Coda on the Significance of Kitsch.C. E. Emmer - 2013 - In Monica Kjellman-Chapin (ed.), Kitsch: History, Theory, Practice. Cambridge Scholars Press. pp. 184-224.
    "The concluding chapter, penned by C. E. Emmer, both revisits and greatly expands upon disputations within the contested territory of kitsch as term and tool in cultural turf-war arsenals. Focusing on debates surrounding two visual responses to the terrorist attacks on September 11, 2001, Dennis Madalone's 2003 music video for the patriotic anthem 'America We Stand As One' and Jenny Ryan's 'plushie' sculpture, 'Soft 9/11,' Emmer utilizes these debates to reveal the coexisting and competing attitudes towards ostensibly kitschy objects (...)
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  11.  47
    Surrogacy Relationships: A Critical Interpretative Review.Jenny Gunnarsson Payne, Elzbieta Korolczuk & Signe Mezinska - 2020 - Upsala Journal of Medical Sciences 1:1-9.
    Based on a critical interpretative review of existing qualitative research investigating accounts of ‘lived experience’ of surrogates and intended parents from a relational perspective, this article proposes a typology of surrogacy arrangements. The review is based on the analysis of 39 articles, which belong to a range of different disciplines (mostly sociology, social psychology, anthropology, ethnology, and gender studies). The number of interviews in each study range from as few as seven to over one hundred. Countries covered include Australia, Canada, (...)
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  12.  40
    Mudanças, Revoluções e suas Implicações.Emanuel Isaque Cordeiro da Silva - manuscript
    MUDANÇAS, REVOLUÇÕES E SUAS IMPLICAÇÕES -/- CHANGES, REVOLUTIONS AND THEIR IMPLICATIONS -/- Emanuel Isaque Cordeiro da Silva – IFPE-BJ, CAP-UFPE e UFRPE - eisaque335@gmail.com / eics@discente.ifpe.edu.br e WhatsApp: (82)98143-8399 -/- PREMISSA -/- A mudança social é um tema presente na Sociologia desde o seu início. Seria possível dizer que o surgimento da Sociologia está vinculado à discussão sobre as transformações sociais, ou seja, falar sobre a ciência da sociedade é falar sobre esse tema. Por isso mesmo, abordar o tema da (...)
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  13.  22
    The Museum on the Edge of Forever.Jenny Walklate - 2014 - Teorie Vědy / Theory of Science 36 (1):49-76.
    This article argues that understanding any space or site relies on a knowledge of its fourth dimension - the timescape. It will explore this by situating the investigation in the museum - a place of heightened contrivance which could easily be shallowly interpreted as "mere style". It will defend a new method of investigating museum temporality which combines both phenomenology and literary theory, and will replace the idea of geo-epistemology with geochronic epistemology: an understanding of context and situation which takes (...)
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