Isaac Newton wrote the manuscript Questiones quaedam philosophicae at the very beginning of his scientific career. This small notebook thus affords rare insight into the beginnings of Newton's thought and the foundations of his subsequent intellectual development. The Questiones contains a series of entries in Newton's hand that range over many topics in science, philosophy, psychology, theology, and the foundations of mathematics. These notes, written in English, provide a very detailed picture of Newton's early interests, and record his critical appraisal (...) of contemporary issues in natural philosophy. Written predominantly in 1664-5, they give a significant perspective on Newton's thought just prior to his annus mirabilis, 1666. This volume provides a complete transcription of the Questiones, together with an 'expansion' into modern English, and a full editorial commentary on the content and significance of the notebook in the development of Newton's thought. It will be essential reading for all those interested in Newton and the intellectual foundations of science. (shrink)

(1983). Robert Hooke's Trinity College ‘Musick Scripts’, his music theory and the role of music in his cosmology. Annals of Science: Vol. 40, No. 6, pp. 559-595.

For the first English edition of his distinguished study, Weisheit und Wissenschaft: Studien zu Pythagoras, Philoloas und Platon, Mr. Burkert has extensively ...

There is no evidence to suggest that even as late as January 1672, when Newton was elected a Fellow of the Royal Society, anyone had any inkling of his new theory of colours. His name exploded on the scientific scene as the inventor and constructor of a new kind of telescope—what later became known as the reflector . Had the erudition of the London virtuosi been a little broader, they would have known that in fact he was not the inventor (...) of the telescope, even though the precise form he gave it was his. Not only was the idea a hundred years old, during which period it was repeatedly suggested by various writers, but also Newton himself took the idea straight from the most recent of these suggestions, namely that included in James Gregory's Optica promota of 1663. The situation becomes even more ironic when we realize that the new instrument was admired for wrong reasons and on merits that were far from Newton's intentions. Nevertheless, admired it was, and there was a good reason for this: Newton's instrument was in fact the first reflector actually to be constructed and, moreover, for a few weeks it performed quite well. Several astonomers became interested because of the high magnifying power relative to its dimensions. (shrink)

The notion of a harmonious universe was taught by Pythagoras as early as the sixth century BC, and remained a basic premise in Western philosophy, science, and art almost to our own day. In Touches of Sweet Harmony, S. K. Heninger first recounts the legendary life of Pythagoras, describes his school at Croton, and discusses the materials from which the Renaissance drew its information about Pythagorean doctrine. The second section of the book reconstructs the many facets of this doctrine, and (...) the final section shows its influence on Renaissance poetics. Professor Heninger's magisterial work introduces the reader not only to Pythagoras but to a host of other classical, medieval, and Renaissance figures as well--from Plato and Aristotle through St. Augustine and Macrobius down to Sidney and Spenser. (shrink)