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The letter sent by the Royal Society to the London optician, John Marshall, in 1694, commending his new method of grinding, has been reprinted, and referred to, in recent years. However, there has been no comprehensive analysis of the method itself, the letter and the circumstances in which it was written, nor the consequences for trade practices. The significance of the approval by the Royal Society of this innovation and the use of that approbation by John Marshall and other practitioners (...) |
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The paper examines the structure of the mathematical instrument making trade in London from the mid-sixteenth century to the opening of the Hanoverian era. This analysis of the trade is primarily based on evidence drawn from contemporary advertising. A distinction between informal editorial recommendations and advertising per se is made. It is concluded that up to the mid-seventeenth century mathematical instrument makers worked in either wood or metal. After that date a growing number of workshops advertised that they manufactured in (...) |
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SummaryWhen mathematical instrument-makers brought the craft to London from the continent in the mid-sixteenth century, the severity of the legislation obliged them to join a guild company. As there was no company specialising in their craft, they joined the company of their choice, a practice allowed by the so-called ‘custom of London’. Research has revealed many in the Grocers' Company, and their position there is compared with that of instrument-makers who joined the Clockmakers' Company after its incorporation in 1631. While (...) |
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The growth of modern science has been accompanied by the growth of professionalization. We can unquestionably speak of professional science since the nineteenth century, although historians dispute about where, when and how much. It is much more problematic and anachronistic to do so of the late seventeenth century, despite the familiar view that the period saw the origin of modern experimental science. This paper explores the broad implications of that problem. |
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The organ of the memory was of crucial importance for Robert Hooke in his aim to improve natural history and the study of nature in general. As a mechanist he was careful to avoid the confident analogizing of his contemporaries, and he described his model in hypothetical form. However, he saw it as amenable to improvement—just as mechanically as the senses were augmented by the use of instruments. The close connection he made between a better memory mechanism and the task (...) |
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(1983). Robert Hooke's Trinity College ‘Musick Scripts’, his music theory and the role of music in his cosmology. Annals of Science: Vol. 40, No. 6, pp. 559-595. |
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The work of Robert Hooke on acoustics and music theory is a larger subject than might seem the case from studies of his career so far available. First, there are his experiments for the Royal Society which can be defined as purely acoustical, which anticipate later experiments performed by men such as J. Sauveur and E. Chladni. Second, there are passages in many of his writings which by extensive use of musical analogy attempt to account for all physical phenomena of (...) |
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