This anthology focuses on the extraordinary contributions Wittgenstein made to several areas in the philosophy of psychology - contributions that extend to psychology, psychiatry, sociology and anthropology. To bring them a richly-deserved attention from across the language barrier, Danièle Moyal-Sharrock has translated papers by eminent French Wittgensteinians. They here join ranks with more familiar renowned specialists on Wittgenstein's philosophical psychology. While revealing differences in approach and interests, this coming together of some of the best minds on the subject discloses a (...) surprising degree of consensus, and gives us the clearest picture yet of Wittgenstein as a philosopher of psychology. (shrink)

As is well known, Wittgenstein pointed out an asymmetry between first- and third-person psychological statements: the first, unlike the latter, involve observation or a claim to knowledge and are constitutionally open to uncertainty. In this paper, I challenge this asymmetry and Wittgenstein's own affirmation of the constitutional uncertainty of third-person psychological statements, and argue that Wittgenstein ultimately did too. I first show that, on his view, most of our third-person psychological statements are noncognitive; they stem from a subjective certainty: a (...) certainty which, though not the result of an epistemic process, is not invulnerable to error in that it is a kind of assumption. I then trace Wittgenstein's realization that some third-person psychological certainties are not merely subjective but 'objective' (which means, as he uses the word, that they are logically indubitable): in some cases, we can be as logically certain that someone else is in pain than we are about ourselves being in pain. This positively reinforces Wittgenstein's rebuttal of other mind scepticism. I conclude with a response to objections about the legitimacy of calling an assurance that is logical (i.e., that does not have uncertainty or doubt on its flipside) a 'certainty', by suggesting that the flipside is to be found in pathological cases, and most pertinently here, in cases of dyssemia: a rare disorder affecting the ability to properly express or recognize basic physical expressions of feeling. (shrink)

The Critique of the Power of Judgment (a more accurate rendition of what has hitherto been translated as the Critique of Judgment) is the third of Kant's great critiques following the Critique of Pure Reason and the Critique of Practical Reason. This entirely new translation of Kant's masterpiece follows the principles and high standards of all other volumes in The Cambridge Edition of the Works of Immanuel Kant. This volume includes: for the first time the indispensable first draft of Kant's (...) introduction to the work; the only English edition notes to the many differences between the first (1790) and second (1793) editions of the work; and relevant passages in Kant's anthropology lectures where he elaborated on his aesthetic views. All in all this new edition offers the serious student of Kant a dramatically richer, more complete and more accurate translation. (shrink)

These lectures by one of the most influential and original philosophers of the twentieth century constitute a sustained argument for the philosophical basis of romanticism, particularly in its American rendering. Through his examination of such authors as Emerson, Thoreau, Poe, Wordsworth, and Coleridge, Stanley Cavell shows that romanticism and American transcendentalism represent a serious philosophical response to the challenge of skepticism that underlies the writings of Wittgenstein and Austin on ordinary language.

Stanley Cavell, one of America's most distinguished philosophers, has written an invaluable companion volume to Walden, a seminal book in our cultural heritage. This expanded edition includes two essays on Emerson.

Must We Mean What We Say? is Stanley Cavell's first book, and, in a sense, it is his most important. It contains all the themes that Cavell continues to develop masterfully throughout his philosophy. There is a renewed usage of J. L. Austin's theory of speech acts, and, in the classic essay “The Availability of Wittgenstein's Later Philosophy,” he establishes the foundations of a radical reading of Ludwig Wittgenstein , the connections among skepticism, acknowledgement, and Shakespearean tragedy ; there is (...) the reflection on the ordinary that runs throughout his later works ; and, finally, there is the original aesthetic approach that defines Cavell's work, through his objects—which range from William Shakespeare to Samuel Beckett and pass through Hollywood comedies and melodrama, and opera—and, above all, through his style and method. (shrink)

Drawing on J. L. Austin and the later works of Ludwig Wittgenstein, she argues for the solution provided by ordinary language philosophy—a philosophy that trusts and utilizes the everyday use of language and the clarity of meaning it ...