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  1. Emotion recognition in music changes across the adult life span.César F. Lima & Sao Luis Castro - 2011 - Cognition and Emotion 25 (4):585-598.
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  • Music Interventions and Child Development: A Critical Review and Further Directions.Elisabeth Dumont, Elena V. Syurina, Frans J. M. Feron & Susan van Hooren - 2017 - Frontiers in Psychology 8.
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  • Non-verbal emotion communication training induces specific changes in brain function and structure.Benjamin Kreifelts, Heike Jacob, Carolin Brück, Michael Erb, Thomas Ethofer & Dirk Wildgruber - 2013 - Frontiers in Human Neuroscience 7.
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  • Cross-Cultural Emotion Recognition and In-Group Advantage in Vocal Expression: A Meta-Analysis.Petri Laukka & Hillary Anger Elfenbein - 2020 - Emotion Review 13 (1):3-11.
    Most research on cross-cultural emotion recognition has focused on facial expressions. To integrate the body of evidence on vocal expression, we present a meta-analysis of 37 cross-cultural studies...
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  • Sadness is unique: neural processing of emotions in speech prosody in musicians and non-musicians.Mona Park, Evgeny Gutyrchik, Lorenz Welker, Petra Carl, Ernst Pã¶Ppel, Yuliya Zaytseva, Thomas Meindl, Janusch Blautzik, Maximilian Reiser & Yan Bao - 2014 - Frontiers in Human Neuroscience 8.
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  • Brain Networks of Emotional Prosody Processing.Didier Grandjean - 2020 - Emotion Review 13 (1):34-43.
    The processing of emotional nonlinguistic information in speech is defined as emotional prosody. This auditory nonlinguistic information is essential in the decoding of social interactions and in our capacity to adapt and react adequately by taking into account contextual information. An integrated model is proposed at the functional and brain levels, encompassing 5 main systems that involve cortical and subcortical neural networks relevant for the processing of emotional prosody in its major dimensions, including perception and sound organization; related action tendencies; (...)
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  • Singing and social inclusion.Graham F. Welch, Evangelos Himonides, Jo Saunders, Ioulia Papageorgi & Marc Sarazin - 2014 - Frontiers in Psychology 5.
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  • Current Emotion Research in Music Psychology.Swathi Swaminathan & E. Glenn Schellenberg - 2015 - Emotion Review 7 (2):189-197.
    Music is universal at least partly because it expresses emotion and regulates affect. Associations between music and emotion have been examined regularly by music psychologists. Here, we review recent findings in three areas: (a) the communication and perception of emotion in music, (b) the emotional consequences of music listening, and (c) predictors of music preferences.
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  • Presentation and validation of the Radboud Faces Database.Oliver Langner, Ron Dotsch, Gijsbert Bijlstra, Daniel Hj Wigboldus, Skyler T. Hawk & Ad van Knippenberg - 2010 - Cognition and Emotion 24 (8):1377-1388.
    Many research fields concerned with the processing of information contained in human faces would benefit from face stimulus sets in which specific facial characteristics are systematically varied while other important picture characteristics are kept constant. Specifically, a face database in which displayed expressions, gaze direction, and head orientation are parametrically varied in a complete factorial design would be highly useful in many research domains. Furthermore, these stimuli should be standardised in several important, technical aspects. The present article presents the freely (...)
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  • Multidimensional scaling of emotional responses to music: The effect of musical expertise and of the duration of the excerpts.E. Bigand, S. Vieillard, F. Madurell, J. Marozeau & A. Dacquet - 2005 - Cognition and Emotion 19 (8):1113-1139.
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