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On the Artist's Privileged Status

Philosophy 54 (208):187 - 198 (1979)

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  1. (2 other versions)Philosophical investigations.Ludwig Wittgenstein & G. E. M. Anscombe - 1953 - Revue Philosophique de la France Et de l'Etranger 161:124-124.
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  • (2 other versions)Philosophical Investigations.Ludwig Wittgenstein & G. E. M. Anscombe - 1953 - British Journal for the Philosophy of Science 4 (15):258-260.
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  • Speech Acts: An Essay in the Philosophy of Language.William P. Alston - 1970 - Philosophical Quarterly 20 (79):172-179.
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  • Wittgenstein on privacy.John W. Cook - 1965 - Philosophical Review 74 (3):281-314.
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  • Varieties of priveleged access.William P. Alston - 1971 - American Philosophical Quarterly 8 (3):223-41.
    This paper distinguishes and interrelates a number of respects in which persons have been thought to be in a specially favorable epistemic position vis-A-Vis their own mental states. The most important distinction is a six-Fold one between infallibility, Omniscience, Indubitability, Incorrigibility, Truth-Sufficiency, And self-Warrant. Each of these varieties can then be sub-Divided as the kind of modality, If any, Involved. It is also argued that discussions of self-Knowledge have been hampered by a failure to recognize these distinctions.
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  • V—Intention and Interpretation in Criticism.Frank Cioffi - 1964 - Proceedings of the Aristotelian Society 64 (1):85-106.
    Frank Cioffi; V—Intention and Interpretation in Criticism, Proceedings of the Aristotelian Society, Volume 64, Issue 1, 1 June 1964, Pages 85–106, https://doi.o.
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  • (4 other versions)Wittgenstein.Anthony Kenny - 1975 - Philosophy 50 (192):248-249.
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  • (4 other versions)Wittgenstein.Barry Stroud & Anthony Kenny - 1975 - Philosophical Review 84 (4):576.
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  • Philosophische Bemerkungen.Erik Stenius, Ludwig Wittgenstein & Rush Rhees - 1966 - Philosophical Quarterly 16 (65):371.
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  • (2 other versions)I.—Wittgenstein's lectures in 1930–33.G. E. Moore - 1955 - Mind 64 (253):1-27.
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  • (1 other version)Two corrections: Wittgenstein's lectures in 1930-33.G. E. Moore - 1955 - Mind 64 (254):264.
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  • The Artist's Intentions.Sidney Gendin - 1964 - Journal of Aesthetics and Art Criticism 23 (2):193-196.
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