In The Birth of Tragedy Nietzsche expounds on the origins of Greek tragedy and its relevance to the German culture of its time. He declares it to be the expression of a culture which has achieved a delicate but powerful balance between Dionysian insight into the chaos and suffering which underlies all existence and the discipline and clarity of rational Apollonian form. In order to promote a return to these values, Nietzsche critiques the complacent rationalism of late nineteenth-century German culture (...) and makes an impassioned plea for the regenerative potential of the music of Wagner. A wide ranging discussion of the nature of art, science, and religion, The Birth of Tragedy's argument raises important questions about the problematic nature of cultural origins which are still valid today. (shrink)

Friedrich Nietzsche is one of the most influential thinkers of the past 150 years and On the Genealogy of Morality (1887) is his most important work on ethics and politics. A polemical contribution to moral and political theory, it offers a critique of moral values and traces the historical evolution of concepts such as guilt, conscience, responsibility, law and justice. This is a revised and updated edition of one of the most successful volumes to appear in Cambridge Texts in the (...) History of Political Thought. Keith Ansell-Pearson has modified his introduction to Nietzsche's classic text, and Carol Diethe has incorporated a number of changes to the translation itself, reflecting the considerable advances in our understanding of Nietzsche in the twelve years since this edition first appeared. In this new guise the Cambridge Texts edition of Nietzsche's Genealogy should continue to enjoy widespread adoption, at both undergraduate and graduate level. (shrink)

This new, completely revised and re-written edition of Aesthetics and subjectivity brings up to date the original book's account of the path of German philosophy from Kant, via Fichte and Holderlin, the early Romantis, Schelling, Hegel, Schleimacher, to Nietzsche, in view of recent historical research and contemporary arguments in philosophy and theory in the humanities.

“Supposing that truth is a women-what then?” This is the very first sentence in Nietzsche’s Beyond Good and Evil . Not very often are philosophers so disarmingly explicit in their intention to discomfort the reader. In fact, one might say that the natural state of Nietzsche’s reader is one of perplexity. Yet it is in the process of overcoming the perplexity that one realizes how rewarding to have one’s ideas challenged. In Beyond Good and Evil, Nietzsche critiques the mediocre in (...) modernity and challenges the reader to accept their state of becoming and accept improvisation and creativity of the process. Nietzsche’s book is carefully designed to disorient the reader, to systematically provoke and tease her to the point of stealing away her certainties. It is challenging yet rewarding to overcome the perplexities of Nietzsche’s teachings. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Nietzsche's Free SpiritAmy MullinOn the back cover of the original 1882 edition of The Gay Science, Nietzsche tells us that this book represents "the conclusion of a series of writings by Friedrich Nietzsche whose common goal is to erect a new image and ideal of the free spirit."1 He furthermore tells us that to this series belong: Human, all too Human (1878), The Wanderer and His Shadow (1880), Daybreak (...) (1881), and The Gay Science (1882, Books 1-4).2 Nietzsche's interest in the topics of fate and freedom dates back to some of his earliest writings, those written in the spring of 1862 and recently translated by George Stack as "Fate and History" and "Freedom of Will and Fate."3 Furthermore, Nietzsche's writings after 1882 remain dedicated, unto the last, to the importance of this new ideal of the free spirit. Thus, for instance, Part Two of Beyond Good and Evil (1886) is entitled "The Free Spirit," and in the autumn of 1888, in plans for his never written Revaluation of All Values, Book 2 was to be entitled "The Free Spirit. Critique of Philosophy as a Nihilistic Movement."4Yet little attention has been paid to interpreting Nietzsche's corpus, particularly [End Page 383] the works from his middle period, as characterized by a common goal, that of erecting a new image and ideal of the free spirit.5 Furthermore, too often little distinction is made between what Nietzsche admired in the past, nobility or the master, what he admires in the present, the free spirit, and what he hopes to come in the future, philosophers of the future and the Übermensch. The philosophers of the future will be very free spirits, but they will not be merely free spirits. Nietzsche tells us that he and his fellow free spirits are merely the "heralds and precursors" of the philosophers of the future.6 This suggests that we cannot simply equate, as Alexander Nehamas does, the free spirit and the "philosopher of the future,"7 and we should not speak interchangeably of masters or nobles, free spirits, philosophers of the future, and Übermenschen.8In a related error, free spirits are said to possess all the traits Nietzsche praises. Ruth Abbey, for instance, characterizes the values constitutive of free spirithood as "autonomy in thought and action, intellectual strength and daring, desire and ability to pursue the truth, capacity for cruelty and the skills of dialogue."9 While it is true that Nietzsche does suggest that the dialogue is the perfect conversation,10 he nowhere associates skills in dialogue with a free spirit. Instead, the free spirit is strongly associated with isolation, which would tend to preclude conversation, skilful or otherwise.We need to give an account of the free spirit which distinguishes it from Nietzsche's other ideals, while also connecting the new ideal of a free spirit to other aspects of Nietzsche's thought, most particularly his condemnation of [End Page 384] universalistic moralities, and his account of the possibility of controlling one's interpretations of the world in order to carry on experiments in knowledge. It is only once we have become clear about what a free spirit is like that we can evaluate Nietzsche's claim to have constructed a new ideal, and begin to consider whether this ideal has any appeal for us today, and why.In order to understand what a free spirit is and is not, we need (1) to distinguish between so-called free spirits and Nietzsche's new ideal of a free spirit, and (2) to appreciate the radical distinction between freedom of spirit and freedom of will.11 We will then be in a position (3) to see that, far from being opposed to necessity, free spirits are a product of it. We will then need (4) to look at the details of Nietzsche's account of the free spirit. Do free spirits share characteristic traits? Since free spirits all begin as fettered spirits, we will need to see what trajectory Nietzsche sees free spirits taking from fetters to freedom. Here it will be important to recognize that Nietzsche speaks of several stages of free... (shrink)

While visiting a friend's family in Cornwall during the traditional May Day celebrations, eighteen-year-old Laura becomes involved in an old family mystery concerning the disappearance of ancient heirlooms.

Praised for its rare combination of scholarly rigor and imaginative interpretation, _Nietzsche and Philosophy_ has long been recognized as one of the most important analyses of Nietzsche. It is also one of the best introductions to Deleuze's thought, establishing many of his central philosophical positions. In _Nietzsche and Philosophy_, Deleuze identifies and explores three crucial concepts in Nietzschean thought-multiplicity, becoming, and affirmation-and clarifies Nietzsche's views regarding the will to power, eternal return, nihilism, and difference. For Deleuze, Nietzsche challenged conventional philosophical (...) ideas and provided a means of escape from Hegel's dialectical thinking, which had come to dominate French philosophy. He also offered a path toward a politics of difference. In this new edition, Michael Hardt's foreword examines the profound influence of Deleuze's provocative interpretations on the study of Nietzsche, which opened a whole new avenue in postwar thought. (shrink)

'This is the most comprehensive and critical study of Nietzche's relationship to German romanticism I have seen so far. It accomplishes an intensive and comprehensive examination of a question that has haunted Nietzsche research since the beginning of the century and comes to reliable results. A magnificent contribution.' -Ernst Behler, University of Washington.