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  1. Metahistory: The Historical Imagination in Nineteenth-century Europe.Hayden V. White - 1973 - Baltimore: Johns Hopkins.
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  • On Knowing: Essays for the Left Hand.H. E. O. James & Jerome S. Bruner - 1963 - British Journal of Educational Studies 11 (2):207.
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  • Frame Analysis: An Essay on the Organization of Experience.Erving Goffman - 1974 - Philosophy and Phenomenological Research 39 (4):601-602.
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  • Moralities of Everyday Life.J. Sabini - 1982 - Oxford University Press USA.
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  • After virtue: a study in moral theory.Alasdair C. MacIntyre - 1984 - Notre Dame, Ind.: University of Notre Dame Press.
    This classic and controversial book examines the roots of the idea of virtue, diagnoses the reasons for its absence in modern life, and proposes a path for its recovery.
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  • Personal Being.Charles Travis & Rom Harre - 1985 - Philosophical Quarterly 35 (140):322.
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  • The Folktale.Stith Thompson & Muriel Bowden - 1949 - Science and Society 13 (2):172-174.
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  • A New Language for Psychoanalysis.Roy Schafer - 1976
    "Should be of considerable interest to a wider public, since it proposes a radical reformulation of psychoanalytical theory which, if accepted, would render outmoded almost all the analytical jargon that has crept into the language of progressive, enlightened post-Freudian people."-Charles Rycroft, The New York Review of Books "Schafer's arguments have considerable cogency. The tendency to over-theorize so that the translation of abstractions into the language of ordinary discourse between analyst and patient has become increasingly difficult is a fault; Schafer goes (...)
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  • The Interpretation of Cultures.Clifford Geertz - 2017
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  • The sense of an ending.Frank Kermode - 1967 - New York,: Oxford University Press.
    Lectures delivered as the Mary Flexner Lectures, Bryn Mawr College, fall 1965, under the title: The long perspectives.
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  • On Knowing: Essays for the Left Hand.H. S. N. McFarland & Jerome S. Bruner - 1965 - Philosophical Quarterly 15 (58):79.
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  • Anatomy of Criticism.Northrop Frye - 1958 - Journal of Aesthetics and Art Criticism 16 (4):533-534.
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