This chapter contains sections titled: Nietzsche's (Artful) Naturalism The Subject Naturalized Nietzsche's Artful Naturalism Toward an Ethos of the Agonized Subject.

The paper examines Nietzsche’s claim that valuations born out of a psychological condition he calls “ressentiment” are objectionable. It argues for a philosophically sound construal of this type of criticism, according to which the criticism is directed at the agent who holds values out of ressentiment, rather than at those values themselves. After presenting an analysis of ressentiment, the paper examines its impact on valuation and concludes with an inquiry into Nietzsche’s reasons for claiming that ressentiment valuation is “corrupt.” Specifically, (...) the paper proposes that ressentiment valuation involves a form of self-deception, that such self-deception is objectionable because it undermines the integrity of the self, and that the lack of such integrity ensnares the agent in a peculiar kind of practical inconsistency. The paper ends with a brief review of the problems and prospects of this interpretation. (shrink)

The paper examines Nietzsche's claim that valuations born out of a psychological condition he calls "ressentiment" are objectionable. It argues for a philosophically sound construal of this type of criticism, according to which the criticism is directed at the agent who holds values out of ressentiment, rather than at those values themselves. After presenting an analysis of ressentiment, the paper examines its impact on valuation and concludes with an inquiry into Nietzsche's reasons for claiming that ressentiment valuation is "corrupt." Specifically, (...) the paper proposes that ressentiment valuation involves a form of self-deception, that such self-deception is objectionable because it undermines the integrity of the self, and that the lack of such integrity ensnares the agent in a peculiar kind of practical inconsistency. The paper ends with a brief review of the problems and prospects of this interpretation. (shrink)

At this point I should say something about one of the frequent criticisms addressed to me, and to which I have always wanted to respond, that in the process of characterizing the production of Europe’s inferior Others, my work is only negative polemic which does not advance a new epistemological approach or method, and expresses only desperation at the possibility of ever dealing seriously with other cultures. These criticisms are related to the matters I’ve been discussing so far, and while (...) I have no desire to unleash a point-by-point refutation of my critics, I do want to respond in a way that is intellectually pertinent to the topic at hand.What I took myself to be undertaking in Orientalism was an adversarial critique not only of the field’s perspective and political economy, but also of the sociocultural situation that makes its discourse both so possible and so sustainable. Epistemologies, discourses, and methods like Orientalism are scarcely worth the name if they are reductively characterized as objects like shoes, patched when worn out, discarded and replaced with new objects when old and unfixable. The archival dignity, institutional authority, and patriarchal longevity of Orientalism should be taken seriously because in the aggregate these traits function as a worldview with considerable political force not easily brushed away as so much epistemology. Thus Orientalism in my view is a structure erected in the thick of an imperial contest whose dominant wing it represented and elaborated not only as scholarship but as a partisan ideology. Yet Orientalism hid the contest beneath its scholarly and aesthetic idioms. These things are what I was trying to show, in addition to arguing that there is no discipline, no structure of knowledge, no institution or epistemology that can or has ever stood free of the various sociocultural, historical, and political formations that give epochs their peculiar individuality. Edward W. Said is Parr Professor of English and Comparative Literature at Columbia University. His most recent contribution to Critical Inquiry is “An Ideology of Difference”. (shrink)

Friedrich Wilhelm Nietzsche (1844-1900) was a German philosopher. His writing included critiques of religion, morality, contemporary culture, philosophy and science, using a distinctive style and displaying a fondness for aphorism. Nietzsche s influence remains substantial within and beyond philosophy, notably in existentialism and postmodernism. He began his career as a philologist before turning to philosophy. At the age of 24 he became Professor of Classical Philology at the University of Basel, but resigned in 1879 due to health problems, which would (...) plague him for most of his life. In 1889 he exhibited symptoms of serious mental illness, living out his remaining years in the care of his mother and sister until his death in 1900. His works include From my Life (1858), On Music (1858), Napoleon III as a President (1862), Free Willand Fate (1862), My Life (1864), The Birth of Tragedy (1872), Richard Wagner in Bayreuth (1876), Human, All-Too-Human (1878), Beyond Good and Evil (1886), The Antichrist (1888) and Ecce Homo (1888). (shrink)

Ressentiment—the affectively charged desire for revenge that arises in response to a perceived injury1—is for Nietzsche a concept of central psychological explanatory significance, and thus makes up one of Nietzsche’s most important analytic tools in his attempt to delve into the human psyche and fathom its depth. As Walter Kaufmann says, it “constitutes one of [Nietzsche’s] major contributions to psychology.”2 As such, it has been justly awarded ample attention by scholars in the secondary literature. However, while Nietzsche’s employment of ressentiment (...) in the first essay of the On the Genealogy of Morals has been widely addressed and analyzed,3 Nietzsche’s discussion of this psychic force in the... (shrink)