- Tragedy.Aaron Ridley - 2003 - In Jerrold Levinson (ed.), The Oxford handbook of aesthetics. New York: Oxford University Press.details
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A treatise of human nature.David Hume & D. G. C. Macnabb (eds.) - 2003 - Mineola, N.Y.: Dover Publications.details
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Musical meaning and expression.Stephen Davies - 1994 - Ithaca: Cornell University Press.details
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Musical Meaning and Expression.Jenefer Robinson - 1996 - Journal of Aesthetics and Art Criticism 54 (3):307-309.details
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Recreative Minds.S. Nichols - 2004 - Journal of Aesthetics and Art Criticism 62 (4):406-407.details
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How to Think about the Modularity of Mind Reading.Gregory Currie & Kim Sterelny - 2000 - Philosophical Quarterly 50 (199):145-160.details
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The Modularity of Mind.Robert Cummins & Jerry Fodor - 1983 - Philosophical Review 94 (1):101.details
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The Mind and Its Depths by Richard Wollheim. [REVIEW]David Carrier - 1993 - Journal of Philosophy 90 (7):378-384.details
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Music and the communication of emotion.Malcolm Budd - 1989 - Journal of Aesthetics and Art Criticism 47 (2):129-138.details
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How does art express emotion?Ismay Barwell - 1986 - Journal of Aesthetics and Art Criticism 45 (2):175-181.details
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The world as will and representation.Arthur Schopenhauer & E. F. J. Payne - 2010 - New York: Cambridge University Press. Edited by Judith Norman, Alistair Welchman & Christopher Janaway.details
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An enquiry concerning human understanding.David Hume - 2000 - In Steven M. Cahn (ed.), Exploring Philosophy: An Introductory Anthology. New York, NY, United States of America: Oxford University Press USA. pp. 112.details
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Functionalism and replication.Jane Heal - 1986 - In Jeremy Butterfield (ed.), Language, mind and logic. New York: Cambridge University Press.details
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Replication and functionalism.Jane Heal - 1986 - In Jeremy Butterfield (ed.), Language, mind and logic. New York: Cambridge University Press. pp. 135--150.details
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Music, Value and the Passions.Aaron Ridley - 1995 - Mind 109 (434):387-390.details
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Recreative Minds: Imagination in Philosophy and Psychology.Gregory Currie & Ian Ravenscroft - 2002 - Oxford, GB: Oxford University Press. Edited by Christoph Hoerl.details
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Art and its objects.Richard Wollheim - 1968 - New York,: Harper & Row.details
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The mind and its depths.Richard Wollheim - 1993 - Cambridge, Mass.: Harvard University Press.details
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Review of: Painting as an Art by Richard Wollheim. [REVIEW]Joseph Margolis - 1989 - Journal of Aesthetics and Art Criticism 47 (3):281-284.details
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Painting as an Art.Joseph Margolis - 1989 - Journal of Aesthetics and Art Criticism 47 (3):281-284.details
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Art and Its Objects.Jeffrey Wieand - 1981 - Journal of Aesthetics and Art Criticism 40 (1):91-93.details
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What is abstract about the art of music?Kendall L. Walton - 1988 - Journal of Aesthetics and Art Criticism 46 (3):351-364.details
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Projectivism, Empathy, and Musical Tension.Kendall L. Walton - 1999 - Philosophical Topics 26 (1-2):407-440.details
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Mimesis as make-believe: on the foundations of the representational arts.Kendall L. Walton - 1990 - Cambridge, Mass.: Harvard University Press.details
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Expression as Expression.Bruce Vermazen - 1986 - Pacific Philosophical Quarterly 67 (3):196-224.details
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Self to Self.J. David Velleman - 1996 - Philosophical Review 105 (1):39-76.details
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Expressiveness as a property of the music itself.Saam Trivedi - 2001 - Journal of Aesthetics and Art Criticism 59 (4):411–420.details
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The Concept of Expression.Alan Tormey - 1974 - Philosophical Review 83 (2):247-252.details
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Folk Psychology: Simulation or Tacit Theory?Stephen Stich & Shaun Nichols - 1992 - Mind and Language 7 (1-2):35-71.details
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Folk psychology.Stephen P. Stich & Shaun Nichols - 2002 - In Stephen P. Stich & Ted A. Warfield (eds.), Encyclopedia of Cognitive Science. Blackwell. pp. 35-71.details
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Folk psychology: Simulation or tacit theory?Stephen Stich & Shaun Nichols - 1992 - Mind and Language 7 (1-2):35-71.details
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Expression of emotion in (some of) the arts.Robert Stecker - 1984 - Journal of Aesthetics and Art Criticism 42 (4):409-418.details
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The Aesthetics of Music.Roger Scruton - 1997 - Oxford, GB: Oxford University Press.details
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The World as Will and Representation.Lewis White Beck - 1959 - Philosophy and Phenomenological Research 20 (2):279-280.details
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The expression and arousal of emotion in music.Jenefer Robinson - 1994 - Journal of Aesthetics and Art Criticism 52 (1):13-22.details
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Music, Value and the Passions.Aaron Ridley - 1997 - Philosophical Quarterly 47 (187):236-238.details
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Music, value, and the passions.Aaron Ridley - 1995 - Ithaca: Cornell University Press.details
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Reviews. [REVIEW]Emma Borg Paul Noordhof - 2003 - Mind and Language 18 (5):538-551.details
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Reviews. [REVIEW]Paul Noordhof & Emma Borg - 2003 - Mind and Language 18 (5):538–551.details
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Imagining objects and imagining experiences.Paul Noordhof - 2002 - Mind and Language 17 (4):426-455.details
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The expression of feeling in imagination.Richard Moran - 1994 - Philosophical Review 103 (1):75-106.details
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The experience of emotion in music.Derek Matravers - 2003 - Journal of Aesthetics and Art Criticism 61 (4):353–363.details
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The transparency of experience.Michael G. F. Martin - 2002 - Mind and Language 17 (4):376-425.details
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The Aesthetics of Music.Jerrold Levinson - 2000 - Philosophical Review 109 (4):608.details
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The aesthetics of music.Jerrold Levinson - 2000 - Philosophical Review 109 (4):608-614.details
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The Aesthetics of Music. [REVIEW]Jerrold Levinson - 2000 - Philosophical Review 109 (4):608-614.details
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Music alone: philosophical reflections on the purely musical experience.Peter Kivy - 1990 - Ithaca: Cornell University Press.details
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Shostakovich's tenth symphony and the musical expression of cognitively complex emotions.Gregory Karl & Jenefer Robinson - 1995 - Journal of Aesthetics and Art Criticism 53 (4):401-415.details
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Arational actions.Rosalind Hursthouse - 1991 - Journal of Philosophy 88 (2):57-68.details
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A Treatise of Human Nature.David Hume & A. D. Lindsay - 1958 - Philosophical Quarterly 8 (33):379-380.details
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