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The World as Will and Representation.Lewis White Beck - 1959 - Philosophy and Phenomenological Research 20 (2):279-280.details
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A treatise of human nature.David Hume & D. G. C. Macnabb (eds.) - 1739 - Oxford,: Clarendon press.details
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(1 other version)The world as will and representation.Arthur Schopenhauer & E. F. J. Payne - 1958 - [Indian Hills, Colo.]: Falcon's Wing Press. Edited by Judith Norman, Alistair Welchman & Christopher Janaway.details
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The Corded Shell: Reflections on Musical Expression.Peter Kivy - 1980 - Philosophy and Rhetoric 17 (1):47-55.details
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The Principles of Art.R. G. Collingwood - 1938 - Philosophy 13 (52):492-496.details
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Musical Meaning and Expression.Jenefer Robinson - 1996 - Journal of Aesthetics and Art Criticism 54 (3):307-309.details
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Art and Illusion. A Study in the Psychology of Pictorial Representation.George Boas - 1960 - Journal of Aesthetics and Art Criticism 19 (2):229-229.details
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Art and Its Objects.Jeffrey Wieand - 1981 - Journal of Aesthetics and Art Criticism 40 (1):91-93.details
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(1 other version)Painting as an Art.Joseph Margolis - 1989 - Journal of Aesthetics and Art Criticism 47 (3):281-284.details
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(2 other versions)A Treatise of Human Nature.David Hume & A. D. Lindsay - 1958 - Philosophical Quarterly 8 (33):379-380.details
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(1 other version)The Modularity of Mind.Robert Cummins & Jerry Fodor - 1983 - Philosophical Review 94 (1):101.details
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(1 other version)The Puzzle of Imaginative Resistance.Tamar Szabó Gendler - 2000 - Journal of Philosophy 97 (2):55.details
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VIII—Aesthetic Theory and the Experience of Art.R. K. Elliott - 1967 - Proceedings of the Aristotelian Society 67 (1):111-126.details
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Reviews. [REVIEW]Emma Borg Paul Noordhof - 2003 - Mind and Language 18 (5):538-551.details
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Expression as Expression.Bruce Vermazen - 1986 - Pacific Philosophical Quarterly 67 (3):196-224.details
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(1 other version)Review of: Painting as an Art by Richard Wollheim. [REVIEW]Joseph Margolis - 1989 - Journal of Aesthetics and Art Criticism 47 (3):281-284.details
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The Concept of Expression.Alan Tormey - 1974 - Philosophical Review 83 (2):247-252.details
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Tragedy.Aaron Ridley - 2003 - In Jerrold Levinson (ed.), The Oxford handbook of aesthetics. New York: Oxford University Press.details
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Sound, gesture, spatial imagination, and the expression of emotion in music.Jerrold Levinson - 2002 - European Review of Philosophy 5:137-150.details
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Mindblindness. An essay on autism and theory of mind, Cambridge, Mass, MITPTCSS, tradiit. Dautismo e la lettura della mente, Roma.S. Baron-Cohen - forthcoming - Astrolabio.details
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Theories of theories of mind.G. Segal, P. Carruthers & K. Smith - 1996 - In Peter Carruthers & Peter K. Smith (eds.), Theories of Theories of Mind. New York: Cambridge University Press.details
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Facial expressions.Paul Ekman - 1999 - In Tim Dalgleish & Mick Power (eds.), Handbook of Cognition and Emotion. Wiley. pp. 16--301.details
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Objectivity, Simulation and the Unity of Consciousness: Current Issues in the Philosophy of Mind.Christopher Peacocke (ed.) - 1996 - British Academy.details
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Projectivism, Empathy, and Musical Tension.Kendall L. Walton - 1999 - Philosophical Topics 26 (1-2):407-440.details
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Self to Self.J. David Velleman - 1996 - Philosophical Review 105 (1):39-76.details
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The aesthetics of music.Jerrold Levinson - 2000 - Philosophical Review 109 (4):608-614.details
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Egoism and Altruism.Bernard A. O. Williams - 1973 - In Bernard Williams (ed.), Problems of the Self. Cambridge [Eng.]: Cambridge University Press.details
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(5 other versions)Enquiry Concerning Human Understanding.David Hume (ed.) - 1904 - Clarendon Press.details
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Representation and make-believe.Alan H. Goldman - 1990 - Inquiry: Critical Thinking Across the Disciplines 36 (3):335 – 350.details
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(2 other versions)An enquiry concerning human understanding.David Hume - 2000 - In Steven M. Cahn (ed.), Exploring Philosophy: An Introductory Anthology. New York, NY, United States of America: Oxford University Press USA. pp. 112.details
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The Aesthetics of Music.Roger Scruton - 1997 - Oxford, GB: Oxford University Press.details
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Art and emotion.Derek Matravers - 1998 - New York: Oxford University Press.details
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Music, value, and the passions.Aaron Ridley - 1995 - Ithaca: Cornell University Press.details
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Musical meaning and expression.Stephen Davies - 1994 - Ithaca: Cornell University Press.details
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The mind and its depths.Richard Wollheim - 1993 - Cambridge: Harvard University Press.details
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Music alone: philosophical reflections on the purely musical experience.Peter Kivy - 1990 - Ithaca: Cornell University Press.details
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(1 other version)Mimesis as make-believe: on the foundations of the representational arts.Kendall L. Walton - 1990 - Cambridge: Harvard University Press.details
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Sound sentiment: an essay on the musical emotions, including the complete text of The Corded shell.Peter Kivy - 1989 - Philadelphia: Temple University Press. Edited by Peter Kivy.details
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Reviews. [REVIEW]Paul Noordhof & Emma Borg - 2003 - Mind and Language 18 (5):538–551.details
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What is abstract about the art of music?Kendall L. Walton - 1988 - Journal of Aesthetics and Art Criticism 46 (3):351-364.details
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The expression and arousal of emotion in music.Jenefer Robinson - 1994 - Journal of Aesthetics and Art Criticism 52 (1):13-22.details
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The expression of feeling in imagination.Richard Moran - 1994 - Philosophical Review 103 (1):75-106.details
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(1 other version)Shostakovich's tenth symphony and the musical expression of cognitively complex emotions.Gregory Karl & Jenefer Robinson - 1995 - Journal of Aesthetics and Art Criticism 53 (4):401-415.details
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Arational actions.Rosalind Hursthouse - 1991 - Journal of Philosophy 88 (2):57-68.details
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Music and the communication of emotion.Malcolm Budd - 1989 - Journal of Aesthetics and Art Criticism 47 (2):129-138.details
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How does art express emotion?Ismay Barwell - 1986 - Journal of Aesthetics and Art Criticism 45 (2):175-181.details
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How to Think about the Modularity of Mind Reading.Gregory Currie & Kim Sterelny - 2000 - Philosophical Quarterly 50 (199):145-160.details
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The Modularity of Mind: An Essay on Faculty Psychology.Jerry A. Fodor - 1983 - Cambridge, MA: MIT Press.details
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