- Enacting musical emotions. sense-making, dynamic systems, and the embodied mind.Andrea Schiavio, Dylan van der Schyff, Julian Cespedes-Guevara & Mark Reybrouck - 2017 - Phenomenology and the Cognitive Sciences 16 (5):785-809.details
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Toward a Neural Basis of Music Perception – A Review and Updated Model.Stefan Koelsch - 2011 - Frontier in Psychology 2.details
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What Art Is: The Esthetic Theory of Ayn Rand.Michelle Kamhi, Louis Torres & Michelle Marder Kamhi - 2000 - Open Court.details
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Consciousness and Mental Qualities for Auditory Sensations.Adriana Renero - 2014 - Journal of Consciousness Studies 21 (9-10):179-204.details
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The role of expectation in the constitution of subjective musical experience.Elisa Negretto - unknowndetails
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Using the persona to express complex emotions in music.Tom Cochrane - 2010 - Music Analysis 29 (1-3):264-275.details
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Music, Emotions and the Influence of the Cognitive Sciences.Tom Cochrane - 2010 - Philosophy Compass 5 (11):978-988.details
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A Simulation Theory of Musical Expressivity.Tom Cochrane - 2010 - Australasian Journal of Philosophy 88 (2):191-207.details
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Art and negative affect.Aaron Smuts - 2009 - Philosophy Compass 4 (1):39-55.details
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The philosophy of music.Andrew Kania - 2008 - Stanford Encyclopedia of Philosophy.details
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Not So Blue to be Sad: Affective Affordances and Expressive Properties in Affective Regulation.Marta Caravà & Marta Benenti - 2024 - Topoi (3):1-12.details
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Understanding Aesthetics, Creativity and the Arts.Jay Friedenberg - 2020 - Amazon Direct.details
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Experimental Ontology of Music.Elzė Sigutė Mikalonytė - manuscriptdetails
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Truly, Madly, Deeply: Moral Beauty & the Self.Ryan P. Doran - forthcoming - Ergo: An Open Access Journal of Philosophy.details
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Emotions in Music: Hanslick and His False Follower.Krzysztof Guczalski - 2022 - British Journal of Aesthetics 62 (3):325-338.details
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The Affective Nature of Horror.Filippo Contesi - 2022 - In Max Ryynänen, Heidi Kosonen & Susanne Ylönen (eds.), Cultural Approaches to Disgust and the Visceral. Routledge. pp. 31-43.details
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Ordinary Expression and Musical Expressiveness.María José Alcaraz León - 2014 - Aisthesis. Practiche, Linguaggi E Saperi Dell’Estetico 1 (6):267-284.details
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The Artistic Expression of Feeling.Gary Kemp - 2020 - Philosophia 49 (1):315-332.details
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Musical Meaning in Between: Ineffability, Atmosphere and Asubjectivity in Musical Experience.Tere Vadén & Juha Torvinen - 2014 - Journal of Aesthetics and Phenomenology 1 (2):209-230.details
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Idealist Origins: 1920s and Before.Martin Davies & Stein Helgeby - 2014 - In Graham Oppy & Nick Trakakis (eds.), History of Philosophy in Australia and New Zealand. Dordrecht: Springer. pp. 15-54.details
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Why Foot-Tapping Is Important but Not Enough? Some Methodological Problems in the Embodied Approach to Musical Meaning.Tomasz Szubart - 2017 - Avant: Trends in Interdisciplinary Studies 8 (1):101-106.details
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Aesthetic ineffability.Silvia Jonas - 2017 - Philosophy Compass 12 (2):e12396.details
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Musical Works and Performance Evaluation.António Lopes - 2005 - Postgraduate Journal of Aesthetics 2 (2):76-86.details
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Vague Music.Roy Sorensen - 2011 - Philosophy 86 (2):231-248.details
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Emoções Musicais.Federico Lauria - 2023 - Compêndio Em Linha de Problemas de Filosofia Analítica, Ricardo Santos e David Yates (Eds.), Lisboa: Centro de Filosofia da Universidade de Lisboa.details
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Moved by Music Alone.Tom Cochrane - 2021 - British Journal of Aesthetics 61 (4):455-470.details
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The Implied Painter.Vanessa Brassey - 2019 - Debates in Aesthetics 14 (1):15-29.details
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Aesthetic opacity.Emanuele Arielli - 2017 - Proceedings of the European Society for Aesthetics.details
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On Music’s Subtle Expressiveness.Myriam Albor - 2016 - Avant: Trends in Interdisciplinary Studies 7 (1):37-65.details
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Experience and Consciousness: Enhancing the Notion of Musical Understanding.Adriana Renero - 2009 - Critica 41 (121):23-46.details
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Individual differences in granularity of the affective responses to music.Emmanuel Bigand & Joanna Kantor-Martynuska - 2013 - Polish Psychological Bulletin 44 (4):399-408.details
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Musical pluralism and the science of music.Adrian Currie & Anton Killin - 2016 - European Journal for Philosophy of Science 6 (1):9-30.details
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Methodology in aesthetics: the case of musical expressivity.Erkki Huovinen & Tobias Pontara - 2011 - Philosophical Studies 155 (1):45 - 64.details
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Musical expressiveness.Derek Matravers - 2007 - Philosophy Compass 2 (3):373–379.details
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The emergence of value: human norms in a natural world.Lawrence Cahoone - 2023 - Albany: State University of New York Press.details
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The Recognition of Emotions in Music and Landscapes: Extending Contour Theory.Marta Benenti & Cristina Meini - 2018 - Philosophia 46 (3):647-664.details
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The Ugly Truth: Negative Aesthetics and Environment.Emily Brady - 2011 - Royal Institute of Philosophy Supplement 69:83-99.details
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Gender and Music Composition: A Study of Music, and the Gendering of Meanings.Desmond C. Sergeant & Evangelos Himonides - 2016 - Frontiers in Psychology 7.details
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II—Rhythm and Stasis: A Major and Almost Entirely Neglected Philosophical Problem.Andy Hamilton - 2011 - Proceedings of the Aristotelian Society 111 (1pt1):25-42.details
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The capacity for music: What is it, and what’s special about it?Ray Jackendoff & Fred Lerdahl - 2006 - Cognition 100 (1):33-72.details
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Expression in the Representational Arts.Catharine Abell - 2013 - American Philosophical Quarterly 50 (1):23-36.details
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Crossmodal Aesthetics: How Music and Dance Can Match.Solveig Aasen - 2021 - Philosophical Quarterly 71 (2):223-240.details
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(1 other version)History of the Ontology of Art.Paisley Nathan Livingston - 2011 - Stanford Encyclopedia of Philosophy.details
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Expressive perception as projective imagining.Paul Noordhof - 2008 - Mind and Language 23 (3):329–358.details
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Musik und Methode in Plessners „Einheit der Sinne“.Thomas Dworschak - 2020 - Internationales Jahrbuch für Philosophische Anthropologie 9 (1):21-42.details
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A Neurodynamic Perspective on Musical Enjoyment: The Role of Emotional Granularity.Nathaniel F. Barrett & Jay Schulkin - 2017 - Frontiers in Psychology 8.details
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Music.Kania Andrew - 2000 - In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. New York: Routledge. pp. 639-648.details
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Why the arousal theory of musical expressiveness is still wrong.Justine Kingsbury - 1999 - Australasian Journal of Philosophy 77 (1):83 – 88.details
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Perceiving melodies and perceiving musical colors.Stephen Davies - 2010 - Review of Philosophy and Psychology 1 (1):19-39.details
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Inanimation: A network of feeling and perception.Matteo Ravasio - 2020 - Analysis 80 (2):301-309.details
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