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  1. (1 other version)Image, music, text.Roland Barthes & Stephen Heath - 1978 - Journal of Aesthetics and Art Criticism 37 (2):235-236.
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  • Film Art: An Introduction.David Bordwell & Kristin Thompson - 2009 - McGraw-Hill Humanities/Social Sciences/Languages.
    Film is an art form with a language and an aesthetic all its own. Since 1979, David Bordwell and Kristin Thompson's Film Art has been the best-selling and widely respected introduction to the analysis of cinema. Taking a skills-centered approach supported by a wide range of examples from various periods and countries, the authors strive to help students develop a core set of analytical skills that will deepen their understanding of any film, in any genre. Frame enlargements throughout the text (...)
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  • Visual pleasure and narrative cinema.Laura Mulvey - 2010 - In Marc Furstenau (ed.), The film theory reader: debates and arguments. New York: Routledge.
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  • Film theory: an introduction.Robert Stam - 2000 - Malden, Mass: Blackwell.
    This book is a lively and provoking introduction to film theory.
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  • Speech Genres and Other Late Essays.Brian W. Shaffer, M. M. Bakhtin, Vern W. McGee, Caryl Emerson & Michael Holquist - 1986 - Substance 17 (3):58.
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  • The Language of Displayed Art.Michael O'toole - 1996 - Journal of Aesthetics and Art Criticism 54 (3):304-306.
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  • Mythologies.Roland Barthes & Annette Lavers - 1973 - Journal of Aesthetics and Art Criticism 31 (4):563-564.
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