Nicolas Malebranche is one of the most important philosophers of the 17th Century after Descartes. A pioneer of Rationalism, he was one of the first to champion and to further Cartesian ideas. Andrew Pyle places Malebranche's work in the context of Descartes and other philosophers, and also in its relation to ideas about faith and reason. He examines the entirety of Malebranche's writings, including the famous The Search After Truth , which was admired and criticized by both Leibniz and Locke. (...) Pyle presents an integrated account of Malebranche's central theses, occasionalism and 'vision in God', before exploring and assessing Malebranche's contribution to debates on physics and biology, and his views on the soul, self-knowledge, grace, and the freedom of the will. This penetrating and wide-ranging study will be of interest to not only philosophers, but also to historians of science and philosophy, theologians, and students of the Enlightenment or 17th Century thought. (shrink)

First published in 1713, this work was designed as a vivid and persuasive presentation of the remarkable picture of reality that Berkeley had first presented two years earlier in his Principles of Human Knowledge. His central claim there, as here, was that physical things consist of nothing but ideas in minds--that the world is not material but mental. Berkeley uses this thesis as the ground for a new argument for the existence of God, and the dialogue form enables him to (...) raise and respond to many of the natural objections to his position. The text printed in this volume is that of the 1734 edition of the Dialogues. (shrink)

The concept of an "idea" played a central role in 17th-century theories of mind and knowledge, but philosophers were divided over the nature of ideas. This book examines an important, but little-known, debate on this question in the work of Leibniz, Malebranche, and Descartes. Looking closely at the issues involved, as well as the particular context in which the debate took place, Jolley demonstrates that the debate has serious implications for a number of major topics in 17th-century philosophy.

Locke asserts that “the Ideas of primary Qualities of Bodies, are Resemblances of them, and their Patterns do really exist in the Bodies themselves; But the Ideas, produced in us by these Secondary Qualities, have no resemblance of them at all.”1 On an unsophisticated way of taking his words, he means that ideas of primary qualities are like the qualities they represent and ideas of secondary qualities are unlike the qualities they represent.2 I will show that if we take his (...) assertions in this unsophisticated way, our reward will be a straightforward and satisfying interpretation of the central arguments of his chapter on primary and secondary qualities. With these arguments, Locke attempts to justify his assertions about resemblance. Some may be skeptical, thinking that the assertions, interpreted literally, are either too absurd or too obvious to have reasons supporting them. I take this skepticism to rest on deep foundations of charity, so half of the paper will be devoted to undermining these foundations by giving a sympathetic and historical exposition of Locke’s positive thesis that primary qualities resemble the ideas that represent them. I criticize rival interpretations of Lockean resemblance, say what it means to believe that ideas resemble qualities, explain the plausibility of the belief in Locke’s environment, and examine his descriptions of how ideas resemble particular primary qualities. Once I establish that we should take Locke’s resemblance theses literally, I can describe their place in his theory of representation. After that, I can describe his reasons for believing the resemblance theses. I will conclude by showing how Locke’s belief that ideas of secondary qualities do not resemble anything in bodies leads him to conclude that secondary qualities are merely powers to produce ideas. Let me begin near the end, however. Before defending a literal interpretation of the resemblance theses, I want to criticize three rival interpretations.. (shrink)

Fourteen newly commissioned essays trace the historical development of the distinction between primary and secondary qualities, which lies at the intersection of issues in metaphysics, epistemology, and philosophy of perception. 'Primary and Secondary Qualities' focuses on the age of the Scientific Revolution, the 'locus classicus' of the distinction, but begins with chapters on ancient Greek and Scholastic accounts of qualities in an effort to identify its origins. The remainder of the volume is devoted to philosophical reflections on qualities from the (...) seventeenth century to the present day. Virtualliy every major figure is represented from Gassendi to Kant, and special attention is paid to Locke, Descartes, and Hume. The essays collected here cover a wide range of topics, including the foundation for the distinction, the question of whether it is lmetaphysical or merely epistemic, the status of secondary qualities, the nature of sensoriy representation, the relation between philosophy and science, the status of dispositions, and the semantics of sensible-quality terms"--Publisher's description, p. [4] of dust jacket. (shrink)

Peter Anstey presents a thorough and innovative study of John Locke's views on the method and content of natural philosophy. Focusing on Locke's Essay concerning Human Understanding, but also drawing extensively from his other writings and manuscript remains, Anstey argues that Locke was an advocate of the Experimental Philosophy: the new approach to natural philosophy championed by Robert Boyle and the early Royal Society who were opposed to speculative philosophy. On the question of method, Anstey shows how Locke's pessimism about (...) the prospects for a demonstrative science of nature led him, in the Essay, to promote Francis Bacon's method of natural history, and to downplay the value of hypotheses and analogical reasoning in science. But, according to Anstey, Locke never abandoned the ideal of a demonstrative natural philosophy, for he believed that if we could discover the primary qualities of the tiny corpuscles that constitute material bodies, we could then establish a kind of corpuscular metric that would allow us a genuine science of nature. It was only after the publication of the Essay, however, that Locke came to realize that Newton's Principia provided a model for the role of demonstrative reasoning in science based on principles established upon observation, and this led him to make significant revisions to his views in the 1690s. On the content of Locke's natural philosophy, it is argued that even though Locke adhered to the Experimental Philosophy, he was not averse to speculation about the corpuscular nature of matter. Anstey takes us into new terrain and new interpretations of Locke's thought in his explorations of his mercurialist transmutational chymistry, his theory of generation by seminal principles, and his conventionalism about species. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Ontological Status of Malebranchean IdeasMonte CookOnce again... we are brought back to a fundamental problem in Malebranche’s theory of ideas. What is the ontological status or nature of ideas? They are neither substances nor modifications of any substance. Yet in the Cartesian schema these are the only alternatives: something is either a substance or a modification of a substance. And Malebranche, however modified his Cartesianism, is at least (...) explicit in accepting this ontological dualism.(Steven Nadler, Malebranche and Ideas, 96.)Nadler nicely states a problem for Malebranchean scholarship: What, for Malebranche, is the ontological status of ideas? Despite their importance to his theory of vision in God, Malebranche seems to leave no metaphysical place for them. He seems to hold three jointly inconsistent positions—that everything is either a substance or a modification of a substance, that ideas are not sub-stances, and that ideas are not modifications.1 Since he clearly denies both that ideas are substances and that they are modifications, on the face of it the only way out of this apparent inconsistency is for him to reject the principle that everything is either a substance or a modification of a substance. And indeed, according to one common interpretation Malebranche restricts the dualism of substances and modifications to created things, thus excluding ideas.2I shall argue that Malebranche can and does consistently hold all three [End Page 525] positions. He escapes inconsistency by maintaining that although ideas fit into the category of substance, they are not different substances. Rather than being substances (plural), they are identical with one substance, God.I am of course not alone in seeing this identification of ideas with the substance of God. Nadler, for example, notes it but thinks that it fails to get Malebranche out of the problem of holding three jointly inconsistent positions.3 Nicholas Jolley not only notes it, but also thinks that it provides Malebranche an escape from inconsistency, if only on a surface level. For Jolley, the real problem is that ideas have features incompatible with their being identified with God: in particular, ideas are abstract entities whereas God is not an abstract entity. Though Malebranche admittedly does identify ideas with the substance of God, then, there is a sense in which he cannot really do this.4The problem Jolley raises is part of the larger problem of how ideas can be identical with the substance of God. Though I will not discuss Jolley’s problem directly, I hope that my discussion of the relation between ideas and the substance of God will throw light on what Jolley takes to be the real problem with identifying ideas with God. I will content myself with showing that Malebranche does hold all three positions in question and explaining how he develops his identification of ideas with the substance of God. In what follows, then, I shall first establish that Malebranche holds the three positions in question, and in particular that he does not restrict the principle that everything is either a substance or a modification to created things. I shall then show how he identifies ideas with the substance of God. Finally, I shall discuss a contrary passage in which Malebranche explicitly denies that intelligible extension (i.e., the idea of extension) is either a substance or a modification.11.1.Malebranche states the principle that everything is either a substance or a mode (or equivalently, a being or a mode) throughout his writings.5 Though he occasionally uses the principle only as it applies to the created world (see LO 237), he almost always states it as applying to everything, created or uncreated: “everything which is, whether it actually exists or not, and consequently [End Page 526] everything intelligible, reduces to being and mode” (LO 639).6 He treats it as a conceptual matter, and thus a necessary truth, that everything must be one or the other: everything “is necessarily either a substance or a mode of being. For in the end all that is can either be conceived of alone or it cannot; there is no middle in contradictory propositions” (LO 513).Reflecting on how Malebranche understands the principle makes... (shrink)

A number of commentators have recently suggested that there is a puzzle surrounding Locke’s acceptance of Newton’s Principia. On their view, Locke understood natural history as the primary methodology for natural philosophy and this commitment was at odds with an embrace of mathematical physics. This article considers various attempts to address this puzzle and finds them wanting. It then proposes a more synoptic view of Locke’s attitude towards natural philosophy. Features of Locke’s biography show that he was deeply interested in (...) mathematical physics long before the publication of the Principia. This interest was in line with important developments in the Royal Society. It is argued that Locke endorsed a two-stage approach to natural philosophy which was consistent with an embrace of both natural history and mathematical physics. The Principia can be understood as consistent with this approach. (shrink)

This is Thomas Reid's greatest work. It covers far more philosophical ground than the earlier, more popular Inquiry. The Intellectual Powers and its companion volume, Essays on the Active Powers of Man, constitute the fullest, most original presentation of the philosophy of Common Sense. In the process, Reid provides acutely critical discussions of an impressive array of thinkers but especially of David Hume. In Reid's eyes, Hume had driven a deep tendency in modern philosophy to its ultimate conclusions by creating (...) a phantom-world of so-called 'ideas' that sprang from objects of observation; the self was a conglomeration of perceived ideas; and the will as the source of action was nothing but the balance of passionate impulses. -/- Reid's Common Sense philosophy answers these problems by suggesting that sceptics, such as Hume, unavoidably affirm what they purport to deny, namely the existence of a stable external world, of other minds, of the continuity of their own minds, and of their own and other people's ability to ascribe and accept responsibility for actions. We can understand all of this by proper empirical observation and philosophical analysis of the activity of the mind. Reid's major positive contribution to philosophy is a detailed account of the various innate powers of the mind. While particularly influential in the first half of the nineteenth century, Reid's work has retained a significant role in philosophy, not least in recent years. At the same time, his role in the Scottish Enlightenment is becoming much better understood. -/- This is the only properly established text. It is accompanied by manuscript lectures on the nature and immortality of the soul, as well as helpful editorial annotation and introduction, making it useful to a wide variety of readers. -/- Key Features: -/- Accurate, reliable and critically established text; The Introduction explains the work's genesis and its place in Reid's system; Annotations provide an understanding of Reid's context; An Appendix contains manuscript material covering an important topic not represented in the hitherto published work. (shrink)

This paper argues that Locke has a representative theory of sensitive knowledge. Perceivers are immediately aware of nothing but sensory ideas in the mind; yet perceivers think of real external substances that correspond to and cause those ideas, and they are warranted in believing that those substances exist (at that time). The theory poses two questions: what warrants the truth of such beliefs? What is it in virtue of which sensory ideas represent external objects and how do they make perceivers (...) think of those objects? Both the epistemic and semantic issues need to be addressed. This paper urges that Locke's basic account of warrant is roughly reliabilist. The causal origin of sensory ideas assures that, in general, sense based beliefs are true. Locke defines the limit of this warrant by the theoretical point that we cannot discuss skeptical doubt without assuming the truthfulness of our perceptual faculty. Turning to the semantic question, the paper argues that ideas are mental modifications or entities. They are not intrinsically representative (satisfiable), but rather represent only by virtue of their causal origin. They merely “track” the presence of substances and their qualities. Ideas nevertheless prompt perceivers to think of their causes. This is roughly because sensory ideas have a specific mental role, namely, to serve as marks for distinguishing substances and their respective qualities for purposes of action. The paper suggests that, for Locke, the challenge posed by the semantic veil of ideas is to explain this externally directed marking function within bounds of his anti‐innatism. But it concludes that his answers to the twin questions fit together reasonably well. (shrink)

Locke’s argument for the primary-secondary quality distinction is compared with Descartes’s argument (in the Principles of Philosophy) for the distinction between mechanical modifications and sensible qualities. I argue that following Descartes, Locke’s argument for the primary-secondary quality distinction is an essentially a priori argument, based on our conception of substance, and the constraints on intelligible bodily interaction that this conception of substance sets.

What, according to Locke, are ideas? I argue that Locke does not give an account of the nature of ideas. In the Essay, the question is simply set to one side, as recommended by the “Historical, plain Method” that Locke employs. This is exemplified by his characterization of ‘ideas’ in E I.i.8, and the discussion of the inverted spectrum hypothesis in E II.xxxii. In this respect, Locke's attitude towards the nature of ideas in the Essay is reminiscent of Boyle's diffident (...) attitude towards the nature of matter. In posthumously published work, however, Locke suggests that the enquiry into the nature of ideas is one of the things that the enquiry into the extent of human knowledge undertaken in the Essay actually shows to lie beyond the “compass of human understanding”. In this respect, Locke's attitude towards the nature of ideas is reminiscent of Sydenham's attitude towards the nature of diseases. (shrink)

Thomas Reid was a philosopher who founded the Scottish school of 'common sense'. Much of Reid's work is a critique of his contemporary, David Hume, whose empiricism he rejects. In this work, written after Reid's appointment to a professorship at the university of Glasgow, and published in 1785, he turns his attention to ideas about perception, memory, conception, abstraction, judgement, reasoning and taste. He examines the work of his predecessors and contemporaries, arguing that 'when we find philosophers maintaining that there (...) is no heat in the fire, nor colour in the rainbow … we may be apt to think the whole to be only a dream of fanciful men, who have entangled themselves in cobwebs spun out of their own brain'. Written by one of the Scottish Enlightenment's most important thinkers, this work brings to life the intellectual debates of the time. (shrink)

The prevailing view about the history of early modern philosophy, which the author dubs “the early modern tale” and wants to convince us is really a fairy tale, has it that the focus on ideas as a solution to various epistemological puzzles, first introduced by Descartes, created difficulties for the traditional ontological scheme of substance and mode. The early modern tale depicts the development of “the way of ideas” as abandoning ontology at least by the time of Berkeley. This, in (...) turn, fostered an antimetaphysical bias as modern philosophy developed further, elevating epistemology to its current primary status in the field. Marc Hight challenges this account by showing how, though the conception of ideas changed over time, the ontological status of ideas remained a central part of the discussion about ideas and influenced how even later thinkers like Locke, Berkeley, and Hume thought about them. By his reading of important texts in early modern philosophy, Hight aims not only to provide a more accurate history of philosophy for this period but also to resuscitate the value of metaphysics for philosophical analysis today.��. (shrink)

<Hylas> It is indeed something unusual; but my thoughts were so taken up with a subject I was discoursing of last night, that finding I could not sleep, ...

Nicolas Malebranche is one of the most important philosophers of the seventeenth century after Descartes. A pioneer of rationalism, he was one of the first to champion and to further Cartesian ideas. Andrew Pyle places Malebranche's work in the context of Descartes and other philosophers, and also in its relation to ideas about faith and reason. He examines the entirety of Malebranche's writings, including the famous The Search After Truth, which was admired and criticized by both Leibniz and Locke. Pyle (...) presents an integrated account of Malebranche's central theses, occasionalism and 'vision in God', before exploring and assessing Malebranche's contribution to debates on physics and biology, and his views on the soul, self-knowledge, grace and the freedom of the will. This penetrating and wide-ranging study will be of interest to not only philosophers, but also to historians of science and philosophy, theologians, and students of the Enlightenment or seventeenth century thought. (shrink)

In this highly original account of Bishop George Berkeley's epistemological and metaphysical theories, George S. Pappas seeks to determine precisely what doctrines the philosopher held and what arguments he put forward to support them. Specifically, Pappas overturns accepted opinions about Berkeley's famous attack on the Lockean doctrine of abstract ideas. Berkeley's criticism of these ideas had been thought relevant only to his views on language and to his nominalism; Pappas persuasively argues that Berkeley's ideas about abstraction are crucial to nearly (...) all of the fundamental principles that he defends. Pappas demonstrates how an adequate appreciation of Berkeley's views on abstraction can lead to an improved understanding of his important principle of esse is percipi, and of the arguments Berkeley proposes in support of this principle. Pappas also takes up Berkeley's widely rejected claim to be a philosopher of common sense. He assesses the validity of this self-description and considers why Berkeley might have chosen to align himself with a commonsense position. Pappas shows how three core concepts—abstraction, perception, and common sense—are central to and interdependent in the work of one of the major figures of early modern Western thought. (shrink)

By the mid-1600s, the commonsense, manifest picture of the world associated with Aristotle had been undermined by skeptical arguments on the one hand and by the rise of the New Science on the other. What would be the scientific image to succeed the Aristotelian model? Thomas Lennon argues here that the contest between the supporters of Descartes and the supporters of Gassendi to decide this issue was the most important philosophical debate of the latter half of the seventeenth century. Descartes (...) and Gassendi inspired their followers with radically opposed perspectives on space, the objects in it, and how these objects are known. Lennon maintains that differing concepts on these matters implied significant moral and political differences: the Descartes/Gassendi conflict was typical of Plato's perennial battle of the gods and giants, and the crux of that enduring philosophical struggle is the exercise of moral and political authority. Lennon demonstrates, in addition, that John Locke should be read as having taken up Gassendi's cause against Descartes. In Lennon's reinterpretation of the history of philosophy between the death dates of Gassendi and Malebranche, Locke's acknowledged opposition to Descartes on some issues is applied to the most important questions of Locke exegesis. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

The seventeenth century witnesses the demise of two core doctrines in the theory of perception: naive realism about color, sound, and other sensible qualities and the empirical theory, drawn from Alhacen and Roger Bacon, which underwrote it. This created a problem for seventeenth century philosophers: how is that we use qualities such as color, feel, and sound to locate objects in the world, even though these qualities are not real? -/- Ejecting such sensible qualities from the mind-independent world at once (...) makes for a cleaner ontology, since bodies can now be understood in purely geometrical terms, and spawns a variety of fascinating complications for the philosophy of perception. If sensible qualities are not part of the mind-independent world, just what are they, and what role, if any, do they play in our cognitive economy? We seemingly have to use color to visually experience objects. Do we do so by inferring size, shape, and motion from color? Or is it a purely automatic operation, accomplished by divine decree? -/- This volume traces the debate over perceptual experience in early modern France, covering such figures as Antoine Arnauld, Robert Desgabets, and Pierre-Sylvain Regis alongside their better-known countrymen Rene Descartes and Nicolas Malebranche. (shrink)

Rich with historical and cultural value, these works are published unaltered from the original University of Minnesota Press editions.

John Yolton has argued that Locke held a direct realist position according to which sensory ideas are not perceived intermediaries, as on the representational realist position, but acts that take material substances as objects. This paper argues that were Locke to accept the position Yolton attributes to him he could not at once account for appearance‐reality discrepancies and maintain one of his most important anti‐nativist arguments. The paper goes on to offer an interpretation of Locke's distinction between ideas of substances (...) and modes, a distinction that helps Locke to explain appearance‐reality discrepancies, although not in a large enough range of cases to strengthen Yolton's interpretation. (shrink)

It is common to assume that if Locke is to be regarded as a consistent epistemologist he must be read as holding that either ideas are the objects of perception or that (physical) objects are. He must either be a direct realist or a representationalist. But perhaps, paradoxical as it at first sounds, there is no reason to suppose that he could not hold both to be true. We see physical objects and when we do so we have ideas. We (...) see or hear birds and bells but we also have visual and auditory ideas of birds and bells. This suggestion is explored through examination of what Locke says about perception in his Elements of Natural Philosophy and the accounts offered both by Locke in the Essay Concerning Human Understanding and by some of Locke's successors. (shrink)

I sketch a new interpretation of Malebranche's conception of ideas, thus shedding new light on various of his key doctrines, such as the efficacy of ideas, involuntarism concerning the eternal truths, indirect perception, and vision in God. Briefly, I argue that Malebranche's ideas may be construed as "possible divine volitions," where these are conceptually distinguishable aspects of God, primitively possessed of representational content, by whose exercise God manifests His efficacy. I also defend the claim that Malebranche, in fact, does not (...) subscribe to a "veil of ideas" representationalism, and give two alternative accounts of what he means by saying that we perceive bodies only "indirectly.". (shrink)

A great deal of the criticism directed at Locke's theory of abstract ideas assumes that a Lockean abstract idea is a special kind of idea which by its very nature either represents many diverse particulars or represents separately things that cannot exist in separation. This interpretation of Locke has been challenged by scholars such as Kenneth Winkler and Michael Ayers who regard it as uncharitable in light of the obvious problems faced by this theory of abstraction. Winkler and Ayers argue (...) that Locke instead held that to have an abstract idea is to attend selectively to some portion of the content of a particular idea. On this view, to have an abstract idea is not to have a special kind of idea but to have an ordinary idea in a special way. Ayers argues that Locke inherited this theory from Arnauld. I argue that the case made by Ayers for the attribution of the extrinsic theory to Locke rests on a misinterpretation of Arnauld. In fact, both Locke and Arnauld regard selective attention as part of a process whereby a new kind of idea is constructed. (shrink)

In his dispute with Malebranche about the nature of ideas, Arnauld endorses a form of direct realism. This appears to conflict with views put forward by Arnauld and his collaborators in the Port-Royal Grammar and Logic where ideas are treated as objects in the mind. This tension can be resolved by a careful examination of Arnauld's remarks on the semantics of ‘perception’ and ‘idea’ in light of the Port-Royal theory of language. This examination leads to the conclusion that Arnauld's ideas (...) really are objects in the mind, and not perceptual acts as many commentators hold. What Arnauld denies is that these mental objects are really distinct from the external objects they represent. Instead, Arnauld holds that, by the act of conception, the external objects themselves—not copies—come to be present in the mind and are therefore called ‘ideas’. (shrink)

Interpreters of Locke’s Essay are divided over whether to attribute to him a Representational Theory of Perception (RTP). Those who object to an RTP interpretation cite (among other things) Locke’s Book IV account of sensitive knowledge, contending that the account is incompatible with RTP. The aim of this paper is to rebut this kind of objection – to defend an RTP reading of the relevant Book IV passages. Specifically, I address four influential assumptions (about sensitive knowledge) cited by opponents of (...) an RTP interpretation and argue that in each case the assumption is false. (shrink)

How are we to understand philosophical claims about sense perception being direct versus indirect? There are multiple relevant notions of perceptual directness, so I argue. Perception of external objects may be direct on some notions, while indirect on others. My interest is with the sense in which ideas count as perceptual mediators in the philosophy of Descartes and Locke. This paper has two broader aims. The first is to clarify four main notions of perceptual directness. The second is to support (...) my contention that in the texts characterizing ideas as immediate objects of perception, Descartes and Locke are invoking the notion of directness I call 'objectual'. This notion is modeled on the way a picture mediates perception of the pictured object. The upshot of my account is that – with respect to the objectual notion of directness – Descartes and Locke each hold an indirect theory of perception. (shrink)

Nicolas Malebranche's account of the nature of ideas and their role in knowledge and perception has been greatly misunderstood by both his critics and commentators. In this work, Nadler examines Malebranche's theory of ideas and the doctrine of the vision in God with the aim of replacing the standard interpretation of Malebranche's account with a new reading. He argues that Malebranche's ideas should be seen as essences or logical concepts, and that our apprehension of them is thus of a purely (...) intellectual character and serves to provide us with knowledge of eternal truths. He then shows that the visionary representationalist reading usually given to Malebranche's theory of perception simply misconstrues the nature of ideas and the role he intended them to play in perception. Nadler's discussion includes detailed analyses of Malebranche's notion of representation and of his arguments for the presence of divine ideas in knowledge and perception. These aspects of Malebranche's system are considered both in light of his Cartesian and Augustinian commitments and in the broader seventeenth-century philosophical context. (shrink)

These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions.

My aim is to arrive at a better understanding of the distinction between direct realism and representationalism by offering a critical analysis of Steven Nadler.