Simondon adopts some concepts of social psychology as ‘in group’ and ‘out group’, namely from Kurt Lewin and Gordon Allport, that allow him to describe the fundamental processes shaping the domain of collective individuation, and to challenge Bergson’s distinction between a ‘closed’ community and an ‘open’ society. Reconstructing Simondon’s sources is necessary to understand how he tries to provide an analysis of the social system without presupposing a given anthropology, but rather exploring different perspectives on the human/nature threshold through the (...) concept of transindividual. In his study of the social system Simondon progressively gives conceptual shape to the processes he calls transindividual thanks to the ontogenetic analysis of the phenomena of belief, work and language. In all these domains, a ‘basic community’ emerges just over the threshold of the biological group, where the structural ambivalence of all collective processes as simultaneously closed and open becomes clear. That is why Simondon does not present the concept of the transindividual as a solution to the epistemological problem of psychic and collective individuation, but rather as the ‘field’ in which a whole series of social, biological and technical dimensions can be made converge towards a science of anthropogenic processes. (shrink)

This is the engaging story of a moment of transformation in the human sciences, a detailed account of a remarkable group of people who met regularly to explore the possibility of using scientific ideas that had emerged in the war years as a basis for interdisciplinary alliances.

Wolfgang Ernst, Professor of Media Theories at the Humboldt University in Berlin, has become known through his work on media archaeology. Hence the inclusion of this translation represents an alternative take on cultural techniques. It places the legacy of cultural studies, or Kulturwissenschaften, in an interesting tension with the different epistemological demands that technical media impose. After Vico and Dilthey, argues Ernst, we need to investigate the specific modes of knowledge that technical media propose to cultural techniques. Ernst’s media archaeology (...) and the slightly different approach to cultural techniques found in some other contributions in this issue can be seen as two of the most intriguing ways in which current German media studies has been developing in relation to Friedrich Kittler’s impact. For Ernst, this has resulted in a more technical focus and also in the development of critiques of temporality that go beyond media history. Ernst argues that media temporality is not to be understood only through the cultural history of media technologies, but also how media technologies produce time. Machines have their own specific temporality, Eigenzeit. It is in this context that the article discusses the different approaches to cultural techniques, taking into consideration the specific time-critical and epistemic implications of technical media. (shrink)

This paper addresses the exclusion of physical and technical media from questions of ontology. It is argued, first, that from Aristotle onwards ontology has dealt with the matter and form of things rather than the relations between things in time and space. Second, it is argued that because the Greeks did not distinguish between speech elements and alphabetic letters there has been a tendency for philosophy to neglect writing as its own technical medium. This paper traces these tendencies through a (...) range of philosophical sources: from Aquinas and Descartes to Fichte and Hegel. It is argued, by way of response, that it is only with Heidegger that a philosophical consciousness for technical media first arose, and that today the connections of mathematics and media, and of media and ontology are to be formulated in more precise terms. (shrink)

This article uses the work of Friedrich Kittler to address the ways in which media technologies underpin and structure the basis of ‘human’ existence and understanding. Kittler’s ‘media materialism’ is explored through four main influences: the information theory of Claude Shannon and Warren Weaver, the media analysis of Marshall McLuhan, the psychoanalytic theory of Jacques Lacan, and Michel Foucault’s work on power and discourse. These figures are used, in turn, to draw into question the materiality of information technology, and, following (...) this, to develop a post-human approach to media analysis. The final section of this article considers the challenges such an approach poses to the humanistic bias of mainstream sociology and media studies. (shrink)

El artículo reflexiona en torno a la génesis y el sentido de la noción de transducción y, tras reconstruir el estado del arte en torno a la cuestión, defiende la hipótesis según la cual cabe pensar la producción y el sentido de dicha noción en el marco de una problemática epistemológica de carácte.