Presents three generations of German, French, and Anglo-American thinking on the Hegelian narrative of desire, recognition, and alienation in life, labor, and language.

The Reluctant Modernism of Hannah Arendt rereads Arendt's political philosophy in light of newly gained insights into the historico-cultural background of her work.

Margaret Canovan argues in this book that much of the published work on Arendt has been flawed by serious misunderstandings, arising from a failure to see her work in its proper context. The author shows how such misunderstanding was possible, and offers a fundamental reinterpretation, drawing on Arendt's unpublished as well as her published work, which sheds new light on most areas of her thought.

v. 1. Introduction and the concept of religion -- v. 2. Determinate religion -- v. 3. The consummate religion.

The dialectical method, Marx Insisted, was at the basis of his account of society. In 1858, in a letter to Engels, he wrote: In the method of treatment the fact that by mere accident I again glanced through Hegel's Logic has been of great service to me... If there should ever be the time for such work again, I would greatly like to make accessible to the ordinary human intelligence, in two or three printer's sheets, what is rational in the (...) method which Hegel discovered.1 But he never did find the time for this work. As a result, Marx's dialectical method and the ways in which it draws on Hegel's philosophy remain among the most controversial and least well understood aspects of Marx's work. My purpose in this paper is to explain some of the basic presuppositions of this method and to bring out their significance for Marx's theories. I shall do so by focusing critically on G.A. Cohen 's account of Marxism in Karl Marx's Theory of History: A Defence. In this important and influential work, Cohen contrives to give an account of 2 Marxism in entirely non-dialectical – indeed, in anti-dialectical – terms. By criticising Cohen 's views I will seek to show that the dialectical method is the necessary basis for an adequate theory of history and an indispensable part of Marx's thought. The major purpose of Cohen 's book is to develop and defend a particular interpretation of historical materialism, the Marxist theory of historical development. Cohen claims that his account is an `old-fashioned' and a `traditional' one ; and, indeed, in certain respects it is. For, in contrast to the tendency of much recent Marxist writing, Cohen strongly emphasises the materialistic and deterministic character of Marx's theory of history. He insists that the development of the productive forces is the primary motive force for historical change, and portrays Marxism as a form of technological determinism. However, there are various different forms of materialism, not all of them Marx's. (shrink)

This book offers an original and challenging study of Marx's contact with the visual arts, aesthetic theories, and art policies in nineteenth-century Europe. It differs from previous discussions of Marxist aesthetic theory in looking at Marx's views from an art-historical rather than from a literary perspective, and in placing those views in the context of the art practices, theories, and policies of Marx's own time. Dr Rose begins her work by discussing Marx's planned treatise on Romantic art of 1842 against (...) the background of the philosophical debates, cultural policies, and art practices of the 1840s, and looks in particular at the patronage given to the group of German artists known as the 'Nazarenes' in those years, who are discussed in relation to both the English Pre-Raphaelites, popular in the London known to Marx, and to the Russian Social Realists of the 1860s. The author goes on to consider claims of twentieth-century Marxist art theories and practices to have represented Marx's own views on art. The book the conflicting claims made on Marx's views by the Soviet avant-garde Constructivists of the 1920s and of the Socialist Realists who followed them are considered, and are related back to the aesthetic theories and practices discussed in the earlier chapters. (shrink)

This book provides a clear, lively and highly readable introduction to the main themes of Plato's Republic. It covers Plato's social and political thought, his moral philosophy, his epistemology and metaphysics, and his philosophy of art and literature. Plato's theories in all these areas are presented in concise and straightforward terms. They are located in the context of the views of subsequent philosophers and critically assessed in the light of current debates. The contemporary significance of Plato's ideas is emphasized throughout.Lucid (...) and thought-provoking, this book succeeds in making a broad range of fundamental philosophical ideas widely accessible. It provides an ideal introduction to the Republic for students in courses in philosophy, political and social thought, classical studies, religious studies, literary theory, etc., as well as for the general reader.Key features* A clear, concise and highly readable introduction to Plato's Republic which covers all its main themes.* Lively and thought-provoking. Assesses Plato's ideas in the context of the history of philosophy and current debates.* Lucidly written. The ideal guide for students at all levels and for the general reader. * Full advice about further reading and extensive bibliography included. (shrink)