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The puzzle of make-believe about pictures: can one imagine a perception to be different?

In Art, Representation, and Make-Believe: Essays on the Philosophy of Kendall L. Walton. New York: Routledge. pp. 147-163 (2021)

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  1. The particularity and phenomenology of perceptual experience.Susanna Schellenberg - 2010 - Philosophical Studies 149 (1):19-48.
    I argue that any account of perceptual experience should satisfy the following two desiderata. First, it should account for the particularity of perceptual experience, that is, it should account for the mind-independent object of an experience making a difference to individuating the experience. Second, it should explain the possibility that perceptual relations to distinct environments could yield subjectively indistinguishable experiences. Relational views of perceptual experience can easily satisfy the first but not the second desideratum. Representational views can easily satisfy the (...)
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  • Cognition does not affect perception: Evaluating the evidence for “top-down” effects.Chaz Firestone & Brian Scholl - 2016 - Behavioral and Brain Sciences 39:1-72.
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  • Seeing-In and seeing fictionally.Kendall Walton - 1992 - In J. Hopkins & A. Savile (eds.), Psychoanalysis Mind and Art. Blackwell. pp. 281--291.
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  • Perceptual Experience: Both Relational and Contentful.John McDowell - 2013 - European Journal of Philosophy 21 (1):144-157.
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  • Quantifiers and propositional attitudes.Willard van Orman Quine - 1955 - Journal of Philosophy 53 (5):177-187.
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  • De re senses.John Mcdowell - 1984 - Philosophical Quarterly 34 (136):283-294.
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  • Belief De Re.Tyler Burge - 1977 - Journal of Philosophy 74 (6):338-362.
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  • The Varieties of Reference.Gareth Evans - 1982 - Oxford: Oxford University Press. Edited by John Henry McDowell.
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  • The silence of the senses.Charles Travis - 2004 - Mind 113 (449):57-94.
    There is a view abroad on which perceptual experience has representational content in this sense: in it something is represented to the perceiver as so. On the view, a perceptual experience has a face value at which it may be taken, or which may be rejected. This paper argues that that view is mistaken: there is nothing in perceptual experience which makes it so that in it anything is represented as so. In that sense, the senses are silent, or, in (...)
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  • (1 other version)The representational character of experience.David Chalmers - 2004 - In Brian Leiter (ed.), The future for philosophy. New York: Oxford University Press. pp. 153--181.
    This chapter analyzes aspects of the relationship between consciousness and intentionality. It focuses on the phenomenal character and the intentional content of perceptual states, canvassing various possible relations among them. It argues that there is a good case for a sort of representationalism, although this may not take the form that its advocates often suggest. By mapping out some of the landscape, the chapter tries to open up territory for different and promising forms of representationalism to be explored in the (...)
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  • Ten Problems of Consciousness: A Representational Theory of the Phenomenal Mind.Michael Tye - 1995 - MIT Press.
    Tye's book develops a persuasive and, in many respects, original argument for the view that the qualitative side of our mental life is representational in..
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  • Empathy, Imagination, and Phenomenal Concepts.Kendall Walton - 2015 - In Kendall L. Walton (ed.), In Other Shoes: Music, Metaphor, Empathy, Existence. New York: Oxford University Press. pp. 1-16.
    I propose a way of understanding empathy on which it does not necessarily involve any-thing like thinking oneself into another’s shoes, or any imagining at all. Briefly, the empa-thizer uses an aspect of her own mental state as a sample, expressed by means of a phenomenal concept, to understand the other person. This account does a better job of explaining the connection between empathetic experiences and the objects of empathy than most traditional ones do. And it helps to clarify the (...)
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  • (2 other versions)Mimesis as Make-Believe: On the Foundations of the Representational Arts.Kendall L. WALTON - 1990 - Philosophy 66 (258):527-529.
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  • Reply to Reviewers.Kendall L. Walton - 1991 - Philosophy and Phenomenological Research 51 (2):413 - 431.
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  • On pictorial representation.Richard Wollheim - 1998 - Journal of Aesthetics and Art Criticism 56 (3):217-226.
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  • The contents of perception.Susanna Siegel - 2005 - Stanford Encyclopedia of Philosophy.
    This is the Stanford Encyclopedia of Philosophy entry on the contents of perception.
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  • (2 other versions)Mimesis as Make-Believe: On the Foundations of the Representational Arts.Kendall L. Walton - 1990 - Journal of Aesthetics and Art Criticism 49 (2):161-166.
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  • Vision and intentional content.Tyler Burge - 1991 - In Ernest Lepore (ed.), John Searle and His Critics. Cambridge: Blackwell. pp. 195-214.
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  • (1 other version)Reference and Consciousness.John Campbell - 2006 - Philosophy and Phenomenological Research 72 (2):490-494.
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  • (1 other version)Reference and Consciousness.John Campbell - 2004 - Philosophical Quarterly 54 (214):191-194.
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  • (3 other versions)The Character of Mind.Colin Mcginn - 1983 - Philosophy 58 (226):549-550.
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  • II*—Perceptual Content and Local Supervenience.Martin Davies - 1992 - Proceedings of the Aristotelian Society 92:21-46.
    Martin Davies; II*—Perceptual Content and Local Supervenience, Proceedings of the Aristotelian Society, Volume 92, Issue 1, 1 June 1992, Pages 21–46, https://do.
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  • (3 other versions)The Character of Mind.Colin Mcginn - 1985 - Tijdschrift Voor Filosofie 47 (1):139-139.
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