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Showing, Saying and Jumping

Dialogue 21 (4):625-646 (1982)

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  1. (1 other version)Philosophy and Mr. Stoppard.Jonathan Bennett - 1975 - Philosophy 50 (191):5 - 18.
    Few stage plays have much to do with analytic philosophy: Tom Stoppard has written two of them—Rosencrantz and Guildenstern are Dead and Jumpers. The contrast between these, especially in how they involve philosophy, could hardly be greater. Rosencrantz does not parade its philosophical content; but the philosophy is there all the same, and it is solid, serious and functional. In contrast with this, the philosophy which is flaunted throughout Jumpers is thin and uninteresting, and it serves the play only in (...)
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  • (1 other version)Personal identity.Derek Parfit - 1971 - Philosophical Review 80 (January):3-27.
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  • Word and Object.Willard Van Orman Quine - 1960 - Les Etudes Philosophiques 17 (2):278-279.
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  • (2 other versions)Philosophical investigations.Ludwig Wittgenstein & G. E. M. Anscombe - 1953 - Revue Philosophique de la France Et de l'Etranger 161:124-124.
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  • (1 other version)Principia Ethica.George Edward Moore - 1903 - International Journal of Ethics 14 (3):377-382.
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  • Tractatus logico-philosophicus.Ludwig Wittgenstein - 1922 - Filosoficky Casopis 52:336-341.
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  • Wittgenstein's Philosophy of Language.Roger A. Shiner - 1973 - Dialogue 12 (4):683-699.
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  • (2 other versions)The Presocratic Philosophers.Gregory Vlastos - 1959 - Philosophical Review 68 (4):531.
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  • V.—Philosophical Perplexity.John Wisdom - 1937 - Proceedings of the Aristotelian Society 37 (1):71-88.
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  • (1 other version)Jonathan Bennett and Mr. Stoppard.Henning Jensen - 1977 - Philosophy 52 (200):214 - 217.
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  • (1 other version)Jonathan Bennett and Mr Stoppard.Henning Jensen - 1977 - Philosophy 52 (200):214-217.
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  • (1 other version)Philosophy and Mr Stoppard.Jonathan Bennett - 1975 - Philosophy 50 (191):5-18.
    Few stage plays have much to do with analytic philosophy: Tom Stoppard has written two of them—Rosencrantz and Guildenstern are Dead and Jumpers. The contrast between these, especially in how they involve philosophy, could hardly be greater. Rosencrantz does not parade its philosophical content; but the philosophy is there all the same, and it is solid, serious and functional. In contrast with this, the philosophy which is flaunted throughout Jumpers is thin and uninteresting, and it serves the play only in (...)
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  • Wittgenstein on the beautiful, the good and the tremendous.Roger A. Shiner - 1974 - British Journal of Aesthetics 14 (3):258-271.
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  • Ethics and Language.DeWitt H. Parker - 1946 - Philosophical Review 55 (6):704.
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  • The Logic of Moral Discourse.Leonard G. Miller - 1956 - Philosophical Review 65 (4):560.
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