Recognized as a landmark of twentieth century intellectual history, I and Thou is Buber's masterpiece.

Discourse on Thinking questions that must occur to us the moment we manage to see a familiar situation in unfamiliar light.

First published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.

The German existentialist delineates his theories concerning the nature, problems, and limitations of man's being.

Long awaited and eagerly anticipated, this remarkable volume allows English-speaking readers to experience a profound dialogue between the German philosopher Martin Heidegger and the Swiss psychiatrist Medard Boss.

Back to the Rough Ground is a philosophical investigation of practical knowledge, with major import for professional practice and the ethical life in modern society. Its purpose is to clarify the kind of knowledge that informs good practice in a range of disciplines such as education, psychotherapy, medicine, management, and law. Through reflection on key modern thinkers who have revived cardinal insights of Aristotle, and a sustained engagement with the Philosopher himself, it presents a radical challenge to the scientistic assumptions (...) that have dominated how these professional domains have been conceived, practiced, and institutionalized. (shrink)

Annotation. Manen (philosophy of education, Alberta) introduces an approach to quantitative research methodology in education and related fields that is based on ordinary situations of people in educational situations, rather than being derived from behavioral or natural sciences, as is more common. Provides a detailed description of the methodology, and examples of hermeneutic-phenomenological inquiry for gaining experimental material from which to construct textual questions. Paper edition (unseen), $16.95. Annotation copyrighted by Book News, Inc., Portland, OR.

_A Heidegger Dictionary_ enables the student to read Heidegger's immensely rich and varied works with understanding, and assigns him to his rightful place in both contemporary philosophy and in the history of the subject.

This book, the first comprehensive study in English of Heidegger's philosophy of art, starts in the mid-1930s with Heidegger's discussion of the Greek temple and his Hegelian declaration that a great artwork gathers together an entire culture in affirmative celebration of its foundational 'truth', and that, by this criterion, art in modernity is 'dead'. His subsequent work on Hölderlin, whom he later identified as the decisive influence on his mature philosophy, led him into a passionate engagement with the art of (...) Rilke, Ce;zanne, Klee and Zen Buddhism, liberating him not only from the overly restrictive conception of art of the mid-1930s but also from the disastrous politics of the period. Drawing on material hitherto unknown in the anglophone world, Young establishes a new account of Heidegger's philosophy of art and shows that his famous essay 'The Origin of the Work of Art' is its beginning, not its end. (shrink)

Sheds new light on Heidegger's early theological development.

Martin Heidegger’s (1889-1976) influence has long been felt not just in philosophy, but also in such fields as art, architecture, and literary studies. Yet his difficult terminology has often scared away interested readers lacking an academic background in philosophy. In this new entry in the Ideas Explained series, author Graham Harman shows that Heidegger is actually one of the simplest and clearest of thinkers. His writings and analyses boil down to a single powerful idea: being is not presence. In any (...) human relation with the world, our thinking and even our acting do not fully exhaust the world. Something more always withdraws from our grasp. As Harman shows, Heidegger understood that human beings are not lucid scientific observers staring at the world and describing it, but instead are thrown into a world where light is always mixed with shadow. The book concludes with a comprehensible discussion of the philosopher’s notoriously opaque concept of the fourfold. (shrink)

Valuably, the book also emphasises Levinas's importance for contemporary ethical problems and thinking.

Hermeneutics is a mantic art involved in the translation of the unintelligible into the intelligible. However, within modern contexts the term possesses a more methodological sense - ‘a universal doctrine for the interpretation of signs’. This conception of hermeneutics was given impetus during the Renaissance with the quest for theological objectivity, but it was with Schleiermacher and other philosophers of the Romantic movement that hermeneutics was viewed as a universal ‘dialogical’ condition. The Romantic conception of hermeneutics was psychologized by Dilthey (...) and re-founded upon the principle of consciousness. With Heidegger became conceived as an ontological phenomenon identical to Existenz itself. For Gadamer, hermeneutics criticizes the ‘pale abstractions’ of Enlightenment conceptions of philosophy for neglecting the work of concepts in philosophy; concepts that have their origins in the self-critical communicative movement of human interpretation. (shrink)

Introduction to Philosophy presents Heidegger's final lecture course given at the University of Freiburg in 1944 before he was drafted into the German army. While the lecture is incomplete, Heidegger provides a clear and provocative discussion of the relation between philosophy and poetry by analyzing Nietzsche's poetry. Here, Heidegger explores themes such as the home and homelessness, the age of technology, globalization, postmodernity, the philosophy of poetry and language, aesthetics, and the role of philosophy in society.