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  1. (2 other versions)A Commentary on Plato's Timaeus.Carol V. B. Wight & A. E. Taylor - 1930 - American Journal of Philology 51 (1):86.
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  • The meaning of color terms: semantics, culture, and cognition.Anna Wierzbicka - 1990 - Cognitive Linguistics 1 (1):99-150.
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  • The Plasticity of Categories: The Case of Colour.Jaap Van Brakel - 1993 - British Journal for the Philosophy of Science 44 (1):103-135.
    Probably colour is the best worked-out example of allegedly neurophysiologically innate response categories determining percepts and percepts determining concepts, and hence biology fixing the basic categories implicit in the use of language. In this paper I argue against this view and I take C. L. Hardin's Color for Philosophers [1988] as my main target. I start by undermining the view that four unique hues stand apart from all other colour shades (Section 2) and the confidence that the solar spectrum is (...)
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  • The ethnocentricity of colour.J. van Brakel - 1992 - Behavioral and Brain Sciences 15 (1):53-54.
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  • Meaning, prototypes and the future of cognitive science.Jaap van Brakel - 1991 - Minds and Machines 1 (3):233-57.
    In this paper I evaluate the soundness of the prototype paradigm, in particular its basic assumption that there are pan-human psychological essences or core meanings that refer to basic-level natural kinds, explaining why, on the whole, human communication and learning are successful. Instead I argue that there are no particular pan-human basic elements for thought, meaning and cognition, neither prototypes, nor otherwise. To illuminate my view I draw on examples from anthropology. More generally I argue that the prototype paradigm exemplifies (...)
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  • Ceteris paribus laws.J. van Brakel - 1992 - Behavioral and Brain Sciences 15 (3):584-585.
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  • Universals in color naming and memory.Eleanor R. Heider - 1972 - Journal of Experimental Psychology 93 (1):10.
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  • The Use of Color in Literature.Sigmund Skard - 1947 - Journal of Aesthetics and Art Criticism 6 (1):70-71.
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  • Das Farbenempfindungssystem der Hellenen.W. Schultz - 1906 - Journal of Philosophy, Psychology and Scientific Methods 3 (1):21-25.
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  • Colors and cultures.Marshall Sahlins - 1976 - Semiotica 16 (1):1-22.
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  • Natural Categories.Eleanor Rosch - 1973 - Cognitive Psychology 4 (3):328-350.
    The hypothesis of the study was that the domains of color and form are structured into nonarbitrary, semantic categories which develop around perceptually salient “natural prototypes.” Categories which reflected such an organization (where the presumed natural prototypes were central tendencies of the categories) and categories which violated the organization (natural prototypes peripheral) were taught to a total of 162 members of a Stone Age culture which did not initially have hue or geometric-form concepts. In both domains, the presumed “natural” categories (...)
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  • The Color-System of Vergil.Thomas R. Price - 1883 - American Journal of Philology 4 (1):1.
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  • Greek Colour-Perception.Maurice Platnauer - 1921 - Classical Quarterly 15 (3-4):153-.
    No one who has read the classics with any attention can fail to have been struck by certain oddities in both the Greek and Latin usage of epithets denoting colour. How really strange their application often is may have escaped general notice for three reasons: partly, it may be, because custom has staled their surprising character—phrases such as ‘the wine-dark sea’ having become, so to say, ‘household words’; partly because a natural and on the whole commendable diffidence prevents our attributing, (...)
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  • Colour concepts of the ancient greeks.H. Osborne - 1968 - British Journal of Aesthetics 8 (3):269-283.
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  • Etude sur les termes de couleur dans la langue latine.Gordon M. Messing & J. Andre - 1955 - American Journal of Philology 76 (2):212.
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  • (2 other versions)A Commentary on Plato's Timaeus.Plato: Timaeus and Critias.Rupert Clendon Lodge & A. E. Taylor - 1929 - Philosophical Review 38 (5):483.
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  • Words for Color in the Rig Veda.Edward W. Hopkins - 1883 - American Journal of Philology 4 (2):166.
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  • (1 other version)Van Brakel and the not-so-naked emperor.Clyde L. Hardin - 1993 - British Journal for the Philosophy of Science 44 (1):137-50.
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  • Notes and discussions.Grant Allen - 1878 - Mind (9):129-132.
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  • A locus classicus of colour theory: The fortunes of apelles.John Gage - 1981 - Journal of the Warburg and Courtauld Institutes 44 (1):1-26.
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  • Discussion and reports: Color-introspection on the part of the Eskimo.Christine Ladd Franklin - 1901 - Psychological Review 8 (4):396-402.
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  • Meaning, prototypes and the future of cognitive science.J. Brakel - 1991 - Minds and Machines 1 (3):233-257.
    In this paper I evaluate the soundness of the prototype paradigm, in particular its basic assumption that there are pan-human psychological essences or core meanings that refer to basic-level natural kinds, explaining why, on the whole, human communication and learning are successful. Instead I argue that there are no particular pan-human basic elements for thought, meaning and cognition, neither prototypes, nor otherwise. To illuminate my view I draw on examples from anthropology. More generally I argue that the prototype paradigm exemplifies (...)
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  • (2 other versions)A Commentary on Plato's "Timaeus".A. E. Taylor - 1930 - Humana Mente 5 (17):113-114.
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  • (2 other versions)A Commentary on Plato's Timaeus.A. E. Taylor - 1929 - Mind 38 (149):84-94.
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  • Contributions to the History of the Development of the Human Race.Lazarus Geiger & David Asher - 1881 - Mind 6 (22):278-281.
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  • A Sociohistorical Critique Of Naturalistic Theories Of Color Perception.Carl Ratner - 1989 - Journal of Mind and Behavior 10 (4):361-372.
    Naturalistic experiments of color perception are critically evaluated. The review concludes that they fail to confirm a natural determination of color perception. Rather than demonstrating universal sensitivity to focal colors, the experiments actually yielded enormous cultural variation in response. This variation is interpreted as supporting a sociohistorical psychological explanation of color perception.
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