A new, definitive translation of Heidegger's most important work.

En 32 romans, publiés entre 1934 et 1982, cet auteur d'origine australienne a élaboré autour de son protagoniste principal, l'inspecteur Roderick Allen de Scotland Yard, un ensemble de romans policiers d'enquête dans la meilleure tradition britannique.

The world of perception and the world of science -- Exploring the world of perception: space -- Exploring the world of perception: sensory objects -- Exploring the world of perception: animal life -- Man seen from the outside -- Art and the world of perception -- Classical world, modern world.

Pour Gaston Bachelard, le « non » signifie dépasser et compléter le savoir antérieur, la philosophie de la connaissance scientifique doit englober les contradictions. Il établit le profil épistémologique de l’évolution, du réalisme naïf au surrationalisme en passant par le rationalisme classique et élargit le domaine de l’intuition à ce qu’il appelle une « intuition travaillée»s’exerçant dans un espace non analytique.

Gaston Bachelard is one of the indespensable figures in the history of 20th-century ideas. The broad scope of his work has had a lasting impact in several fields - notable philosophy, architecture and literature.

Bachelard regarded the scientific changes that took place in the early twentieth century as the beginning of a new era, not only for science, but also for philosophy. For him, the theory of relativity and quantum mechanics had shown that a new philosophical ontology and a new epistemology were required. I show that the type of philosophy with which he was more closely associated, in particular that of Léon Brunschvicg, offered to him a crucial starting point. Brunschvicg never considered scientific (...) objects as independent of the mind, and as a consequence questions such as the existence of particles independently of the mind, theory or apparatus, were absent from his philosophy, which was rather aimed at analyzing the mind critically, and above all historically. Bachelard accepted the fundamental ideas of Brunschvicg’s philosophy; however, his own reading of contemporary science enabled him to go beyond it, as shown by his emphasis on the social production of knowledge, and by his removal of the distinction between ideas and technologically produced objects of knowledge. For him, modern science teaches philosophy that knowledge is not a phenomenology but rather a ‘phenomenotechnique’. I argue that Bachelard’s view that philosophy ‘should follow science’ stems from moral considerations.Keywords: Gaston Bachelard; Léon Brunschvicg; Phenomenotechnique; Chosisme; Theory of relativity; Quantum mechanics. (shrink)

Gaston Bachelard's thought remains a continual source of inspiration for a phenomenological psychology that takes human habitation as a fundamental given and as an abiding mystery of the human condition. the following essay explores the ideas Bachelard developed in the course of his study of poetry. It examines in particular his vision of imagination as a unique passage way by means of which we reach an inhabitable, intersubjective and fully human world. Within that perspective, our lives are constantly renewed by (...) the appearance of a revealing image or a telling metaphor. Each time that we are awakened by this appeal we commemorate the birth and rebirth of a human world. (shrink)

Introduction: Bachelard belittled -- The forgetting of space and Gaston Bachelard's concrete metaphysics -- The temple and the cabin: Heidegger's metaphysics of being-in -- The unheimlich house: Danielewski's concrete being-in -- Our first home: Irigaray's metaphysics of being-within -- The hut in the storm: Bosco's concrete being-within -- Conclusion: the recovery of space and Gaston Bachelards concrete metaphysics.

The publication of FRAGMENTS OF A POETICS OF FIRE is a milestone in Bachelard studies that will influence the way we think about his themes & method for a long time to come. Dissatisfied with his earlier attempt to come to terms with the element of fire in "The Psychoanalysis of Fire" (1937), Bachelard returned to this theme in the book he was working on at the time of his death in 1962. Because of delays in &, eventually, the abandonment (...) of a projected edition of his complete works, these FRAGMENTS OF A POETICS OF FIRE remained unpublished & their very existence unknown to all but a handful of Bachelard's readers. The author's daughter, Suzanne Bachelard, edited them for separate publication over a quarter-century later in 1988. For the first time we have an insight into the way Bachelard constructed his remarkable books. Miss Bachelard's introduction & extensive notes are an indispensable guide to the workings of his mind as "he shapes a meandering series of observations on the phoenix, Prometheus, & Empedocles into a coherent & engaging structure that respects the fluidity & openness of a living image - the powerful image of fire.". (shrink)