1992 erschien Die Erlebnisgesellschaft zum ersten Mal – und machte rasch Furore. Heute kann der Text mit Fug und Recht als moderner Klassiker der Soziologie gelten. Gerhard Schulze konstatierte einen umfassenden Wandel in unserer Gesellschaft, durch den das Leben zum Erlebnisprojekt geworden ist. Die Erlebnisorientierung ist die unmittelbarste Form der Suche nach Glück. Eine Suche, die noch längst nicht abgeschlossen ist – diese neue Art zu leben müssen wir erst lernen und die Folgen noch bewältigen. Dies gilt auch heute noch: (...) Die Sucht nach dem Kick und nach Performance ist eher gewachsen, und damit ist Gerhard Schulzes Analyse aktueller denn je. (shrink)

Dieses Buch ist eine bewusst systematisch orientierte Einführung in die grundlegendsten Fragen der philosophischen Ästhetik. Es richtet sich in erster Linie an Studierende der Philosophie, aber auch an interessierte Laien und Vertreter/innen anderer Disziplinen. Zusammenfassungen, Übungsaufgaben und Literaturhinweise am Ende jedes Kapitels machen es auch für das Selbststudium geeignet. Aus dem Inhalt: I. Was ist philosophische Ästhetik? – Auf der Suche nach einer Definition der philosophischen Ästhetik – Die Gegenstände der philosophischen Ästhetik – Die Fragen der philosophischen Ästhetik – Die (...) Methoden der philosophischen Ästhetik II. Das ästhetische Erlebnis und die ästhetische Einstellung – Die Bestandteile ästhetischer Erlebnisse – Die subjektive und die objektive Erklärung der ästhetischen Erfahrung – Interesselosigkeit und psychische Distanz – Einwände gegen die Theorie der Interesselosigkeit und der psychischen Distanz III. Ästhetische Eigenschaften, ästhetische Werturteile und ästhetische Gegenstände – Ästhetische Eigenschaften und ästhetische Prädikate – Ästhetischer Realismus versus ästhetischer Anti-Realismus – Nonkognitivismus, Subjektivismus, Naturalismus – Das Erkennen ästhetischer Wertqualitäten IV. Die Ontologie des Kunstwerks – Was für eine Art von Gegenständen sind Kunstwerke? – Die Abstraktheit literarischer und musikalischer Werke – Sind Werke der bildenden Kunst materielle Gegenstände? – Fiktive Gegenstände und dargestellte Welten V. Was ist Kunst? – Die Darstellungstheorie – Die Ausdruckstheorie – Der kunstästhetische Formalismus – Die Institutionstheorie – Die Theorie der Familienähnlichkeit – Kunst als ästhetische Kommunikation. (shrink)

Describes the various senses as sensory systems that are attuned to the environment. Develops the notion of rich sensory information that specifies the distal environment. Includes a discussion of affordances.

In this paper, we set out to develop a theoretical and conceptual framework for the new field of Radical Embodied Cognitive Neuroscience. This framework should be able to integrate insights from several relevant disciplines: theory on embodied cognition, ecological psychology, phenomenology, dynamical systems theory, and neurodynamics. We suggest that the main task of Radical Embodied Cognitive Neuroscience is to investigate the phenomenon of skilled intentionality from the perspective of the self-organization of the brain-body-environment system, while doing justice to the phenomenology (...) of skilled action. In previous work, we have characterized skilled intentionality as the organism's tendency toward an optimal grip on multiple relevant affordances simultaneously. Affordances are possibilities for action provided by the environment. In the first part of this paper, we introduce the notion of skilled intentionality and the phenomenon of responsiveness to a field of relevant affordances. Second, we use Friston's work on neurodynamics, but embed a very minimal version of his Free Energy Principle in the ecological niche of the animal. Thus amended, this principle is helpful for understanding the embeddedness of neurodynamics within the dynamics of the system “brain-body-landscape of affordances.” Next, we show how we can use this adjusted principle to understand the neurodynamics of selective openness to the environment: interacting action-readiness patterns at multiple timescales contribute to the organism's selective openness to relevant affordances. In the final part of the paper, we emphasize the important role of metastable dynamics in both the brain and the brain-body-environment system for adequate affordance-responsiveness. We exemplify our integrative approach by presenting research on the impact of Deep Brain Stimulation on affordance responsiveness of OCD patients. (shrink)

Acclaimed scholar rethinks the nature and meaning of music.

This paper contrasts individual and collective listening to music, with particular regard to the expressive qualities of music. In the first half of the paper a general model of joint attention is introduced. According to this model, perceiving together modifies the intrinsic structure of the perceptual task, and encourages a convergence of responses to a greater or lesser degree. The model is then applied to music, looking first at the silent listening situation typical to the classical concert hall, and second (...) the noisy listening situation typical to rock or jazz concerts. (shrink)

Production of Presence is a comprehensive version of the thinking of Hans Ulrich Gumbrecht, one of the most consistently original literary scholars writing today. It offers a personalized account of some of the central theoretical movements in literary studies and in the humanities over the past thirty years, together with an equally personal view of a possible future. Based on this assessment of the past and the future of literary studies and the humanities, the book develops the provocative thesis that, (...) through their exclusive dedication to interpretation, i.e. to the reconstruction and attribution of meaning, the humanities have become incapable of addressing a dimension in all cultural phenomena that is as important as the dimension of meaning. Interpretation alone cannot do justice to the dimension of "presence," a dimension in which cultural phenomena and cultural events become tangible and have an impact on our senses and our bodies. Production of Presence is a passionate plea for a rethinking and a reshaping of the intellectual practice within the humanities. (shrink)

To make progress on the problem of consciousness, we have to confront it directly. In this paper, I first isolate the truly hard part of the problem, separating it from more tractable parts and giving an account of why it is so difficult to explain. I critique some recent work that uses reductive methods to address consciousness, and argue that such methods inevitably fail to come to grips with the hardest part of the problem. Once this failure is recognized, the (...) door to further progress is opened. In the second half of the paper, I argue that if we move to a new kind of nonreductive explanation, a naturalistic account of consciousness can be given. I put forward my own candidate for such an account: a nonreductive theory based on principles of structural coherence and organizational invariance, and a double-aspect theory of information. (shrink)

This second edition features a new 48-page Afterword--1980 updating Professor Beardsley's classic work.