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  1. Experiments Are the Key: Participants' Histories and Historians' Histories of Science.G. Gilbert & Michael Mulkay - 1984 - Isis 75:105-125.
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  • Footing.Erving Goffman - 1979 - Semiotica 25 (1-2):1-30.
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  • ‘What’s the Problem?’: Political Theory, Rhetoric and Problem‐Setting.Alan Finlayson - 2006 - Critical Review of International Social and Political Philosophy 9 (4):541-557.
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  • Representing reality: discourse, rhetoric and social construction.Jonathan Potter - 1996 - Thousand Oaks, CA: Sage Publications.
    How is reality really manufactured? The idea of social construction has become a commonplace part of much social research, yet precisely what is constructed, how it is constructed, and what constructionism means are often left unclear or taken for granted. In this major work, Jonathan Potter explores the central themes raised by these questions. Representing Reality explores the different traditions in constructivist thought--including sociology of scientific knowledge; conversation analysis and ethnomethodology; and semiotics, poststructuralism, and postmodernism--to provide a lucid introduction to (...)
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  • Arguing and Thinking: A Rhetorical Approach to Social Psychology.Michael Billig - 1995 - Philosophy and Rhetoric 28 (1):83-86.
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  • Forms of Talk.Erving Goffman - 1981 - Human Studies 5 (2):147-157.
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  • Forms of Talk.Erving Goffman - 1981 - Philosophy and Rhetoric 17 (3):181-182.
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  • Experiments Are the Key: Participants' Histories and Historians' Histories of Science.G. Nigel Gilbert & Michael Mulkay - 1984 - Isis 75 (1):105-125.
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  • Show Concessions.Margaret Wetherell & Charles Antaki - 1999 - Discourse Studies 1 (1):7-27.
    Making a show of conceding by using a three-part structure of proposition, concession and reassertion has the effect - in contrast to other ways of conceding - of strengthening one's own position at the expense of a counter-argument. This three-part structure can be also exploited so as to carry the battle to the enemy, as it were, and make the concession do more offensive work. We detail three such ways: Trojan Horses where the speaker imports a caricature of the opposition (...)
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