Results for 'Akira Inoue'

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  1. Dialectical Contradictions and Classical Formal Logic.Inoue Kazumi - 2014 - International Studies in the Philosophy of Science 28 (2):113-132.
    A dialectical contradiction can be appropriately described within the framework of classical formal logic. It is in harmony with the law of noncontradiction. According to our definition, two theories make up a dialectical contradiction if each of them is consistent and their union is inconsistent. It can happen that each of these two theories has an intended model. Plenty of examples are to be found in the history of science.
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  2.  52
    The Philosophical World of Meiji Japan: The Philosophy of Organism and Its Genealogy.Inoue Katsuhito & Takeshi Morisato - 2016 - European Journal of Japanese Philosophy 1:9-30.
    Originally published as 「明治の哲学界:有機体の哲学とその系譜」in 井上克人編『豊饒なる明治』, Kansai Daigaku Shuppannbu, 2012, 3–22. Translated by Morisato Takeshi. German Idealism was introduced to Japanese intellectuals in the middle of Meiji era and was mainly received from a mystical or religious perspective, as we see in Inoue Tetsujirō’s “harmonious existence,” Inoue Enryō’s “unity of mind and body,” and Kiyozawa Manshi’s “existentialism.” Since these theories envisioned true reality as a unified and living whole, I group them under the label “philosophy of organism” and from (...)
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  3. Nihilism and Reality in Akira Kurosawa's Rashomon (1949 Movie).Marcos Wagner Da Cunha - manuscript
    This essay is part of a doctoral dissertation presented to the Department of Philosophy, University of São Paulo, in 1993, named 'Genealogy of the Real' . Its core idea is a Nietzschean approach to a masterpiece among philosophical inspired movies, namely, Akira Kurosawa's Rashomon, which surely touches deep groundings of the concept of truth and reality.
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  4. John Smith and Platonism in A Discourse Concerning the True Way or Method of Attaining to Divine Knowledge.Akira Mikami - 2013 - Toyo Eiwa Graduate School Bulletin 9:1-19.
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  5. Rashômon. La memoria y su conexión con el pasado.Marina Trakas - 2017 - Journal Etica Cine 7 (3):11-21.
    Taking as starting point Akira Kurosawa’s film, I analyse the tension between the reconstructive nature of memory and the possibility of knowing truths from the past, and I explore if the tendency to align our personal memories to our present interests necessarily leads to an sceptic and relativistic vision of the knowledge from the past.
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  6.  63
    Comiendo de la fruta prohibida. La filosofía en la Era Meiji (1868-1912).Montserrat Crespin Perales - 2008 - EuskadiAsia.
    Conferencia JORNADAS EUSKADIASIA. EXPERIENCIAS DE LO LEJANO: JAPÓN EN PERSPECTIVA.
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  7.  40
    L'immagine-inazione. Lo spazio e il tempo nel passaggio dall'image-mouvement all'image-temps in Gilles Deleuze.Fabio Vergine - 2019 - In Enrico Giannetto (ed.), La memoria del cielo. Catania CT, Italia: pp. 1-18.
    Nella sua riflessione filosofica sull’immagine filmica Gilles Deleuze sembra aver tradotto nella maniera più immediata, ancorché insolubilmente problematica, la presenza di uno spazio e di un tempo che giocano il proprio ruolo su di una forma passiva di soggettività: è proprio ne L’image- mouvement, infatti, che Deleuze mostra come uno dei passaggi più proficui delle sue osservazioni sul cinema sia proprio la crisi di ciò che egli definisce immagine-azione, a favore, invece, di un’immagine-tempo, o situazione ottica e sonora pura. Per (...)
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