7 found
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  1. Aesthetic Value, Artistic Value, and Morality.Andrea Sauchelli - 2016 - In Kasper Lippert-Rasmussen, Kimberley Brownlee & David Coady (eds.), A Companion to Applied Philosophy. Malden, MA: Wiley. pp. 514-526.
    This entry surveys issues at the intersection of art and morality. Particular emphasis is placed on whether, and in what way, the moral character of a work of art influences its artistic value. Other topics include the educational function of art and artistic censorship.
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  2. The Simplicity of the Simple Approach to Personal Identity.Andrea Sauchelli - 2019 - In Luca Bellotti, Luca Gili, Enrico Moriconi & Giacomo Turbanti (eds.), Third Pisa Colloquium in Logic, Language and Epistemology. Essays in Honour of Mauro Mariani and Carlo Marletti. Pisa: Edizioni ETS. pp. 347-358.
    I provide a simple solution to the problem of determining the characterising feature(s) of the simple approach to personal identity, sometimes also called the simple view: instead of focusing on claims regarding the analysability, reducibility, or triviality of the concepts used in simple theories of personal identity, I propose instead a metaphysical criterion to define this approach. In particular, I claim that the simple approach is (best seen as) that family of theories according to which personal identity is a relation (...)
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  3. In Defence of the Acquaintance Principle in Aesthetics.Andrea Sauchelli - forthcoming - Episteme:1-19.
    Making an adequate aesthetic judgment about an object or an aesthetic property requires first-hand experience of that object or property. Many have suggested that this principle is a valid epistemic norm in the epistemology of the aesthetic. However, some recent philosophers have argued that certain works of conceptual art and other counterexamples disprove the principle in question, even suitably modified. In this paper, I argue that these philosophers are mistaken and that, when properly qualified, the acquaintance principle (in some of (...)
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  4. Introduction to Part Three: Personal Identity.Andrea Sauchelli - 2020 - In Derek Parfit’s Reasons and Persons: An Introduction and Critical Inquiry. New York, NY: Routledge. pp. 48-67.
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  5. Aesthetic Testimony and Aesthetic Concepts.Andrea Sauchelli - 2024 - American Philosophical Quarterly 61 (1):59-72.
    I propose a new account of the limits of aesthetic testimony. One of this new account's main claims is that, among the kinds of aesthetic cognitive achievements, it is useful to distinguish aesthetic understanding. In particular, I suggest that the aesthetic understanding of X involves an understanding of why X is aesthetically valuable. In turn, aesthetic understanding is essentially connected to the deployment of aesthetic concepts. Given the fine-grained structure of some of these concepts, certain forms of testimony are not (...)
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  6. La Critica Etica dell'Arte.Andrea Sauchelli - 2013 - Aphex 8.
    Alcune opere d'arte manifestano (o suggeriscono di assumere) prospettive morali dubbie e, in certi casi, chiaramente deprecabili. Ad esempio, il documentario propagandista Il Trionfo della Volontà di Leni Riefensthal esprime (e cerca di evocare) ammirazione nei confronti di Adolf Hitler. Nonostante ciò, Il Trionfo della Volontà è considerato un capolavoro nel genere dei documentari. Questo e molti altri esempi simili suggeriscono le seguenti domande: É possibile considerare un'opera d'arte un capolavoro artistico e, allo stesso tempo, un esempio di immoralità? La (...)
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  7. Introduction to the Collection.Andrea Sauchelli - 2020 - In Derek Parfit’s Reasons and Persons: An Introduction and Critical Inquiry. New York, NY: Routledge. pp. 1-9.
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