ABSTRACT. In his Letters on the motion impressed by a moving mover, Gassendi offers a theory of the motion of composite bodies that closely follows Galileo’s. Elsewhere, he describes the motion of individual atoms in very different terms: individual atoms are always in motion, even when the body that contains them is at rest; atomic motion is discontinuous although the motion of composite bodies is at least apparently continuous; and atomic motion is grounded in an intrinsic vis motrix, motive power, (...) while composite bodies simply persist in their state of motion or rest in the absence of outside intereference. Gassendi does not make much effort to explain how his accounts of atomic and composite motion fit together, and it’s difficult to see how they could possible be integrated. My goal is to explain, given this difficulty, why he accepted both the Galilean theory of the motion of composite bodies and the Epicurean theory of atomic motion. (shrink)

This is my response to Sam Rickless's review article on my book, Locke's Moral Man.

Gassendi and Hobbes knew each other, and their approaches to philosophy often seem similar. They both criticized the Cartesian epistemology of clear and distinct perception. Gassendi engaged at length with skepticism, and also rejected the Aristotelian notion of scientia, arguing instead for a probabilistic view that shows us how we can move on in the absence of certain and evident knowledge. Hobbes, in contrast, retained the notion of scientia, which is the best sort of knowledge and involves causal explanation. He (...) thought, however, that this sort of knowledge was only available in geometry and political philosophy. (shrink)

It is often suggested that certain forms of early modern philosophy are naturalistic. Although I have some sympathy with this description, I argue that applying the category of naturalism to early modern philosophy is not useful. There is another category that does most of the work we want the category of naturalism to do ? one that, unlike naturalism, was actually used by early moderns.

Gassendi holds that matter is intrinsically active - it possesses an innate active force or power. This paper explains what that active power consists in and why Gassendi adopted this view.

This paper attempts to reconstruct Hume's argument in Treatise 1.4.1, 'Of Scepticism with Regard to Reason'.

We look at some interesting and important episodes in the life of early modern Epicureanism, focusing on natural philosophy. We begin with two early moderns who had a great deal to say about ancient Epicureanism: Pierre Gassendi and Ralph Cudworth. Looking at how Gassendi and Cudworth conceived of Epicureanism gives us a sense of what the early moderns considered important in the ancient tradition. It also points us towards three main themes of early modern Epicureanism in natural philosophy, which we (...) then discuss at greater length: atomism, materialism about the mind or soul, and the denial of providence, which was often accompanied by deflationary explanations of religious belief. (shrink)

The 18th-century American philosopher Jonathan Edwards argues that nothing endures through time. I analyze his argument, paying particular attention to a central principle it relies on, namely that “nothing can exert itself, or operate, when and where it is not existing”. I also consider what I supposed to follow from the conclusion that nothing endures. Edwards is sometimes read as the first four-dimensionalist. I argue that this is wrong. Edwards does not conclude that things persist by having different temporal parts; (...) he concludes that nothing persists. (shrink)

This paper discusses how Gassendi and other 17th century atomists treated the distinction between primary and secondary qualities.

This paper examines what Gassendi and other seventeenth-century atomists had to say about the distinction between primary and secondary qualities, and how their view impacted their conception of mechanism.

This article discusses Galen Strawson's Locke on Personal Identity: Consciousness and Concernment, and Udo Thiel's The Early Modern Subject.