Much of contemporary political philosophy revolves around debates over perfectionism, which is the view that the state may, or should, promote valuable conceptions of the good life and discourage conceptions that are worthless or bad. Collis Tahzib has recently proposed a unique theory of perfectionism. I examine two central aspects of his theory: the amalgamation of public reason and perfectionism, and the employment of the Rawlsian lexical priority. I argue that Tahzib’s idea of perfectionist public reason has (...) certain serious problems. Additionally, Tahzib, like many other perfectionists, has neglected that many excellences are at once personal and civic. I sketch a perfectionist account of civic virtue, with the hope of opening up space for defending and justifying perfectionism. (shrink)

Broadly understood, perfectionism is the view that the state may, or should, promote valuable conceptions of the good life and discourage conceptions that are bad or worthless. This paper distinguishes between two types of perfectionist theory: comprehensive perfectionism and moderate perfectionism. Comprehensive perfectionism claims that perfectionism should be grounded in some comprehensive moral doctrine, while moderate perfectionism claims that perfectionism does not have to be based upon any comprehensive moral doctrine. Moderate perfectionism also contends that in justifying the use of (...) political power, citizens and state officials may appeal to judgments about the good life that are piecemeal, convincing, widely accepted, and not highly controversial. This paper provides some reasons for favoring moderate perfectionism and defends it against criticisms made by Steven Wall and by Collis Tahzib. In addition, this paper clarifies the nature and limits of moderate perfectionism through a discussion of Joseph Chan’s Confucian perfectionism. (shrink)

This article wants to analyze how Candido Portinari in his paintings with rural theme, engages a poetry of silence. To understand the functioning of this poetic language, we will adopt the Groupe μ analysis method (both the General Rhetoric andthe Treatise on theVisual Sign). Whereas the language is manifold as the forms of representation, and it present in all media, whatever the lack of speech -silence -would find its richest form in both directions through the metaphors and metonymy engaged in (...) metasememes of the paintings studied. (shrink)

This article wants to analyze how Man Rayin his photographs, engages a poetry of silenceusing this medium as a poetic communication technology. To understand the functioning of this poetic language, we will adopt the Groupe μ analysis method (both the General Rhetoricand the Treatise on the Visual Sign). Whereas the language is manifold as the forms of representation, and it present in all media, whatever the lack of speech -silence -would find its richest form in both directions through the metaphors (...) and metonymy engaged in metasememes of the photos studied. (shrink)

Conceived in the last days of August 1888 - the last summer of his lucid life – in Sils Maria (Switzerland), "Magnum in parvo: A philosophy in compendium" is a work that Friedrich Nietzsche (1844-1900) projected as a synthesis of his ill-fated capital project "The will to power" and in which the key themes of his thought are addressed. Nevertheless, a sudden change of opinion determined that this work saw the light not in the planned unitary form, but dissolved and (...) mixed with other materials in two different books: "Twilight of the Idols" (1889) and "The Antichrist" (1894) (a). Professor Joaquín Riera has scientifically and painstakingly reconstructed, translated to Spanish, introduced and carefully annotated this Nietzsche’s book project using the posthumous nietzschean fragments or Nachgelassene Fragmente (b) and the original Nietzschean manuscripts of the published books (c) critically edited by Giorgio Colli and Mazzino Montinari. In this regard, the title chosen for the reconstruction of the work is the last one Nietzsche wrote down in his postumous fragment 19 [3] of September 1888 (d) and the names of the chapters that allow the reconstruction of its content were also wrote down by the German philosopher in the Nachgelassene Fragmente 19 [4] of the same date (e). Specifically, the content of the lost book, which was in fact written in a manuscript form by Nietzsche (f), has been recovered from the indications Nietzsche left in the head of the chapters or sections of the orignal manuscripts of "Twilight of the Idols" (1889) and "The Antichrist" (1894) (g) . In short, this edition of “Magnun in parvo” has recovered a noteworthy work of Nietzsche as he designed it, allowing the Nietzschean schoolars to acces to a piece of a remarkable philosophical and literary value, more rounded, overall, than what its two offspring would become. -/- Notes: -/- (a) Mazzino Montinari: Nietzsche lesen. De-Gruyter-Studienbuch, 1982. -/- (b) Friedrich Nietzsche Werke. Kritische Gesamtausgabe, VIII 3. Nachgelassene Fragmente Anfang 1888 bis Anfang Januar 1889. De Gruyter, Berlin et New York, 1972. -/- (c) Friedrich Nietzsche Werke. Kritische Gesamtausgabe, VI 3. Der Fall Wagner. Götzen-Dämmerung. / Nachgelassene Schriften (August 1888-Anfang Januar 1889): Der Antichrist. Ecce homo. Dionysos-Dithyramben. / Nietzsche contra Wagner, De Gruyter , Berlin,1969. -/- (d) “Magnum in parvo: Eine Philosophie im Auszug”. Friedrich Nietzsche Werke. Kritische Gesamtausgabe, VIII 3. Nachgelassene Fragmente Anfang 1888 bis Anfang Januar 1889. De Gruyter, Berlin et New York, 1972 and Mazzino Montinari: Nietzsche lesen. De-Gruyter-Studienbuch, 1982. -/- (e) “1. Wir Hyperboreer; 2.Das Problem des Sokrates; 3.Die Vernunft in der Philosophie. 4. Wie die wahre Welt endlich zur Fabel; 5. Moral als Widernatur; 6. Die vier großen Irrthümer; 7. Für uns—wider uns; 8. Begriff einer Décadence-Religion; 9. Buddhismus und Christenthum; 10. Aus meiner Aesthetik; 11. Unter Künstlern und Schriftstellern; 12. Sprüche und Pfeile”. Friedrich Nietzsche Werke. Kritische Gesamtausgabe, VIII 3. Nachgelassene Fragmente Anfang 1888 bis Anfang Januar 1889. De Gruyter, Berlin et New York, 1972 and Mazzino Montinari: Nietzsche lesen. De-Gruyter-Studienbuch, 1982. -/- (f) Mazzino Montinari, ‘Nietzsche Lesen: Die Götzen-Dämmerung’, Nietzsche-Studien 13 (1984): 69–79. -/- (g) Friedrich Nietzsche Sämtliche Werke. Kritische Studienausgabe, band 14, Kommentar zu den Bänden 1-13., Walter de Gruyter, Berlín/Nueva York/Múnich, 1988 and Mazzino Montinari: Nietzsche lesen. De-Gruyter-Studienbuch. (shrink)