Are the long, wildly inventive etymologies in Plato’s Cratylus just some kind of joke, or does Plato himself accept them? This standard question misses the most important feature of the etymologies: they are a competitive performance, an agôn by Socrates in which he shows that he can play the game of etymologists like Cratylus better than they can themselves. Such show-off performances are a recurrent feature of Platonic dialogue: they include Socrates’ speeches on eros in the Phaedrus, his (...) rhetorical discourse in the Menexenus, and his literary interpretation in the Protagoras. The paper compares these cases to work out the ground rules, purposes and implications of the Platonic agôn, and the Cratylus etymologies in particular. (shrink)

Against the background of a conventionalist theory, and staged as a defense of a naturalistic notion of names and naming, the critique of language developed in Plato’s Cratylus does not only propose that human language, in contrast to the language of the gods, is bound to the realm of myth and lie. The dialogue also concludes by offering a set of reasons to think that knowledge of reality is not within the reach of our words. Interpretations of the dialogue’s (...) long etymological sections often neglect this critique and tend to end up with an overly optimistic assessment of the theory of language on offer. In the light of one of the dialogue’s central etymological accounts, Socrates’ etymology of the name Hermes, this paper discusses two recent and influential versions of such a view: David Sedley’s theory of onomatopoetic encapsulation and Franco Trivigno’s qualified referentialism. It argues that the complex relation between language and reality expressed in the Cratylus cannot be exhaustively captured by either of these theories because Plato considers all names to be semantically underdetermined until they are put to use. It suggests that Plato rather works with a functionalistic notion of names and naming, and that the dialogue’s account of natural and correct naming is to be understood in these terms. (shrink)

Through a study of nature and paternal power, this paper sheds light on the neglected theme of the relation between language and justice in Plato’s Cratylus. The dialogue inquires after the correctness of names, and it turns out that no lineage leads us back to a natural ground of names. Every lineage breaks; nature is always disrupted by the monstrous. It does not follow, however, that names are mere conventions without significance: on the contrary, naming is best understood as (...) a prayer to and for the just. The Cratylus reveals the insufficiency of language not to lead us to despair but to call us to the humility and the hope in which we must pray for justice. (shrink)

A new reading of Plato's account of conventionalism about names in the Cratylus. It argues that Hermogenes' position, according to which a name is whatever anybody 'sets down' as one, does not have the counterintuitive consequences usually claimed. At the same time, Plato's treatment of conventionalism needs to be related to his treatment of formally similar positions in ethics and politics. Plato is committed to standards of objective natural correctness in all such areas, despite the problematic consequences which, as (...) he himself shows, arise in the case of language. (shrink)

This book is an attempt "to give a systematic account of the development of plato's theory of knowledge" (page vii). thus it focuses on the dialogues in which epistemological issues come to the fore. these dialogues are "meno", "phaedo", "symposium", "republic", "cratylus", "theastetus", "phaedrus", "timaeus", "sophist", "politicus", "philebus", and "laws". issues discusssed include the theory of recollection, perception, the difference between belief and knowledge, and mathematical knowledge. (staff).

This is a defence of the authenticity of Plato’s Epistula vii against the recent onslaught by Frede and Burnyeat (2015). It focusses on what Ep. vii has to say about writing and the embedded philosophical Digression and evaluates this in the context of other mainly late dialogues. In the Cratylus, Socrates ends with resignation regarding the potential of language study as a source of truth. This is also the case in Ep. vii, where the four means of knowledge (names, (...) definitions, images (diagrams) and knowledge/insight/true opinion) do not offer the essence of reality due to the weakness of language, in this case owing to a diagram with contrary properties. Consequently, name and definition are impermanent and conventional. Contra Burnyeat, definition is not impossible but useful in the acquisition of knowledge. Only after dialectical examination comes a flash of insight into reality. So, reality (truth) must, as in the Cratylus, be studied directly. Significantly for Plato (as opposed to Socrates), the epistemology is illustrated by a mathematical case. Hence it is relevant to look at mathematical procedure in middle and late dialogues. Moreover, the possible role of division is considered. Finally, the critique of writing justified by the Digression is placed in the context of the general aversion to the written word. The epistemology of the Digression is shown to be a fair and competent synopsis of the later Plato’s epistemology. Hence, there seems to be no reason thus far to doubt that Ep. vii is a genuine work of Plato. (shrink)

‘Cataracts’ in Stevens’ poems are falling waters—here a river flowing near a mountain. The ‘apostrophe that was not spoken’ may be an address that was not made, perhaps an unspoken affirmation of nature’s beauty. And the river that ‘is never the same twice’ can only be the flowing river Plato claimed Heraclitus used as a simile for all existing things: ‘Heraclitus says somewhere that everything gives way and nothing remains, and likening existing things to the flow of a river, he (...) says that you cannot step twice into the same river’ (Cratylus, 402a). There are five respects in which ‘This Solitude of Cataracts’ displays affinities with Heraclitean ideas: its use of a river as a simile for human experience, the poet’s desire to express the real nature of things, rivers and mountains as polar opposites, the exploitation of ambiguities, and the use of particulars as emblematic of general truths. (shrink)

The main purpose of the thesis is to identify and fill some gaps that are regularly found in the analysis of the Platonic concept of ἐξαίφνης. The word ἐξαίφνης, which appears 36 times in the Platonic dialogues, has primarily been examined and discussed in relation to what is said in Parmenides and, more rarely, in Symposium, Republic and Seventh Letter. However, as is known, the word is also found in Gorgias, Cratylus, Theaetetus, Statesman and Laws. Moreover, it is worth (...) noting that a history of criticism about the concept of ἐξαίφνης has never been provided, mainly due to the chronological and interpretive difficulties relating to Parmenides. This absence brought on a fragmentation and discontinuity in the study of the concept and it often prompted specialists to see in this notion a secondary or imprecise aspect of the Platonic theory. Regardless of the correctness of interpretations that have been proposed over the centuries, my work clearly shows that all these exegeses share two fundamental limits: the former is a necessarily partial analysis, almost exclusively based on what is written in Parmenides, the latter is the absence of a historical perspective . Cette thèse portant sur le concept d’ἐξαίφνης tel qu’on le trouve dans les textes de Platon se propose de combler les lacunes existantes relatives à l’analyse de ce concept. En effet, le terme d’ἐξαίφνης, dont on trouve trente-six occurrences dans les dialogues de Platon n’a été jusqu’à présent principalement envisagé et examiné qu’à travers ce qui en est dit dans le Parménide et, plus rarement, dans le Banquet, la République et la Lettre VII. Le terme, comme on le sait, se trouve pourtant aussi dans le Gorgias, le Cratyle, le Théétète, le Politique et les Lois. En outre, en raison notamment des difficultés chronologiques et interprétatives liées au dialogue du Parménide, aucune histoire critique du concept d’ἐξαίφνης n’a été entreprise. Cette absence d’histoire critique a pour effet une fragmentation et une discontinuité des études portant sur ce concept, effets qui ont souvent conduit les spécialistes à ne voir dans cette notion qu’un aspect secondaire ou à tout le moins imprécis de la théorie que développe Platon à son sujet. Aussi la thèse s’est-elle attachée à entreprendre une étude préalable de l’histoire de ces interprétations. Quelle que soit la justesse et la valeur des interprétations qui se sont succédées au cours des siècles, cette étude s’emploie à montrer clairement que ces tendances exégétiques se heurtent à deux limites fondamentales que la thèse s’applique à lever : la première est le caractère nécessairement partiel d’une analyse menée presque exclusivement à partir du Parménide, la seconde est l’absence de mise en perspective historique. (shrink)

The article starts with two uses presented by Plato concerning the etymology of Hades' name. In the Phaedo, he follows the tradition and interprets the name as the 'in-visible'. In the Cratylus, on the other hand, he proposes a new reading of Hades as the 'all-knowing'. Despite this inconsistency, there is an anterior coherence in regard to the project of extinguishing the fear of death in the tradition. To understand these differences and similarities we recur to the Republic. In (...) this dialogue, there is a political motivation to extinguish the fear of death amongst citizens. Fearing death would be prejudicial for their brave behaviour in battles. We also found a concession to the manipulative use of the etymologies in order to correct illusory beliefs of the people. These are taken as evidence that the superficial variation on the use of the etymologies of Hades is consistent if read under the framework of a political project. Nevertheless, this is not exempt from moral questions. One may ask if this kind of manipulation remains to be seen as wrong, who would be allowed to do it and in which cases. It follows an attempt to find Plato's answer to these questions and a discussion with the contemporary literature on the subject. (shrink)

The essay aims at demonstrating that it is dangerous to try to reconstruct a philosophical doctrine taking into account solely or predominantly the analysis of vocabulary. This is particularly true of the philosophical doctrines of the ancients, who generally did not feel obliged to adopt a coherent and unambiguous technical terminology. Starting from the essay of F. Camera, Sui molteplici significati di hermeneia in Platone, which was published in 2004 and then re-edited in 2011 with few modifications but with a (...) different title, the author shows that the method of facing Plato’s hermeneutics through the ἑρμηνεύειν-words is a source of distortions and over-interpretations; that is, it causes excessive density and conceptual significance to be attributed to words used instead in their current meaning. One must remember, even if it should be well known to anyone who devotes himself to these themes, that not all words, expressions and concepts become philosophical entities only because they appear in the works of an author tagged “philosophy.”. (shrink)

This is a defence of the authenticity of Plato’s Epistula vii against the recent onslaught by Frede and Burnyeat (2015). It focusses on what Ep. vii has to say about writing and the embedded philosophical Digression and evaluates this in the context of other mainly late dialogues. In the Cratylus, Socrates ends with resignation regarding the potential of language study as a source of truth. This is also the case in Ep. vii, where the four means of knowledge (names, (...) definitions, images (diagrams) and knowledge/insight/true opinion) do not offer the essence of reality due to the weakness of language, in this case owing to a diagram with contrary properties. Consequently, name and definition are impermanent and conventional. Contra Burnyeat, definition is not impossible but useful in the acquisition of knowledge. Only after dialectical examination comes a flash of insight into reality. So, reality (truth) must, as in the Cratylus, be studied directly. Significantly for Plato (as opposed to Socrates), the epistemology is illustrated by a mathematical case. Hence it is relevant to look at mathematical procedure in middle and late dialogues. Moreover, the possible role of division is considered. Finally, the critique of writing justified by the Digression is placed in the context of the general aversion to the written word. The epistemology of the Digression is shown to be a fair and competent synopsis of the later Plato’s epistemology. Hence, there seems to be no reason thus far to doubt that Ep. vii is a genuine work of Plato. (shrink)

Plato's Theaetetus rejects four explanations of how someone could falsely believe something. The Sophist accepts an explanation of how someone could falsely believe something. The problem is to fit together what Plato rejects in the Theaetetus with what he accepts in the Sophist, given the intended unity of these two dialogues. ;The traditional solution is to take the Sophist's explanation of false speech and belief to be Plato's last word on the matter, to take that explanation as somehow overreaching the (...) problems raised in the Theaetetus. I argue that this solution is unsatisfactory: Using the Cratylus, I point out a 'match-up postulate' needed for false speech, namely, that a person can 'match-up' x with y in some way or other whether or not x and y really belong together in that way. But The Theaetetus rejects this postulate. And This rejection is canonical, that is, Plato is there arguing in his own person. Now Nowhere in the Sophist is any reason given to accept this postulate, nor is it compatible with certain parts of the Sophist. Thus The Sophist's explanation does not overreach the problems raised in the Theaetetus. ;Having rejected the traditional way of fitting together the Theaetetus and Sophist, I suggest the following new way. Instead of taking the explanation of the Sophist to be Plato's last word on false speech, I take his last word to be the rejection of the various explanations in the Theaetetus. ;I motivate this suggestion by comparing Plato's peculiar style of dialogue--as found, for instance, in the Laches and Meno--with the modern, expository style of presenting philosophy. The aim of my comparison is to show that, whereas in an exposition the arguing is done in the middle followed by the conclusion at the end, in Plato's dialogue style the arguing is done in the middle followed by a denial of the conclusion at the end. (shrink)

El origen platónico de la mirada es una investigación sobre el orígenes de la Teoría de las Ideas, a partir del análisis de los términos εdoς e ἰδέα a partir de la búsqueda de la definición. Esta investigación tienen como objetivo el análisis de aquellos principales pasajes en los cuales Platón emplea εdoς e ἰδέα para referirse a la forma o carácter común a una multiplicidad, siendo este carácter el requisito fundamental para lograr la definición de un término moral: ¿cómo (...) Platón va desarrollando una especificación del sentido y aplicación de estos términos, caracterizando la búsqueda de una definición, es decir, la búsqueda de un discurso unitario en oposición a la enumeración de ejemplos típica de una multiplicidad de casos? Para tal propósito este estudio se centró en tres diálogos: Eutifrón (5d1-4), Menón (72c) y Crátilo (389b)- siendo estos tres textos en su conjunto la columna vertebral de la tesis. El origen platónico de la mirada, es el estudio del alcance de estos términos a partir de los diálogos mencionados; indaga cómo la búsqueda de la definición de la piedad en el Eutifrón marca el inicio de una problemática que Platón desarrolla en el Menón y que, a nuestro parecer, llega a un punto determinante en el Crátilo. Estamos hablando de la tematización de εdoς e ἰδέα como un camino que nos conduce, a través de la oposición entre el carácter común y la multiplicidad, a la distinción entre doxa y episteme. Esta investigación está dirigida, a partir de los tres pasajes mencionados anteriormente, al estudio de la reflexión platónica sobre el carácter común, es decir, cómo y por qué es que se va desarrollando en el pensamiento platónico una preocupación por profundizar la distinción, y cómo es que se va elaborando ésta, entre dirigir nuestra atención al carácter común a una multiplicidad de acciones (como en el caso del Eutifrón y Menón) y la determinación de este mismo carácter en el Crátilo, como la lanzadera en sí en oposición a las lanzaderas particulares. En otras palabras, es el estudio de cómo el pensamiento platónico va especificando la distinción entre la búsqueda de la definición (del carácter común) y la realidad sensible (como el ámbito sujeto al movimiento y al cambio y, por tal razón, imposible de conocer). (shrink)