One usually considers that pre-Aristotelian thought had little interest in economic problems. In reality, various authors from the end of the 5th or beginning of the 4th century BC (Ps.-Xenophon, Plato, Xenophon, Phaleas of Chalcedon) paid particular attention to these questions when they developed their political thought. Although their ideas differ in detail, they all share the same distrust of trade and monetary economy. These thinkers develop, from a certain number of (aristocratic) political presuppositions, a strong and detailed critique of (...) the economic transformations of which they are contemporary. The importance that Plato, in particular, attaches to economic realities appears in his harsh criticism of Athenian democracy, as well as in his political constructions of the Republic, the Critias and the Timaeus, or the Laws. By alternating a general approach and a detailed one (because the importance of the economy, in Plato, is also revealed in apparently minor details), we propose to show the fundamental importance of economic reflections in classical Greek thought, even before the Stagirite. (shrink)

Dans l’œuvre de Platon, l’image du rêve semble d’abord servir à désigner l’état d’ignorance du commun des mortels qui « rêvent » leur vie. Cet usage métaphorique ne saurait correspondre parfaitement à la pensée platoni- cienne du phénomène onirique, particulièrement lorsqu’on l’envisage d’un point de vue éthique (qu’advient-il de la vertu de l’homme dans son sommeil ?), plutôt qu’épistémologique ou ontologique. Dans la République, le sommeil apparaît essentiellement comme l’endormissement d’une partie de l’âme – la rationnelle – au profit d’une (...) autre – la désirante. Platon laisse pourtant entendre que, sous certaines conditions, les visions qui s’y manifestent ne sont pas nécessairement mensongères et pourraient même, pour certaines, avoir une origine divine. Le rêve doit donc être compris non seulement comme un moment de séparation de l’âme et du corps, mais aussi de différenciation des facultés ou parties de l’âme elles-mêmes qui acquièrent là leur autonomie propre et déploient, sans se limiter l’une l’autre, leur plein pouvoir. In Plato’s works the image of a dream at first seems to serve the purpose of indicating the state of ignorance of ordinary humans who « dream » their way through life. This metaphorical usage does not reflect perfectly Plato’s thought on the phenomenon of dreams, especially when it is considered from an ethical point of view (what happens to human virtue during sleep?) rather than an epistemological or ontological one. In the Republic sleep appears to be essen- tially where a part of the soul goes asleep – namely the rational part – to the advantage of the desiring part. However, Plato implies that under certain condi- tions the visions that occur in sleep are not necessarily false and could even, in some cases, have a divine origin. Dreams must therefore be understood not merely as a moment of separation of soul and body, but also of differentiation of the faculties or parts of the soul themselves, which acquire their own autonomy in dreams and deploy their full power without limiting one another (transl. J. Dudley). (shrink)

At the end of the fifth century B.C.E., the character of Odysseus was scorned by most of the Athenians: he illustrated the archetype of the demagogic, unscrupulous and ambitious politicians that had led Athens to its doom. Against this common doxa, the most important disciples of Socrates (Antisthenes, Plato, Xenophon) rehabilitate the hero and admire his temperance and his courage. But it is most surprising to see that, in spite of Odysseus' lies and deceit, these philosophers, who condemn steadfastly the (...) sophists' deceptions, praise his rhetorical ability, his polutropia. The word polutropia is ambiguous: for Antisthenes, it means either "diversity of styles and discourses" or "diversity of dispositions, characters, or souls". It is argued that the same distinction is implicitly at work in Plato's Hippias Minor, where Socrates defends Odysseus' polutropia against the pseudo "simplicity" of Hippias' favourite hero, Achilles. However, whereas Antisthenes tries to clarify these different meanings, Plato's Socrates exploits the ambiguity to confuse his interlocutor. Such a distinction sheds a new light on the Hippias Minor: Odysseus is polutropos in the first (positive) sense, while the simplicity of Achilles should be understood as a bad kind of polutropia. It provides an explanation for the first paradoxical thesis of the dialogue which many commentators do not admit as an expression of the true Socratic view, on the ground of its supposed immorality: that he who voluntary deceives is better than he who errs, for falsehood is, in one case, only in words, while in the other, it is falsehood in the soul itself. It is thus proposed that Odysseus' skill in adapting his logos to his hearers was probably a model for Socrates himself. The analogy between the hero and Socrates is especially clear in Plato's dialogues, which show the philosopher in an Odyssey for knowledge. (shrink)

In Plato’s early dialogues, the impossibility of talking to the crowd appears as a constitutive element of the opposition between rhetoric and dialectic and raises the understudied question of the role of the audience in Socratic thought. However, Xenophon’s Socrates constantly identifies public and private speech. But this likening is also found in the Alcibiades Major, which gives a key to understand the true meaning of this assimilation: one can convince an audience, by talking to each individual in the crowd. (...) The need to address each one implies an adaptation of language that can be found in the texts of different disciples of Socrates. The rhetorical aspects of the Phaedrus’ psychagogia should then be understood, not as a new Platonic concept which allows the good orator to address the many, but rather as a new for- mulation of a well-known and shared Socratic ideal. (shrink)

The radical mean suggested by Socrates in order to carry out the program of the Republic - the relegation to the fields of all inhabitants over the age of 10 - has perplexed modern commentators who have seen in it an ironical remark, a reductio ad absurdum presented in order to establish the very impossibility of Kallipolis or, on the contrary, a sign of the totalitarian and criminal character of the Platonic city. But it is far from evident, in view (...) of political or military events prior and contemporary with the redaction of the Republic, that this solution could offend the moral conscience of fourth-century Greeks. This practice even seems to be the logical consequence of a certain oligarchic or aristocratic ideology, common by the end of the 5th c. and at the beginning of the 4th c., which associated, on the one hand, rural organization with the ‘best regime’ and, on the other, urban centralisation with democracy. The actual practices of the Lacedaemonian city, which maintained its primitive organization in komai, and even tried to impose it to other cities, could also serve as a model for the opponents of Athenian democracy. All of Plato's political models, from the Republic to the Laws, present cities whose essential, if not exclusive, productive activity is agriculture. The displacement of the population to the countryside seems, from this perspective, a rather serious proposal of the philosopher. * * Agradezco a Héctor Zagal y a María-Elena García-Peláez por sus observaciones y sugerencias al texto en español. (shrink)

Socrates ́ thought of justice and obedience to laws is moti- vated by a will to avoid the destructive effects of Sophistic criti- cisms and theories of laws. He thus requires–against theories of natural law–an almost absolute obedience to the law, as far as this law respects the legal system of the city. But, against legal positivism, Socrates would not admit that a law is just simply because it is a law: he is looking for the true Just. However, as (...) often in Socratic philosophy, Socrates cannot accept that two equally justified and legitimate rights or moral values conflict. (shrink)

On chercherait en vain dans l’œuvre de Platon des développements explicites sur le silence. Mais le génie littéraire de Platon lui fait une place, et la mise en scène des dialogues, comme les interactions des personnages, mettent en jeu différentes figures du silence par lesquelles se dévoilent d’autres aspects des réflexions socratico-platoniciennes sur le langage. Les silences du philosophe s’opposent, en effet, à ceux de ses interlocuteurs, autant que la pratique philosophique du dialogue aux discours sophistiques. Car le silence véritable (...) n’est pas que l’absence de voix, ni même simplement l’attente d’une parole à venir, mais, en dernière analyse, un retour à la source du logos : la pensée et l’être même. (shrink)

The main disciples of Socrates criticise the use of city walls. However, their attacks are less grounded in a deep strategic reflexion than related to the traumatic consequences of Pericles’ strategy at the beginning of the Peloponnesian war. The Lacedemonians’ opposition to the erection of surrounding walls is more likely linked to their aristo- cratic ideology and interests than to moral imperatives. Though Plato and Xenophon’s motives are to avoid political divisions in the city, their positions on fortifications reveal their (...) aristocratic bias and the question of the walls appears to be part of a more general questioning on the spatial and political organisation of the city. On that issue, Aristotle criticises Plato from a pragmatic point of view and defends the use of walls, but under strict conditions only. The Spartan and Socratic critique of the building of the walls, as well as Aristotle reluctance to fully accept them, could be traced back to a common Greek archaic ideal. (shrink)