We study the algorithmic complexity of isomorphic embeddings between computable structures.

The paper is about the relationship between Scotus’s notion of ‘natura communis,’ for an examination of the main features that Scotus ascribes to ‘common natures’ can shed substantial light on the nature of metaphysics in itself. Some preliminary observations on historiography are also deemed to be in order.

A sound historiographical account of the role of logic in the development of medieval philosophical and theological reflection requires a thorough examination of its historical roots and its theoretical implications. An apparent historiographical bias, due to the idea that only the development of contemporary formal logic enables a proper reconstruction of the whole history of logic, can be exposed by taking into account the case of the medieval discussions on the topics, starting from their late-antiquity legacy. An attentive inspection of (...) the successive stages of the gradual formalisation process of medieval topical logic brings to the fore significant theoretical aspects in the philosophy of logic, all too often left aside in common contemporary discussions. In particular, the distinction between topical maxims and topical differences, or principles according to and principles from which an inference is drawn, highlights the specific nature of a major part of medieval logic, that deals with meta-logical issues by means of higher-order logical resources. It is precisely this special character of medieval logic that proves to be of the highest significance in the discussion of the most subtle theological—and just as well philosophical—questions that engaged medieval authors, thus testifying to the essential role of logic in the overall development of medieval thought. (shrink)

The notion of 'imago Dei' is central in Cusanus' thought and an examination of his treatise 'De visione Dei' is crucial to the understanding that, in his view, what it means for us to be an image of God, is to engage in a process of mystical ascent, very much inspired by its Neoplatonic model, that amounts to getting to know ourselves as 'imago Dei'. It is the living experience of the unknowability of God, the 'docta ignorantia', so achieved, that (...) constitutes the inspiring motive of his pursuits towards a 'concordantia' of different philosophical or theological opinions, and religious attitudes. (shrink)

John Stuart Mill's theory of meaning is presented and discussed.

This research primarily identified the current employment profile of the graduates of Master of Arts in Filipino of Polytechnic University of the Philippines (2017-2020). Specifically, it sought to determine the progress on their professional status and the relevance of institutional and academic factors to it. This descriptive study utilized purposive sampling and involved an iterative process of frequency distribution, percentage, rank, and average weighted mean. This study found out that the majority of the respondents: are currently employed before and after (...) they took up MAF; are permanent/regular teachers in public secondary schools; have received job promotions and salary increase after graduating; and have acquired several professional skills and values relevant to their profession. The study generally concludes that the program has succeeded in providing quality education to its respondents as analyzed from their positive feedbacks. The researchers, however, recommend improving areas relative to influencing graduates to conduct and publish studies in refereed journals, be active members of discipline-related organizations, and attend several conferences, workshops, seminars, etc. Keywords: Curriculum, Master of Arts in Filipino, Polytechnic University of the Philippines, Professional Development, Tracer Study. (shrink)

Book review of : Boccaletti (Dino), The Waters Above the Firmament : An Exemplary Case of Faith-Reason Conflict. – Cham : Springer Nature Switzerland, 2020. – xi, 121 p. – 1 vol. relié de 18 × 24 cm. – 79,49 €. – isbn 978-3-030-44167-8.

The conceptions of lovesickness and of its remedies that emerge in the Decameron result from a medical tradition that in previous centuries was assimilated by the Latin culture. The case of the Decameron is particularly interesting because this work was composed during the Black Death epidemic, between 1348 and 1354. Boccaccio’s Decameron seems to be situated in a tension between two diseases: the black plague, from which the brigata tries to escape, and lovesickness. It is quite significant that Boccaccio dedicated (...) his work to women who love and need the comfort of literature, thereby addressing a new ideal of noble women, not based on their wealth, but on their intelligence and sensitivity. Women are often victims of their melancholy, because they have no opportunity to distract themselves, being confined to the private space of their rooms. Boccaccio describes women as being subject to passion and illness, so that the lovesickness cases described in the Decameron strongly allude to the discrimination of women and to the oppression they had to endure. An explicative example that testifies to the preeminent role that the medical culture played is Decameron X, 7, in which Lisa, the daughter of an apothecary, strangely cannot be healed by pharmacological remedies that her father knows, and not a single physician can help to heal her lovesickness. The case of Lisa can be interpreted as an exemplum: a woman afflicted by the same sickness as Lisa could understand how to behave by means of reading of this novella. Moreover, this paper will demonstrate that a useful outline of Lisa’s symptomatology can be found in Dino del Garbo’s commentary on Guido Cavalcanti’s poem Donna me prega. (shrink)