Results for 'Edvard Kolar'

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  1.  33
    “NO ONE CARES WHAT OR HOW MUCH YOU KNOW, UNTIL THEY KNOW HOW MUCH YOU CARE” - THE MESSAGE, METHOD AND GOAL IN EVANGELISM.Edvard Kristian Foshaugen - manuscript
    The belief that Christianity has a relevancy and a truth to convey is one thing, a reason to be heard is another. Christians are to be grounded in the Word, ready to give a reason for their hope (1 Peter 3:15). But, as has been experienced by the Church over the centuries ‘no one cares how much you know, until they know how much you care.’.
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  2.  26
    THE THERAPEUTIC FUNCTION OF PRAYER IN CURA ANIMARUM.Edvard Kristian Foshaugen - manuscript
    Prayer is not just about the composition of a message from the sender to God the receiver. I say this because I believe that prayer is not primarily conversation but fellowship and communion. There is a relation of trust in which the recipient of trust is true and faithful. Prayer loses its theological character and becomes a psychological phenomenon that is an introspection into oneself if there is no trusting faith and God who is faithful. Prayer is far more than (...)
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  3.  25
    Hearing God - the character and functionality of situatedness for elucidating the variance in Evangelical doctrine and as the primary criterion for contextual cross-cultural proclamation.Edvard Kristian Foshaugen - manuscript
    God speaks. Hearing God. Two phrases of two words each are perhaps the most critical, misunderstood and even abused words in the existence of the Church and in particular for evangelicals. ‘I think God said’ and ‘I think God is saying’ are the most sagacious, precise, truthful and appropriate manner of responding to the conviction that God speaks and for shared engaging enriched discourse on what God says to ensure He is heard. The Bible must never be seen and interpreted (...)
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  4. A PHILOSOPHICAL ENQUIRY INTO THE SCANDAL OF EVIL AND SUFFERING.Edvard Kristian Foshaugen - 2004 - Baptis Journal South Africa (q):q.
    In 1 Peter 1:3-7 we read that the Christians were facing persecution because of their faith and the author reminds them that every trial is a test of their faith. The trials and consequential suffering can be withstood because they are able to look forward to an inheritance – eternal life with God. Christians can endure all trials and suffering because of the hope of glory and ultimate joy. There is a grace afforded by God in the presence to match (...)
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  5. A PHILOSOPHICAL ENQUIRY INTO THE SCANDAL OF EVIL AND SUFFERING.Edvard Kristian Foshaugen - 2004 - Baptist SA (x):x.
    This paper will explore some of the issues and arguments and offer some critical reflection on the ideas and ways that people have proposed to overcome or uphold the dilemma or conflict between the existence of the God of classical theism and evil and the consequence of evil - suffering. I seek explanation of the plain fact of evil and suffering but I do not seek it in the arrogant belief that I can explain evil away. My Christian faith is (...)
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  6. Christian witness in the 21 century - incarnantional engaged approach.Edvard Kristian Foshaugen - 1997 - Dissertation, Free State University
    Research for this study was served by the hypothesis that the Christian’s lifestyle and witness in a postmodern world will depend on the definition and practice of worship and spirituality. The Old Testament reveals a spirituality that has ‘Yahweh’ involved in all aspects of life. Awareness and experience of the presence of God is linked to obedience to God. New Testament spirituality implies imitation of Christ and an effort to obey Christ's twofold command: to love God and neighbor as self. (...)
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  7. Postmodernism and the dilemma of an appropriate Christian paradigm for ethical descision making.Edvard Kristian Foshaugen - 2000 - Dissertation, Stellenbosch
    The Church is facing a dilemma in how to apply and live out its message in a postmodern world. For many in the Church an understanding and application of morals and ethics has become bewildering. This assignment attempts to develop a Christian vocabulary and conceptual framework for morality. This is done by firstly elucidating the milieu out of which postmodernism arose. Modernism, through universal claims of reason and instrumental rationality, believed in the ultimate mastery of the world. The failure of (...)
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  8. Thompson's modes of operation of ideology and depth hermeneutics as hermeneutical tools: ideology and the Sermon on the Mount (Matthew 4:23-7:29): forum.Edvard Kristian - 2004 - Acta Theologica 24 (1).
    This paper will first provide a synopsis of Thompson's understanding of ideology and then apply it to two selected verses (Mt 5:3 & 4) from the Sermon on the Mount. An attempt will be made to reveal the existence of an ideology in the text, determine its symbolic form and construction, and confirm the suitability of Thompson's modes of operation of ideology and depth hermeneutics as tools of interpretation to be applied to the text. This methodology will disclose how one (...)
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  9. Attempting a dialectical reconciliation of the concept truth in the objectivism of evangelical christianity and the relativism of postmodernism.Edvard Kristian - 2004 - Acta Theologica 24 (2).
    The Church faces a number of challenges concerning the sociological impact postmodernism is having on society. And one very significant area that has been profoundly disputed is the epistemological content of the concept of truth. Evangelical Christians believe in Objectivism: the conviction that there exists some ahistorical (outside of history) source, foundation or framework to which we can appeal to in determining the substance and nature of truth, knowledge, reality, right or wrong that is independent and external to personal experience (...)
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  10. Developing the Silver Economy and Related Government Resources for Seniors: A Position Paper.Maristella Agosti, Moira Allan, Ágnes Bene, Kathryn L. Braun, Luigi Campanella, Marek Chałas, Cheah Tuck Wing, Dragan Čišić, George Christodoulou, Elísio Manuel de Sousa Costa, Lucija Čok, Jožica Dorniž, Aleksandar Erceg, Marzanna Farnicka, Anna Grabowska, Jože Gričar, Anne-Marie Guillemard, An Hermans, Helen Hirsh Spence, Jan Hively, Paul Irving, Loredana Ivan, Miha Ješe, Isaac Kabelenga, Andrzej Klimczuk, Jasna Kolar Macur, Annigje Kruytbosch, Dušan Luin, Heinrich C. Mayr, Magen Mhaka-Mutepfa, Marian Niedźwiedziński, Gyula Ocskay, Christine O’Kelly, Nancy Papalexandri, Ermira Pirdeni, Tine Radinja, Anja Rebolj, Gregory M. Sadlek, Raymond Saner, Lichia Saner-Yiu, Bernhard Schrefler, Ana Joao Sepúlveda, Giuseppe Stellin, Dušan Šoltés, Adolf Šostar, Paul Timmers, Bojan Tomšič, Ljubomir Trajkovski, Bogusława Urbaniak, Peter Wintlev-Jensen & Valerie Wood-Gaiger - manuscript
    The precarious rights of senior citizens, especially those who are highly educated and who are expected to counsel and guide the younger generations, has stimulated the creation internationally of advocacy associations and opinion leader groups. The strength of these groups, however, varies from country to country. In some countries, they are supported and are the focus of intense interest; in others, they are practically ignored. For this is reason we believe that the creation of a network of all these associations (...)
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  11. Leitura das influências de Antonin Artaud (especialmente exercidas por Edvard Munch) e o impacto dessas na constituição de seu estilo. Correspondência biográfica e processo de intertextualidade: Artaud Munch.Caroline Pires Ting - 2016 - Maracanan 12 (14):322-337.
    Edvard Munch (Løten, 1863 — Ekely, 1944), Antonin Artaud (Marseille 1896–Paris 1948): deux artistes bouleversés par des conditions de santé fragile et par des crises nerveuses. Une relation s’instaure entre eux. Chacun, de manière particulière, invite le spectateur à réviser son rapport avec la mort, la mélancolie et les forces de la nature. Tantôt cette relation s’exprime dans les écrits personnels d’Artaud ; tantôt elle apparaît dans le rapprochement que nous pouvons faire entre les oeuvres graphiques d’Artaud, qui mettent (...)
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  12.  63
    Imagining Hedda Gabler: Munch and Ibsen on Art and Modern Life.Kristin Gjesdal - 2017 - Text Matters - a Journal of Literature, Theory and Culture 7 (7):71-86.
    Among Edvard Munch’s many portraits of Henrik Ibsen, the famous Norwegian dramatist and Munch’s senior by a generation, one stands out. Large in scope and with a characteristic pallet of roughly hewed gray blue, green and yellow, the sketch is given the title Geniuses. Munch’s sketch shows Ibsen, who had died a few years earlier, in the company of Socrates and Nietzsche. The picture was a working sketch for a painting commissioned by the University. While Munch, in the end, (...)
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